array_files=new Array(); array_files[0]=new Array(0,1,"http://www.sgaaonline.com/articles/selecting_a_studio.htm","2009-03-05","55K","Selecting a Studio ","",""," Selecting a Studio You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Selecting a Studio Once the decision to include stained glass in a building project is made, there are several important factors that should be considered in selecting the studio with which to work. The selection process involves many factors, not the least of which is the reason or reasons stained glass is being incorporated into the building, including: a request from the client to incorporate art into the building a need to control light the need to block an unattractive view while still admitting natural light the need to create an environment or mood Different stained glass studios excel in different aspects of the craft. A studio that specializes in contemporary design may be ill equipped to create medieval-style windows. The initial interviews, in which the architect or client meets with representatives of several different studios, is the time to determine which studios are best suited to create glass for the particular project. The initial interview should include as much detail as possible about the project, including subject, specifications, style and budget. This is also the time to discuss how many different designs will be submitted for consideration in a particular project and what the fee for those designs will be. Following the initial interview, the client should be able to develop a short list of possible studio candidates. Once this list is developed, the process of selection continues with investigating the studio’s background and past work. The client should request slides of work completed by the different studios as well as the design sketches from those projects. This allows the client to see the nature of that particular studio’s work and to determine how well the designs translate into finished work. The Stained Glass Association of America stresses the importance of checking a studio’s references and questioning such factors as the studio’s ability to complete work within the given time frame and to work with architects and construction companies involved in the creation of the entire project. The SGAA also recommends checking jobs that are several years old to make sure the designs have stood up to time, environment, building codes and standards. It is also important to check the studio’s finances to insure that the business is stable and able to support the project. If at all possible, the client should visit the studios under consideration for the project. Insight into the company’s work procedures, abilities and particular approach would be best determined by observing the craftspersons and their working environment. Having conducted interviews and researched the studios considered, the client is then in a position to select the studio to perform the commission. A contract should then be drawn up that includes a description of the subject to be addressed; specifications for the finished windows; the process of design acceptance; overall budget and payment schedule; deadlines for the submission (and selection) of designs, cartoons and the finished stained glass; and the responsibility of final installation. With the field narrowed to one studio and a contract between the studio and client agreed upon, the process of design begins. While the design process will be unique to each commission, it will generally be a process of ongoing dialogue between the studio and the client to insure that the client’s needs and expectations are met. This is also the time to finalize the selection of the glass palette to be incorporated into the final project. Once a design is selected, the process of cartooning and fabrication can begin. Cartooning consists of full-size drawings of the stained glass project which illustrate the placement of glass and the material which will be used to secure the glass in place, such as lead, copper foil or epoxy. The cartoon will serve as the pattern as the piece is fabricated. Fabrication involves the actual building of the stained glass, using techniques appropriate to the project. While the finished piece may be quite large, stained glass is generally built in smaller panels, rarely larger than three feet on the longest side. This allows the installed piece to better withstand the stresses it will endure when in place in the building. Installation should generally either be performed by the studio which creates the stained glass or be subcontracted by that studio. Stained glass that will have an exterior facing requires an airtight seal in the frame. If secondary or protective glazing is to be incorporated, there should be between .75 and 1.5 clearance between the stained glass and the secondary glazing; vents should always be incorporated into the design to prevent condensation and allow air circulation between the stained glass and its secondary glazing. Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship Current SGAA Fully-Accredited Studio Members (as of the publication of Sourcebook 2009) Christopher Haynes A & H Art & Stained Glass Co., Inc. PO Box 67 Harmony NC 28634 ahstainglass@yadtel.net www.ahstainedglass.com 704.546.2687 704.546.2085 Merry S. George Advent Glass Works, Inc. PO Box 174 Ft. White FL 32038 tgatagw@alltel.net www.adventglassworks.com 800.207.4875(FL) 386.497.2050 386.497.2941 (out of FL) 888.528.8803 William O. Miles Artisan Glass Works, Inc. 1609 Union Avenue Baltimore MD 21211 womiles@aol.com www.agwglass.com 410.366.0300 410.366.5666 Sister Marie Tatina Oblate OSB Artistic Designs Enterprises 3873 El Paso Alto San Marcos CA 92069 mtatina@ix.netcom.com www.artisticdesign.org 800.339.6259 760.599.1095 Joseph Beyer Beyer Studio, Inc. 9511 Germantown Avenue Philadelphia PA 19118 mail@beyerstudio.com www.beyerstudio.com 215.848.3502 215.848.3535 Ettore Christopher Botti Botti Studio of Architectural Arts, Inc. 919 Grove Street Evanston IL 60201-4315 botti@bottistudio.com www.bottistudio.com 800.524.7211 847.869.5933 847.869.5996 Randall D. Leever The Boulder Stained Glass Studios 1920 Arapahoe Avenue Boulder CO 80302 rdlbsg@comcast.net www.bldstglst.com 303.449.9030 Ronald Bovard Bovard Studio Inc. 2281 Highway 34 East Fairfield IA 52556-8560 info@bovardstudio.com www.bovardstudio.com 800.452.7796 641.472.2824 641.472.0974 Joseph H. Bullas Bullas Glass, Ltd. 15 Joseph Street Kitchener ON N2G 1H9 CANADA joebullas@sympatico.ca 519.658.0724 519.745.1124 Richard Mesmer Cascade Glass Art Center 9003 151st Street NE Redmond WA 98052 richard@nwartglass.com www.cascadegac.com 425.861.8600 425.861.9300 Lawrence A. Casola Casola Stained Glass Studio, Inc. 11000 Metro Parkway, Suite 11 Ft. Myers FL 33966-1210 casolasgs@aol.com www.churcharts.com 800.330.4527 239.939.0055 239.939.0068 Adrian J. Cavallini The Cavallini Co., Inc. Stained Glass Studio 3410 Fredericksburg Road San Antonio TX 78201-3847 cavallinis@aol.com www.cavallinistudios.com 800.723.8161 210.733.8161 210.737.1863 Richard M. Hollman City Glass Specialty, Inc. 2124 South Calhoun Street Ft. Wayne IN 46802 cityglassspecialty@yahoo.com www.cityglassspecialty.com 260.744.3301 260.744.2522 Gunar Gruenke Conrad Schmitt Studios, Inc. 2405 South 162nd Street New Berlin WI 53151 gunar@conradschmitt.com www.conradschmitt.com 800.969.3033 262.786.3030 262.786.9036 David Mroz Coventry Glassworks 514 West College Avenue Appleton WI 54911 coventryglass@usa.net 920.739.5762 920.739.5881 Kirk Reber Creative Glassworks, Inc. 1985 Mayport Road Atlantic Beach FL 32233 staff@creativeglassworks.com www.creativeglassworks.com 888.606.0630 904.247.0064 904.246.7188 Michael J. Shields Creative Stained Glass Studio 5318 Evergreen Heights Drive Evergreen CO 80439 myksds@aol.com www.csgstudio.com 303.988.0444 Bryan Lerew Cumberland Stained Glass, Inc. 5232 East Trindle Road Mechanicsburg PA 17050 info@cumberlandstainedglass.com www.cumberlandstainedglass.com 717.691.8290 717.591.9807 Paul Coulaz Durhan Studios, Inc. 330 Eagle Avenue West Hempstead NY 11552 durhanstudios@verizon.net 516.481.5656 516.481.7905 Jerome Durr Jerome R. Durr Studio 206 Marcellus Street Syracuse NY 13204 jrdurr0art@aol.com www.jeromedurr.com 315.428.1322 315.478.1767 Dennis R. Harmon Emmanuel Stained Glass Studio, Inc. 410 Maple Avenue Nashville TN 37210 dennis@emmanuelstudio.com www.emmanuelstudio.com 800.326.2228 615.255.5446 615.255.5447 Ann Fox Vannice Fox Studios, Inc. 5901 North College Avenue Indianapolis IN 46220 cfox@foxglassstudio.com www.foxglassstudio.com 317.253.0135 317.253.5647 Gary L. Helf Franklin Art Glass Studios, Inc. 222 East Sycamore Street Columbus OH 43206 info@franklinartglass.com www.franklinartglass.com 800.848.7683 614.221.2972 614.221.5223 Valerie McCartney Full Spectrum Stained Glass, Inc. 31323 Colon Road Colon MI 49040 fssgi@aol.com www.churchwindows.net 269.432.2610 269.432.9411 John C. Salisbury Gaytee Stained Glass, Inc. 2744 Lyndale Avenue South Minneapolis MN 55408 gayteeglass@qwest.net www.gayteestainedglass.com 888.872.4550 612.872.4551 Ed Gilbertson Gilbertsons Stained Glass Studio 705 Madison Street Lake Geneva WI 53147-1409 gsgs@genevaonline.com www.stainedartglass.com 262.248.8022 262.248.3044 John P. Watts Glass Heritage, LLC 234 West 3rd Street Davenport IA 52801 john@glassheritage.com www.glassheritage.com 877.324.4300 563.324.4300 563.324.4321 David Guarducci Guarducci Stained Glass Studios 64 Stoney Brook Road Great Barrington MA 01230 guarduccistainedglassstudios@yahoo.com www.guarduccistudios.com 413.528.6287 Pat Haeger Haeger Stained Glass 10741 Ridgeview Avenue San Jose CA 95127 art-glas@pacbell.net www.haegerstainedglass.com 408.251.2019 408.923.5194 (phone first) Kevin Hershey Hershey Stained Glass Studio 20907 Acorn Avenue Milton IA 52570 artglass@netins.net www.hersheystudio.com 641.675.3740 641.675.3946 Nicholas Parrendo Hunt Stained Glass Studios, Inc. 1756 West Carson Street Pittsburgh PA 15219-1036 huntsg@msn.com www.huntstainedglass.com 412.391.1796 412.391.1560 Dennis Roberts IHS Studios, Inc. 1400 FM 2093 Fredericksburg TX 78624-7663 sales@ihsstudios.com www.ihsstudios.com 800.259.1842 830.997.1842 800.296.4314 David A. Simmons Jennifers Glassworks, LLC 4875 South Atlanta Road Smyrna GA 30080 sales@jennifersglassworks.com www.jennifersglassworks.com 800.241.3388 404.355.3080 404.355.6566 David Judson The Judson Studios 200 South Avenue 66 Los Angeles CA 90042 info@judsonstudios.com www.judsonstudios.com 800.445.8376 323.255.0131 323.255.8529 Irmgard Kebrle Kebrle Stained Glass Studio, Inc. 2829 Bachman Drive Dallas TX 75220 kebrlestainedglass@yahoo.com www.kebrlestainedglass.com 214.357.5922 Donald Samick The J. & R. Lamb Studios, Inc. 436 West Main Street Wyckoff NJ 07481 info@lambstudios.com www.lambstudios.com 201.891.8585 201.891.8855 Michael A. Laws Laws Stained Glass Studios, Inc. 145 Ebenezer Lane Statesville NC 28625 info@lawsstainedglass.com www.lawsstainedglass.com 800.820.1292 704.876.3463 704.876.4238 Roy Loman Loman Studio, Inc. 9133 East 46th Street Tulsa OK 74145-4823 rl@lomanstudios.com www.lomanstudios.com 918.627.6973 918.627.7274 Robert C. Speake Lynchburg Stained Glass Co. PO Box 4453 Lynchburg VA 24502 info@lynchburgstainedglass.com www.lynchburgstainedglass.com 800.237.6161 434.525.6168 Nidia M. Mezalick Mezalick Design Studio, LLC 4526 Griscom Street Philadelphia PA 19124-3640 nidia@mezalick.com www.mezalick.com 215.744.5490 215.744.3253 Douglas L. Gammon Midwestern Stained Glass Studios, Inc. 214 South Cedar Nevada MO 64772 800.525.8442 417.667.8185 Jules T. Mominee Mominee Studios, Inc. 5001 Lincoln Avenue Evansville IN 47715-4113 mominee@momineestudios.com www.momineestudios.com 800.473.1691 812.473.1691 812.473.0676 Peter Morava Morava Studios 11 Harrison Street Oak Park IL 60304 moravastudios@sbcglobal.net www.moravaglass.com 708.383.9333 708.383.9314 Tim Smith Moss Stained Glass, LLC 2501 East 8th Street Anderson IN 46012 tsmith@mossglass.com www.mossglass.com 888.833.6677 765.643.0439 Paul Phelps Oakbrook Esser Studios, Inc. 129 East Wisconsin Avenue Oconomowoc WI 53066-3033 info@oakbrookesser.com www.oakbrookesser.com 800.223.5193 262.567.9310 262.567.6487 Andrew Young Pearl River Glass Studio, Inc. 142 Millsaps Avenue Jackson MS 39202 info@pearlriverglass.com www.pearlriverglass.com 800.771.3639 601.353.2497 601.969.9315 Elizabeth E. Perry Perry Stained Glass Studio 470 Front Street North Issaquah WA 98027 psgstudio@aol.com www.perrystainedglass.com 425.392.1600 425.391.7734 Mona Phillips Phillips Stained Glass Studio, Inc. 2310 Superior Avenue Cleveland OH 44114-4225 mospaphil@yahoo.com 216.696.0008 216.696.0008 Paul Pickel Conrad Pickel Studio, Inc. 7777 20th Street Vero Beach FL 32966 info@pickelstudio.com www.pickelstudio.com 772.567.1710 772.569.1485 James T. Piercey J. Piercey Studios, Inc. 1714 Acme Street Orlando FL 32805 jpstudios@aol.com www.jpiercey.com 800.368.9226 407.841.7594 407.841.6444 Fred M. Poremba Poremba Stained Glass Studio, Inc. 20806 Aurora Road Cleveland OH 44146-1006 fporemba@alltel.net www.porembastudio.com 216.662.8360 216.662.8361 Jenkyn A. Powell Powell Brothers & Sons Glass Art 4050 South Howick Street, Suite 10E Salt Lake City UT 84107 jenkyn@xmission.com www.powellbrosglassart.com 888.484.5184 801.262.4002 Martin Rambusch Rambusch Decorating Company Chairman of the Board 160 Cornelison Avenue Jersey City NJ 07304 martinr@rambusch.com www.rambusch.com 201.333.2525 201.860.9999 John M. Raynal Raynal Studios, Inc. PO Box 405 Natural Bridge Stn. VA 24579 raynal@rockbridge.net www.raynalstudios.com 800.305.0959 540.291.1198 877.717.2398 H. B. Mertz Renaissance Glassworks, Inc. 3311 Washington Road McMurray PA 15317 hbmertz@verizon.net 724.969.9009 724.969.4177 Peter Hans Rohlf Rohlfs Stained & Leaded Glass Studio, Inc. 783 South Third Avenue Mt. Vernon NY 10550 rohlf1@aol.com www.rohlfstudio.com 800.969.4106 914.699.4848 914.699.7091 Dennis F. Shobe Shobes Stained Glass Art Studio PO Box 1692 1529 4th Avenue Huntington WV 25717-1692 d.shobe3@verizon.net 304 522 0308 Michael J. Marsh Stained Glass Associates, Inc. PO Box 296 Knightdale NC 27545 www.stainedglassassoc.com 919.266.2493 919.266.6228 Sue Shea Stained Glass Resources, Inc. 15 Commercial Drive Hampden MA 01036 mail@stainedglassresources.com www.stainedglassresources.com 800.883.5052 413.566.5053 413.566.2935 Bryant Stanton Stanton Glass Studio, LLC 318 Rogers Hill Road Waco TX 76705 info@stantonglass.com www.stantonglass.com 254.829.1151 254.829.2521 Ben Parham State of the Art, Inc. 8705 Unicorn Drive, #B310 Knoxville TN 37923 sotaglass@aol.com www.sotaglass.com 888.539.0415 865.539.0416 Dennis L. Lackey Statesville Stained Glass, Inc. 136 Christopher Lane Statesville NC 28625 dl@statesvillestainedglass.com www.statesvillestainedglass.com 704.872.5147 704.872.7813 Richard Bohm Tulsa Stained Glass Co. 7976 East 41st Street Tulsa OK 74145 richard@tulsastainedglass.com www.tulsastainedglass.com 918.664.8604 918.665.3300 Jed Boertlein Washington Art Glass Studio 6618 Walker Mill Road Capitol Heights MD 20743 washartglass@comcast.net www.washingtonartglass.com 301.735.6292 Peter Billington Whitney Stained Glass Studio, Inc. 2530 Superior Ave East Suite 500 Cleveland OH 44114 info@whitneystainedglass.com www.whitneystainedglass.com 888.974.9747 216.348.1616 216.348.1116 Jack Whitworth, III Whitworth Stained Glass 104 Melody Lane New Braunfels TX 78130 jack@whitworthstainedglass.com www.whitworthstainedglass.com 800.318.0122 830.214.3370 830.620.5399 Jim Hauser Willet Hauser Architectural Glass, Inc. 10 East Moreland Avenue Philadelphia PA 19118 info@willethauser.com www.willethauser.com 800.533.3960 507.457.0554 Linda Williams Williams Stained Glass Studio 1115 Castle Shannon Blvd. Pittsburgh PA 15234 wsg@williamsstainedglass.com www.williamsstainedglass.com 412.344.0220 412.344.0219 Reggie Buehrer Window Creations, LLC PO Box 485 Ottoville OH 45876 bstudios@bright.net www.bstudios.net 800.633.4571 419.453.2004 419.453.2006 Current SGAA Active Accredited Members (as of the publication of Sourcebook 2009) David Fjeld Big Sky Stained Glass Art, Inc. 2421 West College Street Bozeman MT 59718 fdavid96@aol.com www.bigskystainedglass.com 406.586.6016 Diane Eissinger Diane Eissinger Stained Glass 44290 Willis Road Belleville MI 48111-8942 deissinger@comcast.net 734.699.9344 Angelique Jackson Jancik Arts International, Inc. 984 Timber Bluff Drive Clayton GA 30525 jaiatl@bellsouth.net www.jancikarts.com 800.254.1593 404.371.0610 404.371.9084 Bill Klopsch Bill Klopsch Stained Glass 4656 West Church Street Skokie IL 60076 bill@billklopschstainedglass.com www.billklopschstainedglass.com 847.329.9369 847.329.9350 Ellen Mandelbaum Ellen Mandelbaum Glass Art 39-49 46th Street Sunnyside NY 11104-1407 emga@earthlink.net www.emglassart.com 718.361.8154 William Reinarts Reinarts Stained Glass Studios PO Box 872 Winona MN 55987-0872 reinarts@hbci.com www.reinarts.com 507.452.4465 507.452.4649 Keiko Miura Roclair Production Co, LTD 21-12 Megamiyama-Cho Koyoen Nishinomiya Hyogo 662-0011 JAPAN roclair@muc.biglobe.ne.jp www.roclair.co.jp 81.79.8730.878 81.79.8737.737 Al Priest Salem Stained Glass, Inc. PO Box 612 East Bend NC 27018 alssg@yadtel.net www.salemstainedglass.com 336.699.3421 336.699.3437 Current SGAA Artist/Designer Accredited Members (as of the publication of Sourcebook 2009) Roy Walter Coomber 39 Vicarage Road Bishopsworth Bristol BS13 8ER UNITED KINGDOM rwcoomber@aol.com 44.117.9.640.643 44.117.9.633.312 Mark Eric Gulsrud 3309 Tahoma Place West Tacoma WA 98466 markgulsrud@aol.com www.markericgulsrud.com 253.566.1720 253.565.5981 C. Robert Markert 9023 Black Powder Lane Louisville KY 40228 bobpatsy@bellsouth.net 502.231.5634 Inge Pape Trampler 23 Del Rey Drive Mt. Vernon NY 10552 ingepapetrampler@hotmail.com www.ingepapetrampler.com 914.699.8616 [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[1]=new Array(0,1,"http://www.sgaaonline.com/articles/accredited_ManufSupp.htm","2009-03-05","17K","Accredited Craft Supply/Manufacturer Members ","",""," Accredited Craft Supply/Manufacturer Members You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Accredited Craft Supplier/ Manufacturer Members of the Stained Glass Association of America Robert Jayson S.A. Bendheim Co., Inc. 61 Willett Street Passaic NJ 07055 info@bendheim.com www.bendheim.com 800.221.7379 973.471.1640 Don Lemley Blenko Glass Co., Inc. PO Box 67 9 Bill Blenko Drive Milton WV 25541 www.blenkoglass.com 304.743.9081 304.743.0547 John Weaver CAFF Company 370 Vista Park Drive Pittsburgh PA 15205 www.caffcompany.com 412.787.1761 412.788.2233 Dennis H. Dailey DHD Metals, Inc. PO Box 165 Conyers GA 30012 info@dhdmetalslead.com www.dhdmetalslead.com 800.428.6693 770.760.9404 770.760.9032 Roger H. Bibo Franciscan Glass Co., Inc. 35255 Fircrest Street Newark CA 94560 sale@franciscanglass.com www.franciscanglassco.com 800.229.7728 510.505.9775 800.229.7730 510.505.9917 Lori Mitchell Glastar Corporation 20721 Marilla Street Chatsworth CA 91311 sgaa@glastar.com www.glastar.com 800.423.5635 818.341.0301 818.998.2078 Edward W. Hoy Ed Hoys International 27625 Diehl Road Warrenville IL 60555-3838 info@edhoy.com www.edhoy.com 800.323.5668 630.836.1362 Richard Elliott Kokomo Opalescent Glass Co., Inc. PO Box 2265 Kokomo IN 46904-2265 eliot@kog.com www.kog.com 765.457.8136 765.459.5177 Jennifer Banbury MAYCO Industries 18 West Oxmoor Road Birmingham AL 35209 sales@maycoindustries.com www.maycoindustries.com 800.749.6061 205.942.4242 205.945.8704 Jon Rarick Reusche & Co. of TWS, Inc. 1299 H Street Greeley CO 80631 jrarick@reuscheco.com www.reuscheco.com 970.346.8577 970.346.8575 Michele Koballa SCHOTT North America, Inc. 555 Taxter Road Elmsford NY 10523 michele.koballa@us.schott.com www.us.schott.com 914.831.2200 914.831.2346 David Sussman J. Sussman, Inc. 109-10 180th Street Jamaica NY 11433 sales@jsussmaninc.com www.jsussmaninc.com 718.297.0228 718.297.3090 Mark Feldmeier The Paul Wissmach Glass Co., Inc. PO Box 228 Paden City WV 26159 wissmach@verizon.net www.wissmachglass.com 304.337.2253 304.337.8800 [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[2]=new Array(0,1,"http://www.sgaaonline.com/articles/accredited_FS.htm","2009-03-05","44K","Accredited Members ","",""," Accredited Members You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Accredited Full Service Studios Christopher Haynes A & H Art & Stained Glass Co., Inc. PO Box 67 Harmony NC 28634 ahstainglass@yadtel.net www.ahstainedglass.com 704.546.2687 704.546.2085 Merry S. George Advent Glass Works, Inc. PO Box 174 Ft. White FL 32038 tgatagw@alltel.net www.adventglassworks.com 800.207.4875(FL) 386.497.2050 386.497.2941 (out of FL) 888.528.8803 William O. Miles Artisan Glass Works, Inc. 1609 Union Avenue Baltimore MD 21211 womiles@aol.com www.agwglass.com 410.366.0300 410.366.5666 Sister Marie Tatina Oblate OSB Artistic Designs Enterprises 3873 El Paso Alto San Marcos CA 92069 mtatina@ix.netcom.com www.artisticdesign.org 800.339.6259 760.599.1095 Joseph Beyer Beyer Studio, Inc. 9511 Germantown Avenue Philadelphia PA 19118 mail@beyerstudio.com www.beyerstudio.com 215.848.3502 215.848.3535 Ettore Christopher Botti Botti Studio of Architectural Arts, Inc. 919 Grove Street Evanston IL 60201-4315 botti@bottistudio.com www.bottistudio.com 800.524.7211 847.869.5933 847.869.5996 Randall D. Leever The Boulder Stained Glass Studios 1920 Arapahoe Avenue Boulder CO 80302 rdlbsg@comcast.net www.bldstglst.com 303.449.9030 Ronald Bovard Bovard Studio Inc. 2281 Highway 34 East Fairfield IA 52556-8560 info@bovardstudio.com www.bovardstudio.com 800.452.7796 641.472.2824 641.472.0974 Joseph H. Bullas Bullas Glass, Ltd. 15 Joseph Street Kitchener ON N2G 1H9 CANADA joebullas@sympatico.ca 519.658.0724 519.745.1124 Richard Mesmer Cascade Glass Art Center 9003 151st Street NE Redmond WA 98052 richard@nwartglass.com www.cascadegac.com 425.861.8600 425.861.9300 Lawrence A. Casola Casola Stained Glass Studio, Inc. 11000 Metro Parkway, Suite 11 Ft. Myers FL 33966-1210 casolasgs@aol.com www.churcharts.com 800.330.4527 239.939.0055 239.939.0068 Adrian J. Cavallini The Cavallini Co., Inc. Stained Glass Studio 3410 Fredericksburg Road San Antonio TX 78201-3847 cavallinis@aol.com www.cavallinistudios.com 800.723.8161 210.733.8161 210.737.1863 Richard M. Hollman City Glass Specialty, Inc. 2124 South Calhoun Street Ft. Wayne IN 46802 cityglassspecialty@yahoo.com www.cityglassspecialty.com 260.744.3301 260.744.2522 Gunar Gruenke Conrad Schmitt Studios, Inc. 2405 South 162nd Street New Berlin WI 53151 gunar@conradschmitt.com www.conradschmitt.com 800.969.3033 262.786.3030 262.786.9036 David Mroz Coventry Glassworks 514 West College Avenue Appleton WI 54911 coventryglass@usa.net 920.739.5762 920.739.5881 Kirk Reber Creative Glassworks, Inc. 1985 Mayport Road Atlantic Beach FL 32233 staff@creativeglassworks.com www.creativeglassworks.com 888.606.0630 904.247.0064 904.246.7188 Michael J. Shields Creative Stained Glass Studio 5318 Evergreen Heights Drive Evergreen CO 80439 myksds@aol.com www.csgstudio.com 303.988.0444 Bryan Lerew Cumberland Stained Glass, Inc. 5232 East Trindle Road Mechanicsburg PA 17050 info@cumberlandstainedglass.com www.cumberlandstainedglass.com 717.691.8290 717.591.9807 Paul Coulaz Durhan Studios, Inc. 330 Eagle Avenue West Hempstead NY 11552 durhanstudios@verizon.net 516.481.5656 516.481.7905 Jerome Durr Jerome R. Durr Studio 206 Marcellus Street Syracuse NY 13204 jrdurr0art@aol.com www.jeromedurr.com 315.428.1322 315.478.1767 Dennis R. Harmon Emmanuel Stained Glass Studio, Inc. 410 Maple Avenue Nashville TN 37210 dennis@emmanuelstudio.com www.emmanuelstudio.com 800.326.2228 615.255.5446 615.255.5447 Ann Fox Vannice Fox Studios, Inc. 5901 North College Avenue Indianapolis IN 46220 cfox@foxglassstudio.com www.foxglassstudio.com 317.253.0135 317.253.5647 Gary L. Helf Franklin Art Glass Studios, Inc. 222 East Sycamore Street Columbus OH 43206 info@franklinartglass.com www.franklinartglass.com 800.848.7683 614.221.2972 614.221.5223 Valerie McCartney Full Spectrum Stained Glass, Inc. 31323 Colon Road Colon MI 49040 fssgi@aol.com www.churchwindows.net 269.432.2610 269.432.9411 John C. Salisbury Gaytee Stained Glass, Inc. 2744 Lyndale Avenue South Minneapolis MN 55408 gayteeglass@qwest.net www.gayteestainedglass.com 888.872.4550 612.872.4551 Ed Gilbertson Gilbertsons Stained Glass Studio 705 Madison Street Lake Geneva WI 53147-1409 gsgs@genevaonline.com www.stainedartglass.com 262.248.8022 262.248.3044 John P. Watts Glass Heritage, LLC 234 West 3rd Street Davenport IA 52801 john@glassheritage.com www.glassheritage.com 877.324.4300 563.324.4300 563.324.4321 David Guarducci Guarducci Stained Glass Studios 64 Stoney Brook Road Great Barrington MA 01230 guarduccistainedglassstudios@yahoo.com www.guarduccistudios.com 413.528.6287 Pat Haeger Haeger Stained Glass 10741 Ridgeview Avenue San Jose CA 95127 art-glas@pacbell.net www.haegerstainedglass.com 408.251.2019 408.923.5194 (phone first) Kevin Hershey Hershey Stained Glass Studio 20907 Acorn Avenue Milton IA 52570 artglass@netins.net www.hersheystudio.com 641.675.3740 641.675.3946 Nicholas Parrendo Hunt Stained Glass Studios, Inc. 1756 West Carson Street Pittsburgh PA 15219-1036 huntsg@msn.com www.huntstainedglass.com 412.391.1796 412.391.1560 Dennis Roberts IHS Studios, Inc. 1400 FM 2093 Fredericksburg TX 78624-7663 sales@ihsstudios.com www.ihsstudios.com 800.259.1842 830.997.1842 800.296.4314 David A. Simmons Jennifers Glassworks, LLC 4875 South Atlanta Road Smyrna GA 30080 sales@jennifersglassworks.com www.jennifersglassworks.com 800.241.3388 404.355.3080 404.355.6566 David Judson The Judson Studios 200 South Avenue 66 Los Angeles CA 90042 info@judsonstudios.com www.judsonstudios.com 800.445.8376 323.255.0131 323.255.8529 Irmgard Kebrle Kebrle Stained Glass Studio, Inc. 2829 Bachman Drive Dallas TX 75220 kebrlestainedglass@yahoo.com www.kebrlestainedglass.com 214.357.5922 Donald Samick The J. & R. Lamb Studios, Inc. 436 West Main Street Wyckoff NJ 07481 info@lambstudios.com www.lambstudios.com 201.891.8585 201.891.8855 Michael A. Laws Laws Stained Glass Studios, Inc. 145 Ebenezer Lane Statesville NC 28625 info@lawsstainedglass.com www.lawsstainedglass.com 800.820.1292 704.876.3463 704.876.4238 Roy Loman Loman Studio, Inc. 9133 East 46th Street Tulsa OK 74145-4823 rl@lomanstudios.com www.lomanstudios.com 918.627.6973 918.627.7274 Robert C. Speake Lynchburg Stained Glass Co. PO Box 4453 Lynchburg VA 24502 info@lynchburgstainedglass.com www.lynchburgstainedglass.com 800.237.6161 434.525.6168 Nidia M. Mezalick Mezalick Design Studio, LLC 4526 Griscom Street Philadelphia PA 19124-3640 nidia@mezalick.com www.mezalick.com 215.744.5490 215.744.3253 Douglas L. Gammon Midwestern Stained Glass Studios, Inc. 214 South Cedar Nevada MO 64772 800.525.8442 417.667.8185 Jules T. Mominee Mominee Studios, Inc. 5001 Lincoln Avenue Evansville IN 47715-4113 mominee@momineestudios.com www.momineestudios.com 800.473.1691 812.473.1691 812.473.0676 Peter Morava Morava Studios 11 Harrison Street Oak Park IL 60304 moravastudios@sbcglobal.net www.moravaglass.com 708.383.9333 708.383.9314 Tim Smith Moss Stained Glass, LLC 2501 East 8th Street Anderson IN 46012 tsmith@mossglass.com www.mossglass.com 888.833.6677 765.643.0439 Paul Phelps Oakbrook Esser Studios, Inc. 129 East Wisconsin Avenue Oconomowoc WI 53066-3033 info@oakbrookesser.com www.oakbrookesser.com 800.223.5193 262.567.9310 262.567.6487 Andrew Young Pearl River Glass Studio, Inc. 142 Millsaps Avenue Jackson MS 39202 info@pearlriverglass.com www.pearlriverglass.com 800.771.3639 601.353.2497 601.969.9315 Elizabeth E. Perry Perry Stained Glass Studio 470 Front Street North Issaquah WA 98027 psgstudio@aol.com www.perrystainedglass.com 425.392.1600 425.391.7734 Mona Phillips Phillips Stained Glass Studio, Inc. 2310 Superior Avenue Cleveland OH 44114-4225 mospaphil@yahoo.com 216.696.0008 216.696.0008 Paul Pickel Conrad Pickel Studio, Inc. 7777 20th Street Vero Beach FL 32966 info@pickelstudio.com www.pickelstudio.com 772.567.1710 772.569.1485 James T. Piercey J. Piercey Studios, Inc. 1714 Acme Street Orlando FL 32805 jpstudios@aol.com www.jpiercey.com 800.368.9226 407.841.7594 407.841.6444 Fred M. Poremba Poremba Stained Glass Studio, Inc. 20806 Aurora Road Cleveland OH 44146-1006 fporemba@alltel.net www.porembastudio.com 216.662.8360 216.662.8361 Jenkyn A. Powell Powell Brothers & Sons Glass Art 4050 South Howick Street, Suite 10E Salt Lake City UT 84107 jenkyn@xmission.com www.powellbrosglassart.com 888.484.5184 801.262.4002 Martin Rambusch Rambusch Decorating Company Chairman of the Board 160 Cornelison Avenue Jersey City NJ 07304 martinr@rambusch.com www.rambusch.com 201.333.2525 201.860.9999 John M. Raynal Raynal Studios, Inc. PO Box 405 Natural Bridge Stn. VA 24579 raynal@rockbridge.net www.raynalstudios.com 800.305.0959 540.291.1198 877.717.2398 H. B. Mertz Renaissance Glassworks, Inc. 3311 Washington Road McMurray PA 15317 hbmertz@verizon.net 724.969.9009 724.969.4177 Peter Hans Rohlf Rohlfs Stained & Leaded Glass Studio, Inc. 783 South Third Avenue Mt. Vernon NY 10550 rohlf1@aol.com www.rohlfstudio.com 800.969.4106 914.699.4848 914.699.7091 Dennis F. Shobe Shobes Stained Glass Art Studio PO Box 1692 1529 4th Avenue Huntington WV 25717-1692 d.shobe3@verizon.net 304 522 0308 Michael J. Marsh Stained Glass Associates, Inc. PO Box 296 Knightdale NC 27545 www.stainedglassassoc.com 919.266.2493 919.266.6228 Sue Shea Stained Glass Resources, Inc. 15 Commercial Drive Hampden MA 01036 mail@stainedglassresources.com www.stainedglassresources.com 800.883.5052 413.566.5053 413.566.2935 Bryant Stanton Stanton Glass Studio, LLC 318 Rogers Hill Road Waco TX 76705 info@stantonglass.com www.stantonglass.com 254.829.1151 254.829.2521 Ben Parham State of the Art, Inc. 8705 Unicorn Drive, #B310 Knoxville TN 37923 sotaglass@aol.com www.sotaglass.com 888.539.0415 865.539.0416 Dennis L. Lackey Statesville Stained Glass, Inc. 136 Christopher Lane Statesville NC 28625 dl@statesvillestainedglass.com www.statesvillestainedglass.com 704.872.5147 704.872.7813 Richard Bohm Tulsa Stained Glass Co. 7976 East 41st Street Tulsa OK 74145 richard@tulsastainedglass.com www.tulsastainedglass.com 918.664.8604 918.665.3300 Jed Boertlein Washington Art Glass Studio 6618 Walker Mill Road Capitol Heights MD 20743 washartglass@comcast.net www.washingtonartglass.com 301.735.6292 Peter Billington Whitney Stained Glass Studio, Inc. 2530 Superior Ave East Suite 500 Cleveland OH 44114 info@whitneystainedglass.com www.whitneystainedglass.com 888.974.9747 216.348.1616 216.348.1116 Jack Whitworth, III Whitworth Stained Glass 104 Melody Lane New Braunfels TX 78130 jack@whitworthstainedglass.com www.whitworthstainedglass.com 800.318.0122 830.214.3370 830.620.5399 Jim Hauser Willet Hauser Architectural Glass, Inc. 10 East Moreland Avenue Philadelphia PA 19118 info@willethauser.com www.willethauser.com 800.533.3960 507.457.0554 Linda Williams Williams Stained Glass Studio 1115 Castle Shannon Blvd. Pittsburgh PA 15234 wsg@williamsstainedglass.com www.williamsstainedglass.com 412.344.0220 412.344.0219 Reggie Buehrer Window Creations, LLC PO Box 485 Ottoville OH 45876 bstudios@bright.net www.bstudios.net 800.633.4571 419.453.2004 419.453.2006 [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[3]=new Array(0,1,"http://www.sgaaonline.com/articles/accredited_ArtDes.htm","2009-03-05","13K","Accredited Artist/Designer Members ","",""," Accredited Artist/Designer Members You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Accredited Artist/Designer Members Roy Walter Coomber 39 Vicarage Road Bishopsworth Bristol BS13 8ER UNITED KINGDOM rwcoomber@aol.com 44.117.9.640.643 44.117.9.633.312 Mark Eric Gulsrud 3309 Tahoma Place West Tacoma WA 98466 mark@markericgulsrud.com www.markericgulsrud.com 253.566.1720 253.565.5981 C. Robert Markert 9023 Black Powder Lane Louisville KY 40228 bmarkert@fenestraarts.com www.fenestraarts.com 502.231.5634 Inge Pape Trampler 23 Del Rey Drive Mt. Vernon NY 10552 ingepapetrampler@hotmail.com www.ingepapetrampler.com 914.699.8616 [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[4]=new Array(0,1,"http://www.sgaaonline.com/articles/accredited_ACTIVE.htm","2009-03-05","14K","Active Accredited Members ","",""," Active Accredited Members You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Active Accredited Members of the Stained Glass Association of America David Fjeld Big Sky Stained Glass Art, Inc. 2421 West College Street Bozeman MT 59718 fdavid96@aol.com www.bigskystainedglass.com 406.586.6016 Diane Eissinger Diane Eissinger Stained Glass 44290 Willis Road Belleville MI 48111-8942 deissinger@comcast.net 734.699.9344 Angelique Jackson Jancik Arts International, Inc. 984 Timber Bluff Drive Clayton GA 30525 jaiatl@bellsouth.net www.jancikarts.com 800.254.1593 404.371.0610 404.371.9084 Bill Klopsch Bill Klopsch Stained Glass 4656 West Church Street Skokie IL 60076 bill@billklopschstainedglass.com www.billklopschstainedglass.com 847.329.9369 847.329.9350 Ellen Mandelbaum Ellen Mandelbaum Glass Art 39-49 46th Street Sunnyside NY 11104-1407 emga@earthlink.net www.emglassart.com 718.361.8154 William Reinarts Reinarts Stained Glass Studios PO Box 872 Winona MN 55987-0872 reinarts@hbci.com www.reinarts.com 507.452.4465 507.452.4649 Keiko Miura Roclair Production Co, LTD 21-12 Megamiyama-Cho Koyoen Nishinomiya Hyogo 662-0011 JAPAN roclair@muc.biglobe.ne.jp www.roclair.co.jp 81.79.8730.878 81.79.8737.737 Al Priest Salem Stained Glass, Inc. PO Box 612 East Bend NC 27018 alssg@yadtel.net www.salemstainedglass.com 336.699.3421 336.699.3437 [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[5]=new Array(0,1,"http://www.sgaaonline.com/pages/page_013.htm","2009-03-05","12K","Page 013 ","",""," Page 013 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Standing Committees www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[6]=new Array(0,1,"http://www.sgaaonline.com/pages/page_136.htm","2009-03-05","12K","Page 136 ","",""," Page 136 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Contacting the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[7]=new Array(0,1,"http://www.sgaaonline.com/pages/page_135.htm","2009-03-05","12K","Page 135 ","",""," Page 135 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Annual Summer Conference www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[8]=new Array(0,1,"http://www.sgaaonline.com/pages/page_134.htm","2009-03-05","12K","Page 134 ","",""," Page 134 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Annual Summer Conference www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[9]=new Array(0,1,"http://www.sgaaonline.com/pages/page_133.htm","2009-03-05","12K","Page 133 ","",""," Page 133 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Annual Summer Conference www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[10]=new Array(0,1,"http://www.sgaaonline.com/pages/page_132.htm","2009-03-05","12K","Page 132 ","",""," Page 132 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Annual Summer Conference www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[11]=new Array(0,1,"http://www.sgaaonline.com/pages/page_131.htm","2009-03-05","12K","Page 131 ","",""," Page 131 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Glossary of Selected Terms www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[12]=new Array(0,1,"http://www.sgaaonline.com/pages/page_130.htm","2009-03-05","12K","Page 130 ","",""," Page 130 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Glossary of Selected Terms www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[13]=new Array(0,1,"http://www.sgaaonline.com/pages/page_129.htm","2009-03-05","12K","Page 129 ","",""," Page 129 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Glossary of Selected Terms www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[14]=new Array(0,1,"http://www.sgaaonline.com/pages/page_128.htm","2009-03-05","12K","Page 128 ","",""," Page 128 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Glossary of Selected Terms www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[15]=new Array(0,1,"http://www.sgaaonline.com/pages/page_127.htm","2009-03-05","12K","Page 127 ","",""," Page 127 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Glossary of Selected Terms www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[16]=new Array(0,1,"http://www.sgaaonline.com/pages/page_126.htm","2009-03-05","12K","Page 126 ","",""," Page 126 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Glossary of Selected Terms www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[17]=new Array(0,1,"http://www.sgaaonline.com/pages/page_125.htm","2009-03-05","12K","Page 125 ","",""," Page 125 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Brief Bibliography www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[18]=new Array(0,1,"http://www.sgaaonline.com/pages/page_124.htm","2009-03-05","12K","Page 124 ","",""," Page 124 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Brief Bibliography www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[19]=new Array(0,1,"http://www.sgaaonline.com/pages/page_123.htm","2009-03-05","12K","Page 123 ","",""," Page 123 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[20]=new Array(0,1,"http://www.sgaaonline.com/pages/page_122.htm","2009-03-05","12K","Page 122 ","",""," Page 122 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[21]=new Array(0,1,"http://www.sgaaonline.com/pages/page_121.htm","2009-03-05","12K","Page 121 ","",""," Page 121 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[22]=new Array(0,1,"http://www.sgaaonline.com/pages/page_120.htm","2009-03-05","12K","Page 120 ","",""," Page 120 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[23]=new Array(0,1,"http://www.sgaaonline.com/pages/page_119.htm","2009-03-05","12K","Page 119 ","",""," Page 119 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[24]=new Array(0,1,"http://www.sgaaonline.com/pages/page_118.htm","2009-03-05","12K","Page 118 ","",""," Page 118 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[25]=new Array(0,1,"http://www.sgaaonline.com/pages/page_117.htm","2009-03-05","12K","Page 117 ","",""," Page 117 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[26]=new Array(0,1,"http://www.sgaaonline.com/pages/page_116.htm","2009-03-05","12K","Page 116 ","",""," Page 116 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[27]=new Array(0,1,"http://www.sgaaonline.com/pages/page_115.htm","2009-03-05","12K","Page 115 ","",""," Page 115 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[28]=new Array(0,1,"http://www.sgaaonline.com/pages/page_114.htm","2009-03-05","12K","Page 114 ","",""," Page 114 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[29]=new Array(0,1,"http://www.sgaaonline.com/pages/page_113.htm","2009-03-05","12K","Page 113 ","",""," Page 113 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[30]=new Array(0,1,"http://www.sgaaonline.com/pages/page_112.htm","2009-03-05","12K","Page 112 ","",""," Page 112 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[31]=new Array(0,1,"http://www.sgaaonline.com/pages/page_111.htm","2009-03-05","12K","Page 111 ","",""," Page 111 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[32]=new Array(0,1,"http://www.sgaaonline.com/pages/page_110.htm","2009-03-05","12K","Page 110 ","",""," Page 110 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[33]=new Array(0,1,"http://www.sgaaonline.com/pages/page_109.htm","2009-03-05","12K","Page 109 ","",""," Page 109 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[34]=new Array(0,1,"http://www.sgaaonline.com/pages/page_108.htm","2009-03-05","12K","Page 108 ","",""," Page 108 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[35]=new Array(0,1,"http://www.sgaaonline.com/pages/page_107.htm","2009-03-05","12K","Page 107 ","",""," Page 107 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[36]=new Array(0,1,"http://www.sgaaonline.com/pages/page_106.htm","2009-03-05","12K","Page 106 ","",""," Page 106 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[37]=new Array(0,1,"http://www.sgaaonline.com/pages/page_105.htm","2009-03-05","12K","Page 105 ","",""," Page 105 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[38]=new Array(0,1,"http://www.sgaaonline.com/pages/page_104.htm","2009-03-05","12K","Page 104 ","",""," Page 104 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members All Members and Affiliates of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[39]=new Array(0,1,"http://www.sgaaonline.com/pages/page_103.htm","2009-03-05","12K","Page 103 ","",""," Page 103 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Associate Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[40]=new Array(0,1,"http://www.sgaaonline.com/pages/page_102.htm","2009-03-05","12K","Page 102 ","",""," Page 102 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Associate Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[41]=new Array(0,1,"http://www.sgaaonline.com/pages/page_101.htm","2009-03-05","12K","Page 101 ","",""," Page 101 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Associate Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[42]=new Array(0,1,"http://www.sgaaonline.com/pages/page_100.htm","2009-03-05","12K","Page 100 ","",""," Page 100 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Accredited Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[43]=new Array(0,1,"http://www.sgaaonline.com/pages/page_099.htm","2009-03-05","12K","Page 099 ","",""," Page 099 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Accredited Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[44]=new Array(0,1,"http://www.sgaaonline.com/pages/page_098.htm","2009-03-05","12K","Page 098 ","",""," Page 098 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Accredited Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[45]=new Array(0,1,"http://www.sgaaonline.com/pages/page_097.htm","2009-03-05","12K","Page 097 ","",""," Page 097 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Accredited Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[46]=new Array(0,1,"http://www.sgaaonline.com/pages/page_096.htm","2009-03-05","12K","Page 096 ","",""," Page 096 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Accredited Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[47]=new Array(0,1,"http://www.sgaaonline.com/pages/page_095.htm","2009-03-05","12K","Page 095 ","",""," Page 095 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Accredited Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[48]=new Array(0,1,"http://www.sgaaonline.com/pages/page_094.htm","2009-03-05","12K","Page 094 ","",""," Page 094 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Accredited Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[49]=new Array(0,1,"http://www.sgaaonline.com/pages/page_093.htm","2009-03-05","12K","Page 093 ","",""," Page 093 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Accredited Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[50]=new Array(0,1,"http://www.sgaaonline.com/pages/page_092.htm","2009-03-05","12K","Page 092 ","",""," Page 092 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Accredited Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[51]=new Array(0,1,"http://www.sgaaonline.com/pages/page_091.htm","2009-03-05","12K","Page 091 ","",""," Page 091 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Accredited Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[52]=new Array(0,1,"http://www.sgaaonline.com/pages/page_090.htm","2009-03-05","12K","Page 090 ","",""," Page 090 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Accredited Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[53]=new Array(0,1,"http://www.sgaaonline.com/pages/page_089.htm","2009-03-05","12K","Page 089 ","",""," Page 089 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Accredited Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[54]=new Array(0,1,"http://www.sgaaonline.com/pages/page_088.htm","2009-03-05","12K","Page 088 ","",""," Page 088 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Accredited Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[55]=new Array(0,1,"http://www.sgaaonline.com/pages/page_087.htm","2009-03-05","12K","Page 087 ","",""," Page 087 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Accredited Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[56]=new Array(0,1,"http://www.sgaaonline.com/pages/page_086.htm","2009-03-05","12K","Page 086 ","",""," Page 086 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Accredited Membership of the SGAA www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[57]=new Array(0,1,"http://www.sgaaonline.com/pages/page_085.htm","2009-03-05","12K","Page 085 ","",""," Page 085 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Stained Glass as a Vehicle for Spiritual Growth www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[58]=new Array(0,1,"http://www.sgaaonline.com/pages/page_084.htm","2009-03-05","12K","Page 084 ","",""," Page 084 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Stained Glass as a Vehicle for Spiritual Growth www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[59]=new Array(0,1,"http://www.sgaaonline.com/pages/page_083.htm","2009-03-05","12K","Page 083 ","",""," Page 083 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Stained Glass as a Vehicle for Spiritual Growth www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[60]=new Array(0,1,"http://www.sgaaonline.com/pages/page_082.htm","2009-03-05","12K","Page 082 ","",""," Page 082 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Stained Glass as a Vehicle for Spiritual Growth www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[61]=new Array(0,1,"http://www.sgaaonline.com/pages/page_081.htm","2009-03-05","12K","Page 081 ","",""," Page 081 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Stained Glass as a Vehicle for Spiritual Growth www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[62]=new Array(0,1,"http://www.sgaaonline.com/pages/page_080.htm","2009-03-05","12K","Page 080 ","",""," Page 080 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Stained Glass as a Vehicle for Spiritual Growth www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[63]=new Array(0,1,"http://www.sgaaonline.com/pages/page_079.htm","2009-03-05","12K","Page 079 ","",""," Page 079 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Stained Glass as a Vehicle for Spiritual Growth www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[64]=new Array(0,1,"http://www.sgaaonline.com/pages/page_078.htm","2009-03-05","12K","Page 078 ","",""," Page 078 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Stained Glass as a Vehicle for Spiritual Growth www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[65]=new Array(0,1,"http://www.sgaaonline.com/pages/page_077.htm","2009-03-05","12K","Page 077 ","",""," Page 077 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Glass for Stained Glass www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[66]=new Array(0,1,"http://www.sgaaonline.com/pages/page_076.htm","2009-03-05","12K","Page 076 ","",""," Page 076 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Glass for Stained Glass www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[67]=new Array(0,1,"http://www.sgaaonline.com/pages/page_075.htm","2009-03-05","12K","Page 75 ","",""," Page 75 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Glass for Stained Glass www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[68]=new Array(0,1,"http://www.sgaaonline.com/pages/page_074.htm","2009-03-05","12K","Page 074 ","",""," Page 074 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Glass for Stained Glass www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[69]=new Array(0,1,"http://www.sgaaonline.com/pages/page_073.htm","2009-03-05","12K","Page 073 ","",""," Page 073 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Glass for Stained Glass www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[70]=new Array(0,1,"http://www.sgaaonline.com/pages/page_072.htm","2009-03-05","12K","Page 072 ","",""," Page 072 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Glass for Stained Glass www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[71]=new Array(0,1,"http://www.sgaaonline.com/pages/page_071.htm","2009-03-05","12K","Page 071 ","",""," Page 071 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members S.A. Bendheim, Inc. www.bendheim.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[72]=new Array(0,1,"http://www.sgaaonline.com/pages/page_070.htm","2009-03-05","12K","Page 070 ","",""," Page 070 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members DHD Metals, Inc. www.dhdmetalslead.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[73]=new Array(0,1,"http://www.sgaaonline.com/pages/page_069.htm","2009-03-05","12K","Page 069 ","",""," Page 069 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Accredited Craft Supplier/Manufacturer Members of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[74]=new Array(0,1,"http://www.sgaaonline.com/pages/page_068.htm","2009-03-05","12K","Page 068 ","",""," Page 068 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Oakbrook Esser Studios www.oakbrookesser.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[75]=new Array(0,1,"http://www.sgaaonline.com/pages/page_067.htm","2009-03-05","12K","Page 067 ","",""," Page 067 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Gilbertsons Stained Glass Studio www.stainedartglass.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[76]=new Array(0,1,"http://www.sgaaonline.com/pages/page_066.htm","2009-03-05","12K","Page 066 ","",""," Page 066 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Gilbertsons Stained Glass Studio www.stainedartglass.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[77]=new Array(0,1,"http://www.sgaaonline.com/pages/page_065.htm","2009-03-05","12K","Page 065 ","",""," Page 065 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Conrad Schmitt Studios Inc. www.conradschmitt.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[78]=new Array(0,1,"http://www.sgaaonline.com/pages/page_064.htm","2009-03-05","12K","Page 064 ","",""," Page 064 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Conrad Schmitt Studios, Inc www.conradscmitt.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[79]=new Array(0,1,"http://www.sgaaonline.com/pages/page_063.htm","2009-03-05","12K","Page 063 ","",""," Page 063 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Raynal Studios, Inc. www.raynalstudios.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[80]=new Array(0,1,"http://www.sgaaonline.com/pages/page_062.htm","2009-03-05","12K","Page 062 ","",""," Page 062 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Whitworth Stained Glass www.whitworthstainedglass.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[81]=new Array(0,1,"http://www.sgaaonline.com/pages/page_061.htm","2009-03-05","12K","Page o61 ","",""," Page o61 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Stanton Glass Studio, LLC www.StantonGlass.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[82]=new Array(0,1,"http://www.sgaaonline.com/pages/page_060.htm","2009-03-05","12K","Page 060 ","",""," Page 060 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Stanton Glass Studio, LLC www.StantonGlass.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[83]=new Array(0,1,"http://www.sgaaonline.com/pages/page_059.htm","2009-03-05","12K","Page 059 ","",""," Page 059 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members IHS Studios www.ihsstudios.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[84]=new Array(0,1,"http://www.sgaaonline.com/pages/page_058.htm","2009-03-05","12K","Page 058 ","",""," Page 058 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members IHS Studios www.ihsstudios.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[85]=new Array(0,1,"http://www.sgaaonline.com/pages/page_057.htm","2009-03-05","12K","Page 057 ","",""," Page 057 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Cavallini Co., Inc. Stained Glass Studio www.cavallinistudios.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[86]=new Array(0,1,"http://www.sgaaonline.com/pages/page_056.htm","2009-03-05","12K","Page 056 ","",""," Page 056 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Cavallini Co., Inc. Stained Glass Studio www.cavallinistudios.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[87]=new Array(0,1,"http://www.sgaaonline.com/pages/page_055.htm","2009-03-05","12K","Page 055 ","",""," Page 055 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Emmanuel Stained Glass Studio, Inc. www.emmanuelstudio.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[88]=new Array(0,1,"http://www.sgaaonline.com/pages/page_054.htm","2009-03-05","12K","Page 054 ","",""," Page 054 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Hunt Stained Glass Studio, Inc. www.huntstainedglass.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[89]=new Array(0,1,"http://www.sgaaonline.com/pages/page_053.htm","2009-03-05","12K","Page 053 ","",""," Page 053 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Cumberland Stained Glass, Inc. www.cumberlandstainedglass.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[90]=new Array(0,1,"http://www.sgaaonline.com/pages/page_052.htm","2009-03-05","12K","Page 052 ","",""," Page 052 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Whitney Stained Glass Studio, Inc. www.whitneystainedglass.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[91]=new Array(0,1,"http://www.sgaaonline.com/pages/page_051.htm","2009-03-05","12K","Page 051 ","",""," Page 051 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Franklin Art Glass Studios, Inc. www.franklinartglass.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[92]=new Array(0,1,"http://www.sgaaonline.com/pages/page_050.htm","2009-03-05","12K","Page 050 ","",""," Page 050 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Statesville Stained Glass, Inc. www.statesvillestainedglass.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[93]=new Array(0,1,"http://www.sgaaonline.com/pages/page_049.htm","2009-03-05","12K","Page 049 ","",""," Page 049 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Laws Stained Glass Studios, Inc. www.lawsstainedglass.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[94]=new Array(0,1,"http://www.sgaaonline.com/pages/page_048.htm","2009-03-05","12K","Page 048 ","",""," Page 048 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members A&H Art & Stained glass Co., Inc. www.ahstainedglass.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[95]=new Array(0,1,"http://www.sgaaonline.com/pages/page_047.htm","2009-03-05","12K","Page 047 ","",""," Page 047 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Rohlfs Stained & Leaded Glass Studio, Inc. www.rohlfstudio.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[96]=new Array(0,1,"http://www.sgaaonline.com/pages/page_046.htm","2009-03-05","12K","Page 046 ","",""," Page 046 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Rohlfs Stained & Leaded Glass Studio, Inc. www.rohlfstudio.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[97]=new Array(0,1,"http://www.sgaaonline.com/pages/page_045.htm","2009-03-05","12K","Page 045 ","",""," Page 045 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Jerome R. Durr Studio www.jeromedurr.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[98]=new Array(0,1,"http://www.sgaaonline.com/pages/page_044.htm","2009-03-05","12K","Page 044 ","",""," Page 044 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Botti Studio of Architectural Arts, Inc. www.bottistudio.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[99]=new Array(0,1,"http://www.sgaaonline.com/pages/page_043.htm","2009-03-05","12K","Page 043 ","",""," Page 043 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Pearl River Glass Studio www.pearlriverglass.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[100]=new Array(0,1,"http://www.sgaaonline.com/pages/page_042.htm","2009-03-05","12K","Page 042 ","",""," Page 042 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Pearl River Glass Studio www.pearlriverglass.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[101]=new Array(0,1,"http://www.sgaaonline.com/pages/page_041.htm","2009-03-05","12K","Page 041 ","",""," Page 041 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Categories of Accreditation www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[102]=new Array(0,1,"http://www.sgaaonline.com/pages/page_040.htm","2009-03-05","12K","Page 040 ","",""," Page 040 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Willet Hauser Architectural Glass, Inc. www.willethauser.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[103]=new Array(0,1,"http://www.sgaaonline.com/pages/page_039.htm","2009-03-05","12K","Page 039 ","",""," Page 039 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Willet Hauser Architectural Glass, Inc. www.willethauser.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[104]=new Array(0,1,"http://www.sgaaonline.com/pages/page_038.htm","2009-03-05","12K","Page 038 ","",""," Page 038 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Willet Hauser Architectural Glass, Inc. www.willethauser.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[105]=new Array(0,1,"http://www.sgaaonline.com/pages/page_037.htm","2009-03-05","12K","Page 037 ","",""," Page 037 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Stained Glass Resources www.stainedglassresources.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[106]=new Array(0,1,"http://www.sgaaonline.com/pages/page_036.htm","2009-03-05","12K","Page 036 ","",""," Page 036 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Glass Heritage, llc www.glassheritage.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[107]=new Array(0,1,"http://www.sgaaonline.com/pages/page_035.htm","2009-03-05","12K","Page 035 ","",""," Page 035 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Bovard Studio, Inc. www.bovardstudio.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[108]=new Array(0,1,"http://www.sgaaonline.com/pages/page_034.htm","2009-03-05","12K","Page 034 ","",""," Page 034 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Bovard Studio, Inc. www.bovardstudio.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[109]=new Array(0,1,"http://www.sgaaonline.com/pages/page_033.htm","2009-03-05","12K","Page 033 ","",""," Page 033 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Mominee Studios, Inc www.momineestudios.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[110]=new Array(0,1,"http://www.sgaaonline.com/pages/page_032.htm","2009-03-05","12K","Page 032 ","",""," Page 032 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Botti Studios of Architectural Arts, Inc. www.bottistudio.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[111]=new Array(0,1,"http://www.sgaaonline.com/pages/page_031.htm","2009-03-05","12K","Page 031 ","",""," Page 031 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Morava Glass Studios www.moravaglass.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[112]=new Array(0,1,"http://www.sgaaonline.com/pages/page_030.htm","2009-03-05","12K","Page 030 ","",""," Page 030 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Botti Studio of Architectural Arts, Inc. www.bottistudio.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[113]=new Array(0,1,"http://www.sgaaonline.com/pages/page_029.htm","2009-03-05","12K","Page 029 ","",""," Page 029 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members J. Piercey Studios, Inc. www.jpiercey.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[114]=new Array(0,1,"http://www.sgaaonline.com/pages/page_028.htm","2009-03-05","12K","Page 028 ","",""," Page 028 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Conrad Pickel Studio, Inc. www.pickelstudio.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[115]=new Array(0,1,"http://www.sgaaonline.com/pages/page_027.htm","2009-03-05","12K","Page 027 ","",""," Page 027 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Botti Studio of Architectural Arts, Inc. www.bottistudio.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[116]=new Array(0,1,"http://www.sgaaonline.com/pages/page_026.htm","2009-03-05","12K","Page 026 ","",""," Page 026 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Advent Glass Works, Inc. www.adventglassworks.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[117]=new Array(0,1,"http://www.sgaaonline.com/pages/page_025.htm","2009-03-05","12K","Page 025 ","",""," Page 025 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Judson Studios www.judsonstudios.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[118]=new Array(0,1,"http://www.sgaaonline.com/pages/page_024.htm","2009-03-05","12K","Page 024 ","",""," Page 024 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Botti Studios of Architectural Arts, Inc. www.bottistudio.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[119]=new Array(0,1,"http://www.sgaaonline.com/pages/page_023.htm","2009-03-05","12K","Page 023 ","",""," Page 023 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Accredited Full Service Studios & Accredited Artist Designers in the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[120]=new Array(0,1,"http://www.sgaaonline.com/pages/page_022.htm","2009-03-05","12K","Page 022 ","",""," Page 022 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Ellen Mandelbaum Glass Art www.emglassart.com Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[121]=new Array(0,1,"http://www.sgaaonline.com/pages/page_021.htm","2009-03-05","12K","Page 021 ","",""," Page 021 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Active Accredited Members in the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[122]=new Array(0,1,"http://www.sgaaonline.com/pages/page_020.htm","2009-03-05","12K","Page 020 ","",""," Page 020 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Objectives of the Stained Glass Association of America www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[123]=new Array(0,1,"http://www.sgaaonline.com/pages/page_019.htm","2009-03-05","12K","Page 019 ","",""," Page 019 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Dorothy L. Maddy Scholarship Fund www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[124]=new Array(0,1,"http://www.sgaaonline.com/pages/page_018.htm","2009-03-05","12K","Page 018 ","",""," Page 018 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Story of Stained Glass www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[125]=new Array(0,1,"http://www.sgaaonline.com/pages/page_017.htm","2009-03-05","12K","Page 017 ","",""," Page 017 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members A Window to Sustainability www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[126]=new Array(0,1,"http://www.sgaaonline.com/pages/page_016.htm","2009-03-05","12K","Page 016 ","",""," Page 016 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members A Window to Sustainability www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[127]=new Array(0,1,"http://www.sgaaonline.com/pages/page_015.htm","2009-03-05","12K","Page 015 ","",""," Page 015 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Safety Standards for Architectural Glazing Materials (2) www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[128]=new Array(0,1,"http://www.sgaaonline.com/pages/page_014.htm","2009-03-05","12K","Page 014 ","",""," Page 014 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Safety Standards for Architectural Glazing Materials www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[129]=new Array(0,1,"http://www.sgaaonline.com/pages/page_012.htm","2009-03-05","12K","Page 012 ","",""," Page 012 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Selecting a Studio www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[130]=new Array(0,1,"http://www.sgaaonline.com/pages/page_011.htm","2009-03-05","12K","Page 011 ","",""," Page 011 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Secular Uses for Stained Glass www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[131]=new Array(0,1,"http://www.sgaaonline.com/pages/page_010.htm","2009-03-05","12K","Page 010 ","",""," Page 010 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Specifying Stained Glass (3) www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[132]=new Array(0,1,"http://www.sgaaonline.com/pages/page_009.htm","2009-03-05","12K","Page 009 ","",""," Page 009 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Specifying Stained Glass (2) www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[133]=new Array(0,1,"http://www.sgaaonline.com/pages/page_008.htm","2009-03-05","12K","Page 008 ","",""," Page 008 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Specifying Stained Glass www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[134]=new Array(0,1,"http://www.sgaaonline.com/pages/page_007.htm","2009-03-05","12K","Page 007 ","",""," Page 007 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Lost Art (2) www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[135]=new Array(0,1,"http://www.sgaaonline.com/pages/page_006.htm","2009-03-05","12K","Page 006 ","",""," Page 006 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Lost Art www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[136]=new Array(0,1,"http://www.sgaaonline.com/pages/page_005.htm","2009-03-05","12K","Page 005 ","",""," Page 005 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members The Standards and Guidelines www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[137]=new Array(0,1,"http://www.sgaaonline.com/pages/page_004.htm","2009-03-05","12K","Page 004 ","",""," Page 004 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Two Books Every Studio Needs www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[138]=new Array(0,1,"http://www.sgaaonline.com/pages/page_003.htm","2009-03-05","12K","Page 003 ","",""," Page 003 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Presidents Letter www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[139]=new Array(0,1,"http://www.sgaaonline.com/pages/page_002.htm","2009-03-05","12K","Page 002 ","",""," Page 002 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Officers, Directors, and Committee Chairpersons www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[140]=new Array(0,1,"http://www.sgaaonline.com/pages/page_001.htm","2009-03-05","12K","Page 001 ","",""," Page 001 You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Table of Contents www.stainedglass.org Download Printable PDF HOME [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[141]=new Array(0,1,"http://www.sgaaonline.com/","2009-03-05","28K","Sourcebook ","",""," Sourcebook You can click here to download the entire Sourcebook as a PDF file; this is a 13.36 megabyte download. PDF Downloads Tables of Contents Officers of the SGAA Presidents Letter The Lost Art Specifying Stained Glass Secular Uses for Stained Glass Selecting a Studio SGAA Standing Committees Safety Standards for Architectural Glazing Materials A Window to Sustainability Dorothy L. Maddy Scholarship Fund SGAA Objectives Active Accredited and Fully Accredited Studios Portfolio Presentation Pages Accredited Manufacturer/ Supplier Presentation Pages Glass for Stained Glass Stained Glass as a Vehicle for Spiritual Growth The Accredited Membership (complete) The Associate Membership (complete) The Complete Membership of the SGAA The Standards and Guidelines for Preservation of Historic Windows Abstract Brief Bibliography Glossary of Selected Terms Contacting the SGAA Complete Publication Specifying Stained Glass (CD edition PDF) SGAA Members & Affiliates Find out about categories of Accreditation by clicking here. Accredited Full-Service Studio Members Active Accredited Members Accredited Artist/ Designer Members Accredited Craft Supplier/ Manufacturer Members Please note: This site is currently being updated. The complete Sourcebook 2009 is available online by clicking the link to the left. All articles and studio pages are current; additional pages and navigation features will be added soon. This update will be complete by Thursday, March 5th. Thank you for your patience. From the forming of the first craft guilds in the middle ages, those who practice in a given field have banded together, both for the good of their profession and for the good of their patrons. Today, such groups continue to exist and function. These groups strive to uphold their profession, to regulate it and insure that it is practiced in such a way as to reflect honor upon the profession. This is done with the understanding that such practices will help guarantee the patrons of the craft that the product and services they purchase are of the highest standard and thereby both advance the reputation of the profession and insure that it can continue to be practiced with dignity and pride. The Stained Glass Association of America is such an organization. We encourage not only our members but all involved in the profession of stained glass to maintain the highest possible standard of quality and craftsmanship. The pinnacle of membership in our organization is the Accredited Studio level. These members meet and exceed the rigorous requirements and expectations of the SGAA. The Seal of the Stained Glass Association of America is our symbol of pride in craftsmanship and dedication to quality. Only the Accredited Members of the Stained Glass Association of America may display the Association Seal. Before choosing a stained glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. Sourcebook 2009 Pages Page 1: Table of Contents Page 2: Officers, Directors and Committee Chairpersons Page 3: Presidents Letter Page 4: Two Books Every Studio Needs Page 5: The Standards and Guidelines Page 6: The Lost Art Page 7: The Lost Art (2) Page 8: Specifying Stained Glass Page 9: Specifying Stained Glass (2) Page 10: Specifying Stained Glass (3) Page 11: Secular Uses for Stained Glass Page 12: Selecting a Studio Page 13: Standing Committees Page 14: Safety Standards for Architectural Glazing Materials Page 15: Safety Standards for Architectural Glazing Materials (2) Page 16: A Window to Sustainability Page 17: A Window to Sustainability (2) Page 18: The Story of Stained Glass Page 19: The Dorothy L. Maddy Scholarship Fund Page 20: The Objectives of the Stained Glass Association of America Page 21: Active Accredited Members in the Stained Glass Association of America Page 22: Ellen Mandelbaum Glass Art Page 23: Accredited Full-Service Studios & Accredited Artist Designers Page 24: Botti Studio of Architectural Arts, Inc. Page 25: The Judson Studios Page 26: Advent Glass Works, Inc. Page 27: Botti Studios of Architectural Arts, Inc. Page 28: Conrad Pickel Studio, Inc. Page 29: J. Piercey Studios, Inc. Page 30: Botti Studio of Architectural Arts, Inc. Page 31: Morava Glass Studios Page 32: Botti Studio of Architectural Arts, Inc. Page 33: Mominee Studios, Inc. Page 34: Bovard Studio, Inc. Page 35: Bovard Studio, Inc. Page 36: Glass Heritage, llc. Page 37: Stained Glass Resources Page 38: Willet Hauser Architectural Glass, Inc. Page 39: Willet Hauser Architectural Glass, Inc. Page 40: Willet Hauser Architectural Glass, Inc. Page 41: Categories of Accreditation in the Stained Glass Association of America Page 42: Pearl River Glass Studio Page 43: Pearl River Glass Studio Page 44: Botti Studio of Architectural Arts, Inc Page 45: Jerome R. Durr Studio Page 46: Rohlfs Stained & Leaded Glass Studio, Inc. Page 47: Rohlfs Stained & Leaded Glass Studio, Inc. Page 48: A&H Art & Stained Glass Co., Inc. Page 49: Laws Stained Glass Studios, Inc. Page 50: Statesville Stained Glass, Inc. Page 51: Franklin Art Glass Studios, Inc. Page 52: Whitney Stained Glass Studio, Inc. Page 53: Cumberland Stained Glass, Inc. Page 54: Hunt Stained Glass Studio, Inc. Page 55: Emmanuel Stained Glass Studio, Inc. Page 56: The Cavallini Co., Inc. Stained Glass Studio Page 57: The Cavallini Co., Inc. Stained Glass Studio Page 58: IHS Studios Page 59: IHS Studios Page 60: Stanton Glass Studio, LLC Page 61: Stanton Glass Studio, LLC Page 62: Whitworth Stained Glass Page 63: Raynal Studios, Inc. Page 64: Conrad Schmitt Studios Inc. Page 65: Conrad Schmitt Studios Inc. Page 66: Gilbertsons Stained Glass Studio Page 67: Gilbertsons Stained Glass Studio Page 68: Oakbrook Esser Studios Page 69: Accredited Craft Supplier/Manufacturer Page 70: DHD Metals, Inc. Page 71: S.A. Bendheim, Inc. Page 72: Glass for Stained Glass Page 73: Glass for Stained Glass (2) Page 74: Glass for Stained Glass (3) Page 75: Glass for Stained Glass (4) Page 76: Glass for Stained Glass (5) Page 77: Glass for Stained Glass (6) Page 78: Stained Glass as a Vehicle for Spiritual Growth Page 79: Stained Glass as a Vehicle for Spiritual Growth (2) Page 80: Stained Glass as a Vehicle for Spiritual Growth (3) Page 81: Stained Glass as a Vehicle for Spiritual Growth (4) Page 82: Stained Glass as a Vehicle for Spiritual Growth (5) Page 83: Stained Glass as a Vehicle for Spiritual Growth (6) Page 84: Stained Glass as a Vehicle for Spiritual Growth (7) Page 85: Stained Glass as a Vehicle for Spiritual Growth (8) Page 86: The Accredited Membership of the SGAA Page 87: The Accredited Membership of the SGAA (CA, CO, FL) Page 88: The Accredited Membership of the SGAA (FL, GA, IL, IN) Page 89: The Accredited Membership of the SGAA (IN, IA, MD) Page 90: The Accredited Membership of the SGAA (MD, MA, MI, MN, MO, MS) Page 91: The Accredited Membership of the SGAA (NJ, NY, NC) Page 92: The Accredited Membership of the SGAA (NC, OH) Page 93: The Accredited Membership of the SGAA (OK, PA) Page 94: The Accredited Membership of the SGAA (PA, TN, TX) Page 95: The Accredited Membership of the SGAA (TX, UT, VA, WA, WV) Page 96: The Accredited Membership of the SGAA (WI, CANADA) Page 96: The Accredited Artist/Designer Membership of the SGAA (KY, NY) Page 97: The Accredited Artist/Designer Membership of the SGAA (WA, UK) Page 97: The Accredited Craft Supplier/Manufacturer Membership of the SGAA Page 98: The Accredited Craft Supplier/Manufacturer Membership of the SGAA Page 99: The Active Accredited Membership of the SGAA Page 100: The Active Accredited Membership of the SGAA Page 101: Directory of Associate Members Page 102: Directory of Associate Members Page 103: Directory of Associate Members Page 104: All Members and Affiliates (A-B) Page 105: All Members and Affiliates (B) Page 106: All Members and Affiliates (B-C) Page 107: All Members and Affiliates (C) Page 108: All Members and Affiliates (C-E) Page 109: All Members and Affiliates (E-G) Page 110: All Members and Affiliates (G) Page 111: All Members and Affiliates (H) Page 112: All Members and Affiliates (H-J) Page 113: All Members and Affiliates (K-L) Page 114: All Members and Affiliates (L-M) Page 115: All Members and Affiliates (M) Page 116: All Members and Affiliates (M-O) Page 117: All Members and Affiliates (P) Page 118: All Members and Affiliates (P-R) Page 119: All Members and Affiliates (R-S) Page 120: All Members and Affiliates (S) Page 121: All Members and Affiliates (S-U) Page 122: All Members and Affiliates (U-W) Page 123: All Members and Affiliates (W-Z) Page 124: Brief Bibliography Page 125: Brief Bibliography (2) Page 126: Glossary of Selected Terms Page 127: Glossary of Selected Terms (2) Page 128: Glossary of Selected Terms (3) Page 129: Glossary of Selected Terms (4) Page 130: Glossary of Selected Terms (5) Page 131: Glossary of Selected Terms (6) Page 132: Annual Summer Conference Page 133: Annual Summer Conference Page 134: Annual Summer Conference Page 135: Annual Summer Conference Page 136: Contacting the SGAA [Return to the Home Page] Before choosing an art glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studio’s accreditation is proof that it has met the SGAA’s high standards and is your best guarantee that the studio is dedicated to quality and workmanship. SGAA The Stained Glass Association of America 9313 East 63rd Street Raytown, MO 64133 800.438-9581 headquarters@sgaaonline.com * webmaster@sgaaonline.com Copyright © 2009 by the Stained Glass Association of America Richard Gross, Webmaster Public Website: www.stainedglass.org [SGAA] ? [School] ? [SGQ] "); array_files[142]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-136.pdf","2009-03-04","67K"," SB2k9 Interior ","","","Sourcebook 2009 CONTACTING THE STAINED GLASS ASSOCIATION OF AMERICA THE STAINED GLASS QUARTERLY RICHARD GROSS EDITOR & MEDIA DIRECTOR 9313 EAST 63RD STREET RAYTOWN, MO 64133 webmaster@sgaaonline.com www.sgaaonline.com www.stainedglass.org 800-438-9581 816-737-2090 816-737-2801 FAX SGAA HEADQUARTERS KATEI GROSS EXECUTIVE ADMINISTRATOR 9313 EAST 63RD STREET RAYTOWN, MO 64133 headquarters@sgaaonline.com www.sgaaonline.com www.stainedglass.org 800-438-9581 816-737-2090 816-737-2801 FAX ADDRESS AND TELEPHONE INFORMATION FOR THE ELECTED OFFICERS, DIRECTORS AND STANDING COMMITTEE CHAIRS OF THE STAINED GLASS ASSOCIATION OF AMERICA 2 OF THIS PUBLICATION. CAN BE FOUND ON PAGE VISIT US ONLINE: www.StainedGlass.org · www.SGAAOnline.com 136 Sourcebook 2009 The Stained Glass Association of America "); array_files[143]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-135.pdf","2009-03-04","200K"," SB2k9 Interior ","",""," "); array_files[144]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-134.pdf","2009-03-04","239K"," SB2k9 Interior ","",""," "); array_files[145]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-133.pdf","2009-03-04","327K"," SB2k9 Interior ","",""," "); array_files[146]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-132.pdf","2009-03-04","303K"," SB2k9 Interior ","",""," "); array_files[147]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-131.pdf","2009-03-04","84K"," SB2k9 Interior ","","","The Stained Glass Association of America Stationary Stop The permanent stop or lip of the window sash that holds the panel in place. Stop Wood or metal flange used to hold a window in place. Streaky Having a color or colors unevenly distributed in sheet glass to form streaks or swirls. Strength of Glass Refers to the thickness of glass, i.e., single or double strength. Support Bars Iron bars tied to the leaded panel by copper wire for reinforcing. T Bar Metal T shaped mullions put into a frame opening to support glass panels that will be set one above the other. The T bars receive the weight of each panel and transfer it to the frame. Thermal Shock Cracking caused by uneven rapid heating or cooling of glass. Tie Wires Copper wires soldered to the panel and twisted around a saddle bar. Tracery The stone framework in a gothic window. Traditional Design Motifs and styles handed down from one generation to another. Transept The transverse section of a church crossing the main nave. Translucent Semitransparent, allowing the passage of light but not permitting a clear view. Transmitted Light Light that passes through transparent or translucent glass. Transom Window A window above a door. Transparent Admitting the passage of light with a clear view beyond. Trefoil 1. A small opening in Gothic tracery having three arcs. 2. A garland design with three loops. Triptych A picture, carving, etc. with three parts. Tympanum The triangular space above a door, sometimes containing a window. Vitreous Paint A mixture of ground glass and metallic oxides used to paint on glass. West End The west or entrance end of the church is the peoples area. Usually the large west wall has the rose window. It is not necessarily compass west. White Glass Term often misused for clear glass. Window Glass Clear glass. Wispy Cathedral glass containing white cloudlike streaks. Z Section A Z-shaped metal extrusion found at the perimeter of the sash. BOOKS from the SGAAs online bookstore The Sourcebook The Standards and Guidelines for the Preservation of Historic Stained Glass, Second Edition The Biographical Index of Historic American Stained Glass Makers SGAA Recommendations for Safety in the Stained Glass Studio First Edition, 2005 International Art Glass Catalogues on CD-ROM Albinas Elskus Glass Painting DVD D. Maitland Armstrong: American Stained Glass Master The SGAA Lead Safety Video The Story of Stained Glass PLEASE VISIT www.stainedglass.org for ordering information http://www.stainedglass.org Sourcebook 2009 131 "); array_files[148]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-130.pdf","2009-03-04","72K"," SB2k9 Interior ","","","Sourcebook 2009 Presbytery The east end of the church housing the altar. Quarries Diamonds or rectangles of glass leaded together in a lattice design. Quatrefoil Small opening in Gothic tracery having four arched sides. Also called arabesque. Rabbet An L cut all around the perimeter of the window frames, against which the stained glass panels are installed. Reamy Full antique glass with cords of wavy, irregular surface and large bubbles. Reed Glass Clear commercial glass with half circle ribs (refrigerator shelf glass). Reflected Light Light being reflected off the surface of glass as opposed to transmitted light. Reglet A U shaped groove in wood or stone used for setting a window. Reinforcing Rod Galvanized steel rods or bars used to prevent a stained glass window from sagging or bowing. Renaissance The reintroduction of classical styles in the 15th and 16th centuries. Reredos The screen at the back of the altar. Ring Mottled Opaque glass with spots of a translucent color. Ripple Glass Machine-rolled glass, the rippled texture of which is imprinted from the roller. Rolled Glass Sheet glass formed by a roller flattening the glass into sheets. Romanesque A style founded on Roman principles, most prevalent in architecture in western Europe from the ninth through the twelfth centuries. Rondel (Roundel) Round spun disk of stained glass with a punty mark in the center. Rose Window A circular window divided by tracery, usually on the large west wall of a cathedral. S.A. Semi-antique glass. Saddle Bar A metal bar attached to the inside of a stained glass panel and secured to the window jambs to prevent bulging or sagging, or secondary structural elements set into the window frame and attached to the window panels by solder and copper wires to provide additional bracing and support. Sanctuary The area of the church where the altar is located. Sandblasting The technique of blowing abrasive materials under pressure onto the glass surface to etch away part of the glass. Sand Carving Abrasive etching done deeper and in layers, creating a sculptural effect. Sash The window frame. 130 Sourcebook 2009 The Stained Glass Association of America Seedy Glass Glass that has tiny bubbles throughout. Semi Antique Glass Machine-drawn transparent glass made to imitate the look of antique glass. Also called D.A., S.A., G.N.A., F.N.A. and New antique. Shims All blocks used as spacers in installing a window. Silkscreening A printing method of applying paint to glass. Silver Stain A mixture containing silver salts, which, when fired on glass, sinks into the glass, causing a permanent color ranging from pale yellow to amber. Single Glazed The use of a single thickness of glass in a window. Single Hung Window that has a stationary top and a moveable bottom half. Single Strength Window glass 1/16 thick. Slab Glass Transparent stained glass cast one inch thick. South Side The south or right side of a church is traditionally the side of Light and the New Testament, which is often reflected in the subject matter and colors of these windows. It is not necessarily compass south. Spring Line The horizontal line below which the upright sides end and the curve of the arch begins. "); array_files[149]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-129.pdf","2009-03-04","72K"," SB2k9 Interior ","","","The Stained Glass Association of America Lead Came Extruded lead channel with an H or U cross section to hold the glass in the panel. Lead Line A line produced on a full-size drawing of a leaded window to indicate the position of the lead came. Light An opening through which sunlight is admitted; also a section of a large window, usually found in series divided by mullions. Matrix Opaque material used as a cement to hold the glass in place in a faceted panel. Medallion A small, bordered picture area of a window, primarily of the twelfth and thirteenth centuries. Medieval A time period that included the Romanesque and Gothic periods, also called The Middle Ages, from about A.D. 500 to 1500. Mouth Blown Glass produced by forcing air, by mouth, through a blowpipe into molten glass. Mullion The vertical strip dividing the panes of a window. Muntin A horizontal strip dividing panes of a window. Narthex The vestibule, or entrance of a church. Nave The long, central portion of a church auditorium. Negative Painting A reverse glass-painting technique done on the back side of glass, in which the detail is painted before the background. Usually done with unfired paints. Negative Space Any part of a glass window through which no light is transmitted, usually the dark lead line, matrix area of a window and/or an opaque painted area. Neo Gothic Nineteenth Century revival of Gothic style. Nonrepresentational Not representing any object. Not realistic. Norman Slabs Glass blown into a rectangular mold and cut apart on the corners, resulting in square or rectangular pieces that are thin at the edges and thick in the middle. North Side The north or left side of a church is traditionally the side of darkness and the Old Testament, which is often reflected in the subject matter and colors of these windows. It is not necessarily compass north. Obscure Non-transparent glass resulting from painting, sandblasting or acid etching. Oculus A circular window without stone tracery. Also called Occhio, Occhi, Oculu. Opak White opal flash on a colored antique. Opalescent Glass Non-transparent or semi-opaque machine-rolled glass often with two or more colors streaked together. Opal Glass A glass with a milky or resinous appearance. Opaque Not transparent. O.S.H.A. Occupational Safety and Health Administration, charged with ascertaining that employers provide their employees a place of employment free from recognized hazards that are causing or are likely to cause death or serious harm to their employees. Paint (for glass) A mixture of finely ground glass, metallic oxides and a liquid mixing agent, such as water and gum arabic, used for painting on glass. It has to be fired for permanent adhesion. Palladian Window A window with three panels, the center panel being wider, with an arched top. Panel Unit of stained glass leaded together and made to fit an opening in the framework of a window. May be of any shape. Pivoted Window A window that swings open on pivots at the top and bottom. Plate Glass Clear window glass that exceeds 3/16 in thickness Plating 1. Putting a second piece of glass over a portion of a panel to alter the color, or for reinforcing old glass. Points Small flat triangles of zinc used to hold glass in a wooden window sash. http://www.stainedglass.org Sourcebook 2009 129 "); array_files[150]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-128.pdf","2009-03-04","57K"," SB2k9 Interior ","","","Sourcebook 2009 Favrile Iridescent glass patented by Louis Comfort Tiffany in the 1880s, produced by the exposure of hot glass to metallic fumes and oxides. Fenestration The arrangement of windows in a structure. Fillet A thin strip, or border of glass. Fixed Window A window permanently fastened to the frame. Flashed Glass Sheet glass, usually clear, with a thin layer of colored glass on one side. Flemish Glass Clear cathedral glass with a large wavelike pattern on both sides. Float Plate Glass Flat glass manufactured by floating the ribbon of drawn, molten glass on a long bath of molten tin, and fire-polishing the upper surface, yielding a smooth, polished surface on both sides. F.N.A. French new antique glass, a machinedrawn antique glass. Frosted Glass Glass with a white translucent surface resulting from sandblasting or etching. F.S.A. French semi-antique, a machine-drawn antique glass. Full Antique Mouth-blown antique sheet glass. Glass Etch Any of several compounds that permit the frosting of glass. Glass Globs Thick, round pieces of glass, from .5 to 2 in diameter. Glass Jewels Small pieces of clear or colored glass that have been faceted, molded or domed. Glass Paint Vitreous paints composed of metallic oxides and ground glass in a liquid vehicle and then fired on glass. Glazing The process of assembling pieces of glass and lead to make a window. Glue Chip The application of heated animal glue to sandblasted glass that, when dry, chips off, leaving a crystalline or icy look. Goethe Glass A clear blown glass without seeds or striation, just a slight surface distortion from the blowing process, similar to old window glass. Gothic A style, generally referring to architecture, found in western Europe from 12th through 16th centuries. G.N.A. German new antique, a machine-drawn antique glass. Granite Back Glass Cathedral glass with a rolled bumpy, rough texture on one surface of the glass. Grisaille A panel or window of clear or light-colored glass painted with geometric or foliate designs. Sometimes used to refer to glass paints. Halation A phenomenon where light-colored glass, when surrounded by darker glass, seems to spread beyond actual boundaries, creating a halo effect. Hammered Glass Cathedral glass with a tiny, tight, uniform pattern of round, smooth knobs. H Bar An H shaped metal bar used as a support between two sections of a panel. Hopper A window whose sash is hinged at the bottom. Iconography A comprehensive plan for the subjects of works of art, not necessarily Christian. Inactive The part of a window that is non-movable. In Situ In position. Iridescence A surface treatment on glass that has a shiny, mother-of-pearl look. Isothermal glazing System of protective outer glazing that inhibits conductivity of heat from the exterior to the interior surface of the complete window unit. Jamb The upright surface forming the side of a window. Laminated Safety Glass Two sheets of clear glass bonded together with a sheet of clear plastic in the middle. Lancet A long, narrow window with a pointed arch. 128 Sourcebook 2009 The Stained Glass Association of America "); array_files[151]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-127.pdf","2009-03-04","88K"," SB2k9 Interior ","","","The Stained Glass Association of America Channel U shaped groove in the came in which the glass sits. Chipped Glass A technique where glue pulls the surface of the glass, causing it to chip. Clerestory The upper part of the nave above the side aisles of a church. Color Selection The very careful choice of colored glass, under natural light, so that an exact choice or replacement is possible. In restoration work a large inventory or library is essential so that when pieces are replaced, the selection is not constrained or limited. Literally thousands of colors, textures, and densities are possible. Commercial Glass Clear heavy glass with a pattern pressed on one side. Composition The overall design of a finished piece containing balance of color and linear flow. Copper Foil 1. The mil-thickness copper material, often adhesive backed, used to join separate pieces of glass. 2. The technique of joining pieces of glass where foil is centered on the edge of each glass piece, then bent over the edge to cover a very small portion of the back and front faces of the glass. Pieces are abutted and solder is melted over the exposed foil surfaces, causing the foil-covered glass edges to become joined. Crackel (craquel) Glass Antique glass with cracked texture which has been intentionally introduced during the cooling process. Dalle de Verre A thick slab of cast stained glass that is cut or broken and cemented into a panel with an epoxy adhesive matrix. Daylight Visible opening size. Dichroic Glass Space-age application of super thin, clear layers of metal oxides which allows for either transmitted or reflected color, depending on the viewers viewing position. Double Glazing The use of two pieces of glass, one in front of the other, with an air space between for insulation. Cruciform Cross shaped. Cusp The projecting points formed by the intersection of two segmental arcs or foils. D.A. Machine-drawn antique glass. Double Hung A window consisting of two sashes of glass operating in a rectangular frame. Both upper and lower halves slide up and down to open. Double Strength Glass One-eighth inch thick glass. Strength refers to thickness. Drapery The painting on glass that defines the drapery robes of figures, usually Biblical. Drapery Glass Heavily manipulated, folded or rippled glass that forms drapes that may be one inch or more thick. Dry Glazing A method of securing glass in a frame with just resilient gaskets. Dutchman To cover a crack during repair, a flange of lead is applied over the crack, tucked under adjoining leads and soldered in place. This procedure has generally been replaced with either edge gluing or a thin copper foiled line. European Antique Mouth-blown antique glass from Europe and England. Exterior Glazed Glass set from the exterior of the building. Exterior Stop The molding that holds the light on the exterior of the frame. Facade The front of a building. Faceted Glass Stained glass windows made of Dalle glass and a matrix. http://www.stainedglass.org Sourcebook 2009 127 "); array_files[152]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-126.pdf","2009-03-04","84K"," SB2k9 Interior ","","","Sourcebook 2009 Glossary of Selected Terms Abstract Design 1. A design whose forms have been reduced or modified from representational forms. 2. A design using non-representational forms. Ambient Light The existing, diffused light. Light coming from many directions. Antique Glass Mouth-blown sheet glass with the irregularity of medieval glass. Glass blown into a large cylinder that is cut, opened, and flattened into a sheet. Variations of antique glass may include seedy, crackle, flashed, opal, opak, reamy and streaky. Antique refers to the technique--not the age. Apse The semi-circular termination of the east end of the chancel or chapel. Architectural Glass Stained glass designed, made and installed to harmonize with the structure and function of a building. Armature A metal divisional bar or bars making a framework for supporting stained glass, usually fixed into a wall. Also used within concrete for strengthening. Art Deco The style of work produced in the early twentieth century that reached its apex at the Exposition Internationale des Arts Décoratifs et Industriels Modernes held in Paris in 1925. Characterized by bold geometric shapes, streamlined and rectilinear forms. Art Nouveau French for The New Art, an art movement popular in the 1890s and early 1900s in Europe and America. A busy, decorative style characterized by flowing vines and flat shapes (as seen in Tiffany glass,) and undulating lines. Aureole A radiant light around a head or body of the representation of a sacred person. Autonomous Panel A non-architectural stained glass composition. Awning Window A window whose sash is hinged at the top and projects out when open. Baptistery A separate room or building of a church containing the font. Bar/Barring A solid metal bar, often steel, held by copper wire ties or solder directly to the interior of stained glass windows for support and reinforcement. Baroque 1. Machine made to imitate reamy glass. 2. A style of art of the seventeenth and eighteenth centuries characterized by overblown realism and curved figures. Bauhaus An artistic style derived from the principles of a German school of architecture and design founded in 1919, and terminated prior to World War II. Bay 1. The space between columns. 2. One complete transverse unit of the architecture, interior or exterior. Bay Window Three or more window units attached to a building so as to project outward. Bevel Cut and polished edge usually on plate glass at an angle other than 90°, done in stages with roughing, smoothing, cork and felt wheel polishing. Buttering Applying a thin layer of putty or sealant to the flat surface before installing a window. Came (Calms) Metal strips, generally U or H shaped, used to hold glass pieces together to form a stained glass window. Originally lead, but zinc, brass copper and lead ores are also used. Canopy An architectural framing device to enclose a figure or scene. Cartoon Full-size working drawing showing detail of leading and painting. Casement Window A window sash hung by hinges and fastened to the window frame. Cathedral Glass Machine rolled transparent colored glass. Cats Paw Opalescent glass with a mottled appearance that suggests cat paw prints. Chancel The east portion of the church set aside for the clergy and choir. 126 Sourcebook 2009 The Stained Glass Association of America "); array_files[153]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-125.pdf","2009-03-04","47K"," SB2k9 Interior ","","","The Stained Glass Association of America Rigan, Otto B. New Glass. San Francisco: San Francisco Book Company, Inc. 1976. Rubin, William S. Modern Sacred Art and the Church of Assy. New York: Columbia University Press. 1961. Schaffrath, Ludwig. Stained Glass + Mosaic. Scherpe Verlag, Krefeld. 1977. Scobey, Joan E. Stained Glass Traditions and Techniques. New York: The Dial Press. 1979. Sewter Charles A. The Stained Glass of William Morris and His Circle. New Haven: Yale University Press. 1974. Sowers, Robert. The Language of Stained Glass. Forest Grove: Timber Press. 1981. Sowers, Robert. The Lost Art. New York: George Wittenborn, Inc. 1954. Sturm, James L. Stained Glass from Medieval Times to the Present: Treasures to be Seen in New York. E.P. Dutton, Inc., New York, 1982. Theophilus. On Divers Arts. New York: Dover Publications Inc. 1979. Tutag, Nola. Discovering Stained Glass in Detroit. Wayne State University Press, Detroit, 1987. U.S. Department of the Interior,, The Preservation and Repair of Historic Stained and Leaded Glass. National Park Service Presentation Brief #33. (from U.S. Supt. of Documents, Mail Stop SSOP, Washington, DC 20402-9328. Westlake, N. H. J. A History of Design in Painted Glass (four volumes). London: James Parker. 1881. White, James and Michael Wynne. Irish Stained Glass. Dublin: Gill & Son, The Furrow Trust. 1963. Technique: Elskus, Albinas. The Art of Painting on Glass: Techniques and Designs for Stained Glass. New York: Charles Scribners Sons. 1980. Isenberg Anita and Seymour. How to Work in Stained Glass. Radnor: Chilton Book Co. 1972. Mollica, Peter. Stained Glass Primers 1 and 2, the Basic Skills. Mollica Stained Glass Press, Oakland, CA. Twenty printings from 1972 through 1982. Reyntiens, Patrick. Technique of Stained Glass. New York: Watson-Guptill Publications. 1979. SGAA Reference and Technical Manual: A Comprehensive Guide to Stained Glass. 2nd Edition. Lees Summit: The Stained Glass Association of America. 1992. Twining, E. W. The Art and Craft of Stained Glass. London: Sir Isaac Pitman & Sons. 1928. Whall Christopher W. Stained Glass Work. New York: D. Appleton. 1905. (Reprinted 1920, London: Sir Isaac Pitman & Sons). http://www.stainedglass.org Sourcebook 2009 125 "); array_files[154]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-124.pdf","2009-03-04","55K"," SB2k9 Interior ","","","Sourcebook 2009 Brief Bibliography Works of General Interest: Adams, Henry and others. John La Farge, Abbyville Press, New York, 1986. Armitage, E. Liddell. Stained Glass, Histor y, Technology and Practice. Newton, Mass: Chas. T. Branford Co. 1958. Arnold, Hugh and Lawrence B. Saint. Stained Glass in England and France. New York: The Macmillan Company. 1955. Baker, John. English Stained Glass. New York: Harry N. Abrams Inc. 1960. Brady Darlene and William Serban. Stained Glass: A Guide to Information Sources. Detroit: Gale Research Company. 1980. Brisac, Catherine. A Thousand Years of Stained Glass, Doubleday & Co., New York, 1986. Brown, Sarah. Stained Glass: An Illustrated History, Crescent Books, distributed by Outlet Book Co., 1992 Caviness, Madeline Harrison. The Early Stained Glass of Canterbury Cathedral. Princeton: Princeton University Press. 1977. Census of Stained Glass Windows in America, Conservation and Restoration of Stained Glass. Stained Glass Associates, Raleigh, NC 1988 (Available from Stained Glass Association of America). Clark, Brian, Ed. Architectural Stained Glass. London: McGraw-Hill, Inc. 1979. Connick, Charles J. Adventures in Light and Color. New York: Random House. 1937. Cowen, Painton. Rose Windows. San Francisco: Chronicle Books. 1979. Day, Lewis F. Windows--A Book About Stained and Painted Glass. London: R. F. Batsford; New York: Scribners. 1879. Divine, A. F. and G. Blackford. Stained Glass Craft. New York: Dover Publications Inc. 1972. Drake, Maurice. A History of English Glass-Painting. London: T. Werner Laurie. 1911. Duncan, Alastair. Louis Comfort Tiffany, Henry Abrams, New York in association with The National Museum of American Art, Smithsonian Institution, 1992. Eden, F. Sydney. Ancient Stained and Painted Glass. Cambridge: The University Press. 1933. (First Edition, 1913). French, Jennie. Design for Stained Glass. New York: Van Nostrand Reinhold Co. 1971. Freund, Miriam. Jewels for a Crown. New York: McGraw Hill Book Co. 1962. Grodecki, Louis. Chartres. New York: Harcourt Brace and World, Inc. 1963. Hill, Robert and Jill and Hans Halberstadt. Stained Glass, Music for the Eye. Oakland: The Scrimshaw Press. 1976. Holiday Henry. Stained Glass As An Art. London: Macmillan and Co., Ltd. 1896. Johnson, James Rosser. The Radiance of Chartres. New York: Random House. 1964. Koch, Robert. Louis C. Tiffany, Rebel in Glass. New York: Crown Publishers. 1982. Le Couteur J. D. English Mediaeval Painted Glass. London: Society for Promoting Christian Knowledge. New York and Toronto: Macmillan. 1926. Lee, Lawrence, George Seddon, and Francis Stephens. Stained Glass. New York: Crown Publishers, Inc. 1976. Lloyd, John Gilbert. Stained Glass in America. Jenkintown: Foundation Books. 1963. McKean Hugh F. The Lost Treasures of Louis Comfort Tiffany. New York: Doubleday & Company Inc. 1980. Moor, Andrew. Architectural Glass: A Guide for Design Professionals. New York: Watson-Guptill. 1989. Oidtmann, F. and L. Licht, Glas, Farbe. Aachen: Verlag. 1982 Pfaff, Konrad. Ludwig Schaffrath. Krefeld: Scherpe Verlag. 1977. Read, Herbert. English Stained Glass. London and New York: G.P. Putnams Sons. 1926. Reyntiens, Patrick. The Beauty of Stained Glass. Bullfinch Press of Little, Brown and Co. Inc. Boston, Toronto, London. 1990. 124 Sourcebook 2009 The Stained Glass Association of America "); array_files[155]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-123.pdf","2009-03-04","77K"," SB2k9 Interior ","","","The Stained Glass Association of America Willet, E. Crosby 1250 West Southwinds Boulevard, #110 Vero Beach, FL 32963 772.234.8824 772.234.3790 fax ecwillet@earthlink.net Willet Hauser Architectural Glass, Inc. Jim Hauser 10 East Moreland Avenue Philadelphia, PA 19118 800.533.3960 507.457.0554 fax info@willethauser.com www.willethauser.com Williams, Dianne 35900 Indusrial Way Suite 304 Sandy, OR 97055 03.668.9944 503.668.9955 fax Williams, Karen 22 North Washington (M-24) Oxford, MI 48371 248.628.1111 248.628.8398 fax williamsdesigns@aol.com Williams, Linda See Williams Stained Glass Studio Window Creations, LLC Reggie Buehrer PO Box 485 Ottoville, OH 45876 800.633.4571 419.453.2004 419.453.2006 fax bstudios@bright.net www.bstudios.net Winterich, Daniel 29 Weller Court Pleasant Hill, CA 94523 925.943.5755 925.943.5455 fax Winterich, Otto 2813 Berkshire Road Cleveland Heights, OH 44118 Y Yaputra, Brian JI Biak 20-22 Jakarta 10150 Indonesia 62.81.618.37837 62.21.638.58383 fax yaputra@eztuglass.com York, James R. 449 Rock Springs Road Harmony, NC 28634 704.546.5639 704.546.5639 fax turtledove619@wmconnect.com Young, Andrew Cary See Pearl River Glass Studio, Inc. Z Zakas, Bob 6216 A Dayton Blvd Hixson, TN 37343 423.843.3737 bobssgw@comcast.net Zelazny, Edward 510 Boyer Road Erie, PA 16511 814.899.5080 Zgoda, Lary 3932 North Oakley Chicago, IL 60618 773.463.3970 Zimmermann, George 32 Atlantic Avenue Dorothy, NJ 08317 609.476.4968 zimmerg@stockton.edu Zissoff, Angela 490Pearson Road Kelowna BC V1X 2L8 Canada Zissoff, Mary J. Box 143 Parry Sound ON P2A 2X3 Canada 705.746.4147 trilogy3@sympatico.ca The Paul Wissmach Glass Co., Inc. Mark Feldmeier PO Box 228 Paden City, WV 26159 304.337.2253 304.337.8800 fax wissmach@verizon.net www.wissmachglass.com Wood, Christie A. 513 Bolivar Street Denton, TX 76201 940.591.3002 940.591.7853 fax info@artglassensembles.com Wood, William M. 2431 Emmanuel Court Huntingtown, MD 20639-9319 301.633.8085 Wooten, Parks Avery PO Box 292 Union Grove, NC 28689 704.539.4608 704.539.4629 fax avery2@yadtel.net Wright, Carol 737 Dover Place St. Louis, MO 63111 Wright, Michael 6911 W. Jennifer Drive Greenfield, IN 46140 317.891.0714 Williams Stained Glass Studio Linda Williams 1115 Castle Shannon Boulevard Pittsburgh, PA 15234 412.344.0220 412.344.0219 fax wsg@williamsstainedglass.com www.williamsstainedglass.com Wilson, Stephen 1469 Laurel Street Baton Rouge, LA 70802 225.343.2211 swsglass@gmail.com Wilson, Steve 12307 Chimney Rock Houston, TX 77035 713.729.3699 713.721.0886 fax info@artglassbywells.com Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member 123 "); array_files[156]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-122.pdf","2009-03-04","77K"," SB2k9 Interior ","","","Sourcebook 2009 Ureneck, Peter PO Box 870035 Milton, MA 02187 617.288.9861 Wallis, Susan 38 East Montecito Avenue, #7 Sierra Madre, CA 91024 626.796.2475 626.355.2899 fax swallisglass@verizon.net Wells, Margaret 12307 Chimney Rock Road Houston, TX 77035 713.729.3699 713.721.0886 fax artglassbywells@yahoo.com Wende, Raymond 1221 North 56th Terrace Fort Smith, AR 72904 501.221.2737 Werth, Harold J. 226 Wallonnie Drive Marshfield, WI 54449 White, Patrick J. 6888 Approach Road Sarasota, FL 34238 813.923.4711 V Valles, Emerlita M. 4311 Artesia Blvd. Torrance, CA 90504 562.716.7726 714.548.3560 fax merlygriff@hotmail.com Van Huss, Sharon P. 5690 Lonesome Pine Trail Blairsville, GA 30512-5386 706.835.2065 770.732.9899 fax mcride@comcast.net Vannice, Ann Fox See Fox Studios, Inc. VanWie, Judith Hiemer 141 Wabash Avenue at Crooks Clifton, NJ 07011 973.772.5081 973.772.0325 fax judi@hiemco.com Verdery-Deveney, Brenda 203 Jackson Avenue North August, SC 29841 803.278.2818 savartglas@aol.com Vinnola, Nancy 4767 E 49 South Idaho Falls, ID 83406-8114 208.523.1855 208.523.1420 fax nleevinnola@glassgarden.myrf.net Washington Art Glass Studio Jed Boertlein 6618 Walker Mill Road Capitol Heights, MD 20743 301.735.6292 phone & fax washartglass@comcast.net www.washingtonartglass.com Watkins, Phil 3821 South Broadway Englewood, CO 80113-3613 303.798.1515 303.789.5732 fax watkinsglass@aol.com Watts, John P. See Glass Heritage, LLC Weaver, Kirk D. PO Box 13335 Pittsburgh, PA 15243 412.920.2800 412.920.2805 fax sgrpgh@aol.com Weaver, John See CAFF Company Webber, Cindy 1140 Boulder Road Big Timer, MT 59011 406.932.6213 Weghorst, Randall 367 Stonewall Street Memphis, TN 38112 901.854.2869 901.854.7277 fax rweghorst@aoc-resins.com Weischowsky, Lynda Box 45, Cooks Run Road Greenville, WV 24945 304.832.6813 Whitney Stained Glass Studio, Inc. Peter Billington 2530 Superior Avenue East Suite 500 Cleveland, OH 44114 888.974.9747 216.348.1116 fax info@whitneystainedglass.com www.whitneystainedglass.com Whitworth, Cindy 104 Melody Lane New Braunfels, TX 78130 800.318.0122 830.620.5399 fax jack@whitworthstainedglass.com Whitworth, Jack, III See Whitworth Stained Glass W Walker, Steven 1306 The Terrace Hagerstown MD 21742 301.797.8330 301.393.9334 fax sawalker@mindspring.com Whitworth Stained Glass Jack Whitworth, III 104 Melody Lane New Braunfels, TX 78130 800.318.0122 830.214.3370 830.620.5399 fax jack@whitworthstainedglass.com www.whitworthstainedglass.com Wilde, David 185 Garafraxa Street South, Box 180 Durham, ON N0G 1R0 Canada 519.369.5587 bartwildman@yahoo.com 122 Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member "); array_files[157]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-121.pdf","2009-03-04","77K"," SB2k9 Interior ","","","The Stained Glass Association of America Stanton Glass Studio, LLC Bryant Stanton 318 Rogers Hill Road Waco, TX 76705 800.619.4882 254.829.1151 254.829.2521 fax info@stantonglass.com www.stantonglass.com State of the Art, Inc. Ben Parham 8705 Unicorn Drive, #B310 Knoxville, TN 37923 888.539.0415 865.539.0416 fax sotaglass@aol.com www.sotaglass.com Statesville Stained Glass, Inc. Dennis L. Lackey 136 Christopher Lane Statesville, NC 28625 704.872.5147 704.872.7813 fax dl@statesvillestainedglass.com www.statesvillestainedglass.com Stele, Freddi 3365 North Estates Street Flagstaff, AZ 86001 928.773.9154 Steinebach, Elizabeth P O Box 302 Parry Sound Ontario P2A 2X4 705.732.4413 705.732.2960 fax elizabeth@steinebach.ca Stone, Martin J. 438 1st Street SE Avon, MN 56310 320.356.9211 phone & fax nfo@stonehousestainedglass.com Strong, Kathy P O Box 654 610 Main Street Silt, CO 81652 970.876.2620 phone & fax glas4hire@aol.com Sullivan, Barrie Wesley 341 West 6th Avenue Vancouver V5Y 1L1 Canada 604.837.5154 bwsullivan@yahoo.com Sulze, Frank 816 North Pine Street Rolla, MO 65401 573.341.3550 573.341.5902 fax pearockg@fidnet.com Sussman, David See J. Sussman, Inc. Ter Haar, Gary P O Box 492 Cold Spring, MN 56320 320.685.8397 phone & fax terhaarglass@clearwire.net Thiese, James 6030 North Northwest Highway Chicago, IL 60631 773.763.5511 773.763.5522 fax jthiese@sbcglobal.net Thomas, David 93 West Dunedin Road Columbus, OH 43214 614.268.9337 dtclarinet@davidhthomas.net Tompkin, Harry 643 South 25th St., Ste.1 Lincoln, NE 68510 402.476.9661 402.476.5069 fax palaceglas@aol.com J. Sussman, Inc. David Sussman 109-10 180th Street Jamaica, NY 11433 718.297.0228 718.297.3090 fax sales@jsussmaninc.com www.jsussmaninc.com Swanson, Gary R. P O Box 405 Mill City, OR 97360 503.897.2929 ssg@wvi.com Swenson, Dick 5425 Fremont Avenue South Minneapolis, MN 55419 612.824.8052 rswenson64@comcast.net Inge Pape Trampler 23 Del Rey Drive Mt. Vernon, NY 10552 914.699.8616 ingepapetrampler@hotmail.com www.ingepapetrampler.com Trefz, Jacqualene 709 17th Street SE Jamestown, ND 58401 701.252.5032 jacit@kaktel.com T Tadzynski-Moore, Carol 71 Riverside Drive Reading, PA 19605 717.405.0942 c4m5pa@yahoo.com Tatina, Sister Marie Anne Oblat O.S. See Artistic Designs Enterprises Tatum, Dee 104 South 10th Avenue Hattiesburg, MS 39401 601.550.4137 dwt@seraphimglass.com Tulsa Stained Glass Co. Richard Bohm 7976 East 41st Street Tulsa, OK 74145 918.664.8604 918.665.3300 fax richard@tulsastainedglass.com www.tulsastainedglass.com U Ungar, Israel S. 2301 Volvet Ridge Drive Owings Mills, MD 21117 410.356.6562 410.998.9268 fax chemista@comcast.net 121 Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member "); array_files[158]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-120.pdf","2009-03-04","77K"," SB2k9 Interior ","","","Sourcebook 2009 Schlissel, Rev. Steve 2662 East 24th Street Brooklyn, NY 11235 718.332.4444 718.332.2222 fax steveschlissel@gmail.com Shields, Michael J. See Creative Stained Glass Studio Shobe, Dennis F. See Shobes Stained Glass Art Studio Smith, Olive R. 33 Herrada Road Santa Fe, NM 87508 505.466.7512 505.466.4637 fax craftsmith@hotmail.com Smith, Tim See Moss Stained Glass, LLC Smolski, Bekir Lannerweg 10/2 Gerasdorf 2201 Austria e.buglova@iaea.org Son, Seung Hee 496 Chang-Cheon Dong Seodaemun-gu Seoul 120-836 Republic of Korea 2.333.2102 2.333.8656 fax info@hankun.co.kr Soos, David PO Box 13452 Maumelle, AR 72113-0452 800.791.7667 501.758.8655 fax info@soosstainedglass.com Speake, Robert C. See Lynchburg Stained Glass Co. Schott North America, Inc. Michele Koballa 555 Taxter Road Elmsford, NY 10523 914.831.2200 914.831.2346 fax michele.koballa@us.schott.com www.us.schott.com Schulz, Bradley 801 Warrenville Road, Suite 600 Lisle, IL 60532-1396 630.705.9282 630.705.9301 fax bschulz@american-appraisal.com Schweitzer, Robin L. 980 Broad Street Augusta, GA 30901 706.722.8959 706.722.7953 fax Serban, William 948 El Nido Court Grants, NM 87020 505.287.3830 bserban@nmsu.edu Shannon, Joseph G. 411 Maxell Place Williamsport, PA 17701 570.323.3456 Shaw, Raymond Ivey Route 1 Box 64 Rockford, AL 35136 256.377.2371 nuevoivey@dishmail.net Shea, Frederick B. 15 Commercial Drive Hampden, MA 01036 800.883.5052 413.566.2935 fax fred@stainedglassresources.com Shea, Sue See Stained Glass Resources, Inc. Shobes Stained Glass Art Studio Dennis F. Shobe PO Box 1692 Huntington, WV 25717-1692 304.522.0308 phone & fax Sholes, Joseph C. P O Box 55 509 East Second Street Boston, MA 02127 617.268.3780 617.268.0344 fax jcsholes@sholes.com Shreve, Pam 180 South Almond Street Orange, VA 22960 540.672.3630 Alexander Sidorov 2001 Meridian Avenue, #422 Miami Beach FL 33139 786.662.9827 fineartdesigner@yahoo.com Skrocki, Jim 210 Paradise Road Painesville, OH 44077 440.352.8287 jimskrocki@hotmail.com Simmons, David A. See Jennifers Glassworks, LLC Slutz, Gregory 4609 Laurel Street Bellaire, TX 77401 713.666.1559 Smith, Jeff G. PO Box 1126 Fort Davis, TX 79734 432.426.3311 432.426.3366 fax jgs@archstglassinc.com Stained Glass Associates, Inc. Michael J. Marsh PO Box 296 Knightdale, NC 27545 919.266.2493 919.266.6228 fax www.stainedglassassoc.com Stained Glass Resources, Inc. Sue Shea 15 Commercial Drive Hampden, MA 01036 800.883.5052 413.566.5053 413.566.2935 fax mail@stainedglassresources.com www.stainedglassresources.com Stanton, Bryant See Stanton Glass Studio, LLC 120 Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member "); array_files[159]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-119.pdf","2009-03-04","78K"," SB2k9 Interior ","","","The Stained Glass Association of America Roberson, Bill 3031 Main Street Columbia, SC 29201 803.929.0707 803.251.0155 fax billr5787@aol.com Roberts, David S. See IHS Studios Robinson, Paddy 559 Hill End Road Sofala NSW 2795 Australia 2.633.77178 2.633.77183 fax finglinn@lisp.com.au Robinson Priscilla 375 Arabian Court Melbourne, FL 32934 321.253.1335 Rohlf s Stained & Leaded Glass Studio, Inc. Peter Hans Rohlf 783 South Third Avenue Mt. Vernon, NY 10550 800.969.4106 914.699.4848 914.699.7091 fax rohlf1@aol.com www.rohlfstudio.com Rosa, Roberto 21 Highland Circle Needham, MA 02494-3032 781.449.2074 781.449.0821 fax roberto@serpentinostainedglass.com Rosebrooks, Lois 145 Hicks St. A15 Brooklyn, NY 11201 718.624.4743 loisrosebrooks@plymouthchurch.org Roseman, Carol 160 Country Club Drive San Francisco, CA 94132 301.471.5866 carolroseman@mac.com Roslof, Laura West 5409 Kenosha Drive Elkhorn, WI 53121 262.742.4020 262.742.2050 fax roslof.design@gmail.com Rothman, Victor 1468 Midland Avenue, #5A Bronxville, NY 10708 914.969.0919 914.237.2032 fax vrforsg@iwon.com Ruiz, Felipe Vallejo Bolivar 854 03410 Mexico 13 Mexico Ruiz, Joan DiStefano 329 Lewis Street Oakland, CA 94607 510.465.9031 joanfineart@juno.com S Salem Stained Glass, Inc. Al Priest P O Box 612 East Bend, NC 27018 336.699.3421 336.699.3437 fax alssg@yadtel.net www.salemstainedglass.com Salisbury, John C. See Gaytee Stained Glass, Inc. Samick, Donald See The J. & R. Lamb Studios, Inc. Santos, Dave P O Box 143 Mesa, CO 81643 907.268.5872 fhfarms@aol.com Santos, Enrique 3065 Beyer Boulevard, #B104 San Diego, CA 92154-3499 619.428.6919 619.428.0402 fax esantos@esglass.com Saparamadu, Mac 102/3 Kifulwatta Road Colombo 08 Sri Lanka 94.1.454403 94.1.441176 fax Schaefer, Edward 1858 Allenby Street Victoria, BC V8R 3B7 Canada 250.370.1344 250.370.1341 fax esglasstudio@shaw.ca Schlicker, David C. 4310 SE Division Portland, OR 97206 503.231.0086 503.230.1620 fax dssg@davidschlicker.com Roclair Production Co., Ltd. Keiko Miura 21-12 Megamiyama-Cho Koyoen Nishinomiya Hyogo 662-0011 Japan 81.79.8730.878 81.79.8737.737 fax roclair@muc.biglobe.ne.jp www.roclair.co.jp Rodriguez, Pete 6456 Cottle Road San Jose, CA 95123 408.765.2698 pete.m.rodriguez@intel.com Rogers, Sharon 6703 Saffron Hills Drive Spring, TX 77379 Rohlf, Peter Hans See Rohlfs Stained & Leaded Glass Studio, Inc. Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member 119 "); array_files[160]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-118.pdf","2009-03-04","77K"," SB2k9 Interior ","","","Sourcebook 2009 Powell, Jenkyn A. See Powell Brothers & Sons Glass Art Powers, Jimmy 7422 Northrop Road Alexandria, VA 22306 703.768.1300 703.768.9054 fax Pressley-Rubel, Diana P O Box 1249 Gig Harbor, WA 98335 253.851.1670 educationglass@hotmail.com Priest, Al See Salem Stained Glass, Inc. Pulsoni, Timothy P O Box 1014 Westville, IN 46391 atp123@netnitco.net Putirskis, Paula 1870 30th Avenue Baldwin, WI 54002 715.684.5277 puttales@baldwin-telecom.net Raynal Studios John M. Raynal PO Box 405 Natural Bridge School Road Natural Bridge Station, VA 24579 800.305.0959 540.291.1198 877.717.2398 fax raynal@rockbridge.net www.raynalstudios.com Raynie, Guillermo 4405 Mgr. de-Laval Trois-Rivieres Quebec G8Y 1N2 Canada 819.373.3773 info@vitrauxraynie.ca Reber, Kirk See Creative Glassworks, Inc. Reid, Andrea 222 East Sycamore Street Columbus, OH 43206 800.848.7683 614.221.5223 fax Rendulic, Patricia 132 Bent Tree Cove Cedar Creek, TX 78612 512.985.5168 info@rendulic.com Reusché & Co. of TWS, Inc. Jon Rarick 1299 H Street Greeley, CO 80631 970.346.8577 970.346.8575 fax jrarick@reuscheco.com www.reuscheco.com Reusche, Frank L. 5481 West Torrance Blvd. Unit 321 Torrance, CA 90503 973.615.2728 decaldoc@aol.com Rewitzer, Lyndell 16189 Old Orchard Drive Spring Lake, MI 49456 616.847.1585 lindyrewitzer@mac.com Richard, Dan 62 Schofield Avenue Renous NB E9E 2E8 Canada 506.627.0807 506.624.9034 fax Richard, Jean-Yves 1770 Chemin Gomin Sillery, QC G1S 1P2 Canada 418.527.7444 418.527.2329 fax info@atelier-in-vitraux.com Riley, Judith Merkle 318 Annapolis Drive Claremont, CA 91711 909.626.3241 909.621.6834 fax JudithAMR@aol.com Riner, Sue 508 Kendrick Lane, Suite G Front Royal, VA 22630 800.950.1415 540.636.2413 fax riner@earthlink.net R Rambusch Decorating Company Martin Rambusch 160 Cornelison Avenue Jersey City, NJ 07304 201.333.2525 201.860.9999 fax martinr@rambusch.com www.rambusch.com Rambusch, Martin See Rambusch Decorating Company Rarick, Jon See Reusche & Co. of TWS, Inc. Raynal, John M. See Raynal Studios Reinarts Stained Glass Studios William Reinarts P O Box 872 Winona, MN 55987-0872 507.452.4465 507.452.4649 fax reinarts@hbci.com www.reinarts.com Reinarts, William See Reinarts Stained Glass Studios Reiser, David 131 West State Street Athens, OH 45701 740.592.5615 reiser@rvcarchitects.com Renaissance Glassworks, Inc. H. B. Mertz 3311 Washington Road McMurray, PA 15317 724.969.9009 724.969.4177 fax hbmertz@verizon.net 118 Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member "); array_files[161]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-117.pdf","2009-03-04","76K"," SB2k9 Interior ","","","The Stained Glass Association of America P Page, Dugald S. 166B Onewa Road Northcote, North shore Auckland New Zealand 9480.8049 9480.8041 fax dugaldmaxine@xtra.co.nz Palmer, David 11 Penny Street Old Portsmouth PO2 2NH United Kingdom 33.251.51/4137 davidnpalmeruk@yahoo.co.uk Parham, Ben See State of the Art, Inc. Parkhurst, Janet 10 Railroad Square Waterville, ME 04901 207.872.9305 207.626.3292 fax info@stainedglassexpress.com Parrendo, Nicholas See Hunt Stained Glass Studios, Inc. Pasternak, Brigitte 301 River Road Grandview, NY 10960 845.359.2884 phone & fax bridgeglass@aol.com Paterson, Robert 16727 Ingleside Park Cypress, TX 77429 281.866.2615 Patton, John 7223 Ridge Road Frederick, MD 21702 301.471.5866 glassdr@verizon.net Pearl River Glass Studio, Inc. Andrew Cary Young 142 Millsaps Avenue Jackson, MS 39202 800.771.3639 601.353.2497 601.969.9315 fax info@pearlriverglass.com www.pearlriverglass.com Peck, Bill 98 Dennis Houston, TX 77006 713.526.2590 Pederson, Margaret 15687 Cranbrook Street San Leandro, CA 94579-2218 510.351.1324 Penagos, Efrain PO Box 470144 Celebration, FL 34747 407.566.8344 407.566.8349 fax soganepe@earthlink.net Perry, Elizabeth E. See Perry Stained Glass Studio Conrad Pickel Studio, Inc. Paul Pickel 7777 20th Street Vero Beach, FL 32966 772.567.1710 772.569.1485 fax info@pickelstudio.com www.pickelstudio.com Piercey, James T. See J. Piercey Studios, Inc. J. Piercey Studios, Inc. James T. Piercey 1714 Acme Street Orlando, FL 32805 800.368.9226 407.841.7594 407.841.6444 fax jpstudios@aol.com www.jpiercey.com Podolsky, Daniel 46 Conservation Drive Douglas, MA 01516 508.864.5741 depodolsky@charter.net Poremba, Fred M. See Poremba Stained Glass Studio, Inc. Perry Stained Glass Studio Elizabeth E. Perry 470 Front Street North Issaquah, WA 98027 425.392.1600 425.391.7734 fax psgstudio@aol.com www.perrystainedglass.com Phelps, Paul See Oakbrook-Esser Studios, Inc. Phillips, Mona See Phillips Stained Glass Studio, Inc. Poremba Stained Glass Studio, Inc. Fred M. Poremba 20806 Aurora Road Cleveland, OH 44146-1006 216.662.8360 216.662.8361 fax fporemba@alltel.net www.porembastudio.com Portman, Pierre 5455 Guhn Road Houston, TX 77040 713.460.0045 texas@hollanderglass.com Phillips Stained Glass Studio, Inc. Mona Phillips 2310 Superior Avenue Cleveland, OH 44114-4225 216.696.0008 216.696.1596 fax mospanphil@yahoo.com Pickel, Paul See Conrad Pickel Studio, Inc. Powell Brothers & Sons Glass Art Jenkyn A. Powell 4050 South Howick Street, #10E Salt Lake City, UT 84107 888.484.5184 801.262.4002 phone & fax jenkyn@xmission.com www.powellbrosglassart.com 117 Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member "); array_files[162]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-116.pdf","2009-03-04","77K"," SB2k9 Interior ","","","Sourcebook 2009 Morava Studios Peter Morava 11 Harrison Street Oak Park, IL 60304 708.383.9333 708.383.9314 fax moravastudios@sbcglobal.net www.moravaglass.com Moreno-Simunovic Carmen 1670 Bell Blvd #506 Bay Side, NY 11360 718.428.3871 Morrison, Sue 20 West Jennings Newburgh, IN 47630 812.853.0460 812.853.2622 fax sunburst@sigecom.net Mortimer, Henry PO Box 744A Sherwood Forest, MD 21405 Nason, Lori 110 Chain Lake Drive Vantage Point 3E Halifax, NS B3S 1A9 Canada 902.876.5167 902.876.7132 fax lori@cranberrystainedglass.com Netts, Elizabeth M. 3133 Western Branch Boulevard Chesapeake, VA 23321 757.483.3037 757.483.8352 fax mmglasswks@aol.com Nichols, Barbara 8744 Villanova Avenue Los Angeles, CA 90045 310.562.6333 Nichols, Paul A. 9229 Arlington Boulevard, Apt. 563 Fairfax, VA 22031 703.273.4869 Norton, Mary R. 42 Chmura Road Hadley, MA 01035-2524 13.387.0127 reed@stuaf.umass.edu Nussbaum, John 1525 Saint Ann Street Jackson, MS 39202-1252 601.355.6402 ocki6402@bellsouth.net OBrien, Darren 95 Akerley Blvd., B Dartmouth NS B3B 1R7 Canada 902.468.4100 902.468.7677 fax mdobrien@atlanticstainedglass.com OBrien, Kevin P O Box 65 104 Cleveland Street Rollingstone, MN 55969 800.362.7436 507.689.2223 fax kevin@obrienstainedglass.com Dave Offerdahl 1161 Brennan Drive Warminser, PA 18974 215.672.8648 215.672.8648 fax dofferdahl@aol.com Oldar, Leslie 24226 Hawthorne Blvd. #B Torrance, CA 90505 310.373.5600 Olivier, Patricia A. 831 Holbrook Circle Ft. Walton Beach, FL 32547 850.862.8497 glassglowing2@cox.net Ortola, Daniel E. Pio XII 2749 Casa 1313 Barrio C.U.B.A. Villa de Mayo Pcia Buenos Aires 1614 Argentina 5411.4660.3599 phone & fax danielortola@vitralesexclusivos.com.ar Oster, Cliff 639 Holden Hill Road Langdon, NH 03602 603.835.6235 beauverre@cinci.rr.com Moss Stained Glass, LLC Tim Smith 2501 East Eighth Street Anderson, IN 46012 888.833.6677 765.643.0439 fax tsmith@mossglass.com www.mossglass.com Mroz, David See Coventry Glassworks Myers, Diann 3675 Wilkesboro Hwy Statesville, NC 28625 704.876.2636 704.876.2638 fax O Oakbrook-Esser Studios, Inc. Paul Phelps 129 East Wisconsin Avenue Oconomowoc, WI 53066-3033 800.223.5193 262.567.9310 262.567.6487 fax info@oakbrookesser.com www.oakbrookesser.com N Nakamura, Gary 2651 Sawai Fujino Sagamihara City Kanagawa 229-0202 Japan 81.42.6685.882 phone & fax gary@std-santa.jp 116 Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member "); array_files[163]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-115.pdf","2009-03-04","77K"," SB2k9 Interior ","","","The Stained Glass Association of America Ellen Mandelbaum Glass Art Ellen Mandelbaum 39-49 46th Street Sunnyside, NY 11104-1407 718.361.8154 phone & fax emga@earthlink.net www.emglassart.com C. Robert Markert 9023 Black Powder Lane Louisville, KY 40228 502.231.5634 bobpatsy@bellsouth.net www.fenestraarts.com Marlowe, Edward 26 Covil Avenue Wilmington, NC 28403 910.762.3188 efm36@aol.com Martin, Edith 6520 Granada Lane Eagle, ID 83616 208.939.9618 phone & fax ediemartinstainedglass.com Marsh, Michael See Stained Glass Associates Meech-Henigman, Celia 51 West Adams Street Forsyth, GA 31029 478.994.8683 478.994.8894 fax celia@atgstudio.com Mengel, Jennifer 112 Hooley Lane HC 64 Box 3203 Castle Valley, UT 84532 Mertz, H. B. See Renaissance Glassworks, Inc. Mesmer, Richard See Cascade Glass Art Center Mitchell, Erskin 2365 Oleander Street Baton Rouge, LA 70806 225.344.3800 225.344.4042 fax Mitchell, Lori See Glastar Corporation Miura, Keiko See Roclair Production Co., Ltd. Mominee, Jules T. See Mominee Studios, Inc. Mezalick Design Studio, LLC Nidia M. Mezalick 4526 Griscom Street Philadelphia, PA 19124-3640 215.744.5490 215.744.3253 fax nidia@mezalick.com www.mezalick.com Mezalick, Nidia M. See Mezalick Design Studio, LLC Mominee Studios, Inc. Jules T. Mominee 5001 Lincoln Avenue Evansville, IN 47715-4113 800.473.1691 812.473.1691 812.473.0676 fax mominee@momineestudios.com www.momineestudios.com Mooers, Kelley 3625 50th Avenue SW Seattle, WA 98116-3214 206.932.9140 kelleyandsue@msn.com Moore, Kay 692 Walt Carmichael Road Newnan, GA 30263 770.254.0349 ksmoore@mindspring.com Moore Paul 50 Thatcher Street Hyde Park, MA 02136 617.361.1207 unicrni@rcn.com Moorman, Jay 1054 Central Avenue Middletown, OH 45044-4009 513.425.7312 phone & fax beauverre@cinci.rr.com Morava, Peter See Morava Studios MAYCO Industries Jennifer Banbury 18 West Oxmoor Road Birmingham, AL 35209 800.749.6061 205.942.4242 205.945.8704 fax sales@maycoindustries.com www.maycoindustries.com McDougal, Mitchell 10105 SW Hall Blvd. Portland, OR 97223 503.246.9897 503.246.9848 fax info@rosesglassworks.com Meadows, Boyd PO Box 549 Milton, WV 25541 304.743.3791 Midwestern Stained Glass Studios, Inc. Douglas L. Gammon 214 South Cedar Nevada, MO 64772 800.525.8442 417.667.8185 phone & fax Miles, William O. See Artisan Glass Works, Inc. Miller, Jim S. 15 Weymouth Drive Howell, NJ 07731 732.370.0634 phone & fax starjim@optonline.net Miret, Ellen M. 25 Deer Trail Ramsey, NJ 07446 201.934.0136 phone & fax emiretjays@aol.com Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member 115 "); array_files[164]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-114.pdf","2009-03-04","76K"," SB2k9 Interior ","","","Sourcebook 2009 Lambrecht, Kristi 715 South 12th Street Omaha, NE 68102 402.342.3330 402.342.3331 fax kristi@lambrechtglass.com Langille, Karen L. 69 Fall River Avenue Rehoboth, MA 02769 508.336.5455 508.336.0952 fax karensge@comcast.net LaRanger, Ray 807 Route 52 Carmel, NY 10512 845.225.6956 845.225.6959 fax ranger26@comcast.net Larsen, Sandra K. 10029 Cork Street El Paso, TX 79925 915.598.6196 915.590.3660 fax skldsl@aol.com LaTreill, Shelly 4007 Falling Creek Road Bedford, VA 24523 540.587.8660 serart22@aol.com Lauer, Michael 720 Osseo Avenue South St. Cloud, MN 56301 320.251.2330 micstgl@yahoo.com Laws, Michael A. See Laws Stained Glass Studios, Inc. Lazier, Patrick 3135 Sunnyside Brookfield, IL 60513 708.485.8148 patlazier@msn.com LeBlanc, Whitney J. 490 Sunset Drive Angwin, CA 94508 707.965.9729 phone & fax wjljr2@aol.com Leever, Randall D. See The Boulder Stained Glass Studios Lemley, Don See Blenko Glass Co., Inc. Lemley, Donald P O Box 67 Milton, WV 25541 304.743.9081 Lentz, Paul 304 State Street Adrian, MI 49221 517.20.1119 Lerew, Bryan See Cumberland Stained Glass, Inc. Levy, Doron S. 1964 Coney Island Avenue Brooklyn, NY 11223 718.645.6675 Levy, Mark PO Box 4722 Chatsworth, CA 91311 818.595.1195 818.595.1166 fax mlstudio@earthlink.net Loman, Roy See Loman Studio, Inc. Loose, Jeff P O Box 1765 Buford, GA 30515-1765 770.402.3103 770.932.1357 fax jeff@studioglassatlanta.com Lora, Eduardo Feo. Prats Ramirez 151 Santo Domingo Dominican Republic 809.541.7687 ranger26@comcast.net Lowell, Paul R. 209 Fourth Avenue South Edmonds, WA 98020 Lynchburg Stained Glass Co. Robert C. Speake PO Box 4453 Lynchburg, VA 24502 800.237.6161 434.525.6168 phone & fax info@lynchburgstainedglass.com www.lynchburgstainedglass.com M Maddox, David 2785 West Redgewood Circle Zanesville, OH 43207-1617 740.453.2631 Malena, Richard 55 33rd Street Wheeling, WV 26003 304.232.7174 Mandapa, Asha 140 Goyal Park, Judges Bungalows Road Vastrapur Ahmedabad Gujarat 380 015 India 91.79.6522.9133 91.79.2674.3648 fax ashamandapa@hotmail.com Mandelbaum, Ellen See Ellen Mandelbaum Glass Art Laws Stained Glass Studios, Inc. Michael A. Laws 145 Ebenezer Lane Statesville, NC 28625 800.820.1292 704.876.3463 704.876.4238 fax info@lawsstainedglass.com www.lawsstainedglass.com Loman Studio, Inc. Roy Loman 9133 East 46th Street Tulsa, OK 74145-4823 918.627.6973 918.627.7274 fax rl@lomanstudios.com www.lomanstudios.com 114 Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member "); array_files[165]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-113.pdf","2009-03-04","77K"," SB2k9 Interior ","","","The Stained Glass Association of America Juskalian, Bob 2641 West Tenaya Fresno, CA 93711 559.960.5443 559.431.4149 fax popkinjuskalian@aol.com Kim, Tae-Hoon 496 Changchun-Dong Seodamun-Gu Seoul 120-836 Korea Kinard, Elizabeth. 1209 Baker Road Suite 403 Virginia Beach, VA 23455 Kirschling, Kris 850 Dousman Street Green Bay, WI 54303 920.494.5757 920.494.4139 fax Kittrell, Barbara 5100 Belt Line Road #820 Dallas, TX 75240 888.865.2228 972.239.7998 artglass@kitrellriffkind.com Klebick, Ronald M. 7000 Park Plaza Drive, Apt. 7304 Pittsburgh, PA 15229 412.302.3427 412.624.4155 fax ron.klebick@ia.pitt.edu Klopsch, Bill See Bill Klopsch Stained Glass K Kapica, Andrzej Edisona 16 Gdansk 80-172 Poland 48.501.257.864 andrzej.kapica@wp.pl, Kawamoto, Akihiko 3-11-26 Minaminumagami Aoi-ku Shizuoka 420-0905 Japan 81.54.2643.934 81.54.2648.112 fax glass-kawamoto@rio.odn.ne.jp Kebrle, Irmgard See Kebrle Stained Glass Studio, Inc. Kebrle, John 2829 Bachman Drive Dallas, TX 75220 214.357.5922 phone & fax kebrlestainedglass@yahoo.com Kokomo Opalescent Glass Co., Inc. Richard Elliott PO Box 2265 1310 South Market Street Kokomo, IN 46904-2265 765.457.8136 765.459.5177 fax eliot@kog.com www.kog.com Kuderer, James N 112 W 14400 Mequon Road Germantown, WI 53022 262.251.5373 262.251.8229 fax james@essmanns.com Kurnava, Stacy 17202 Roseland Road Cleveland, OH 4112 Kurylowicz, Stephen 833Hickory Avenue Invernes, FL 34452 352.637.6255 s_kurylowicz@yahoo.com L Lackey, Dennis L. See Statesville Stained Glass, Inc. LaCombe, Andy 148 Main Street New Rochelle, NY 10802 914.235.4554 phone & fax aa1combe@aol.com Laken, Kirsten 1 James Street Selby, Victoria 3159 Australia 03.9754.6807 spiritofglass@bigpond.com Kebrle Stained Glass Studio, Inc. Irmgard Kebrle 2829 Bachman Drive Dallas, TX 75220 214.357.5922 phone & fax kebrlestainedglass@yahoo.com www.kebrlestainedglass.com Kelly, John W. 28 Beckert Street Pittsburgh, PA 15209 412.821.4449 412.821.4489 fax kellyartglass@verizon.net Kelly, Margaret C. 1734 Metzmont Drive Jackson, MI 49203 Bill Klopsch Stained Glass Bill Klopsch 4656 West Church Street Skokie IL 60076 847.329.9369 847.329.9350 fax bill@billklopschstainedglass.com www.billklopschstainedglass.com Knight, Ellie M. 216 Iverson Way Charlotte, NC 28203 704.523.0096 704.521.8476 fax info@shedbrandstudios.com Koballa, Michele See Schott North America, Inc. The J. & R. Lamb Studios, Inc. Donald Samick 436 West Main Street Wyckoff, NJ 07481 201.891.8585 201.891.8855 fax info@lambstudios.com www.lambstudios.com Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member 113 "); array_files[166]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-112.pdf","2009-03-04","77K"," SB2k9 Interior ","","","Sourcebook 2009 Holmes, Ann 421 N. Park Drive #2 Arlington, VA 22203 828.255.2667 828.254.2843 fax annsartglass@charter.net Hoy, Edward W. See Ed Hoys International J Jackson, Angelique See Jancik Arts International, Inc. James, Maureen PO Box 69 Westport, KY 40077-0069 800.719.0769 502.222.4527 fax info@glasspatterns.com Jamieson, Deborah S. 305 Edinburgh Lane Orange Park, FL 32073 904.272.6103 deborah.jamieson@armstrong.edu Jennifers Glassworks, LLC David A. Simmons 4875 South Atlanta Road Smyrna, GA 30080 800.241.3388 404.355.3080 404.355.6566 fax sales@jennifersglassworks.com www.jennifersglassworks.com Jensen, Ron 164 Russell Road New Lambton New South Wales 2305 Australia 61.249.523.072 phone & fax ronaldj@idl.net.au Johnson, Gloria 480 Gate #5 Road #238 Sausalito, CA 94965 415.407.5992 create2040@comcast.net Jones, Robert O. 3512 Almanac Road Tallahassee, FL 32309 850.544.9462 Jordan, Kathy 316 Media Station Road Media, PA 19063 610.891.7813 610.891.0150 fax aog1987@aol.com Joy, John 372 Lucinda Street Scotts Valley, CA 95066 831.335.5550 phone & fax johnjoystudio@msn.com Judson, David See The Judson Studios Ed Hoys International Edward W. Hoy 27625 Diehl Road Warrenville, IL 60555-3838 800.323.5668 630.836.1362 fax info@edhoy.com www.edhoy.com Hummell, Jerry 801 South 7th Street Burlington, IA 52601-5826 319.754.6158 jerryhummellglas@msn.com Hunt Stained Glass Studios, Inc. Nicholas Parrendo 1756 West Carson Street Pittsburgh, PA 15219-1036 412.391.1796 412.391.1560 fax huntsg@msn.com www.huntstainedglass.com Hyams, Harriet PO Box 178 Palisades, NY 10964 845.359.0061 845.359.0062 fax harriart@rockland.net Jancik Arts International, Inc. Angelique Jackson 984 Timber Bluff Drive Clayton, GA 30525 800.254.1593 404.371.0610 404.371.9084 fax jaiatl@bellsouth.net www.jancikarts.com Janda, Melissa 2720 South Adams Avenue Milwaukee, WI 53207 414.482.0370 phone & fax Jarrett, Richard Allen 331 Pile Street Ramona, CA 92065 760.788.9243 richardajarrett.com Jayson, Robert See S.A. Bendheim Co., Inc. Jenkinson, Mark 12 The Court Ashbourne Ind. Park Ashbourne, County Meath Ireland mark@artglass.ie I IHS Studios David S. Roberts 1400 FM 2093 Fredericksburg, TX 78624 800.259.1842 830.997.1842 800.296.4314 fax sales@ihsstudios.com www.ihsstudios.com The Judson Studios David Judson 200 South Avenue 66 Los Angeles, CA 90042 800.445.8376 323.255.0131 323.255.8529 fax info@judsonstudios.com www.judsonstudios.com 112 Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member "); array_files[167]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-111.pdf","2009-03-04","77K"," SB2k9 Interior ","","","The Stained Glass Association of America H Hadley, James Thomas, Obl. SB 1409 Allison Street NW Washington, DC 20011 202.657.4297 sainte-etienne@comcast.net Haeger, Pat See Haeger Stained Glass Haynes, Christopher See A & H Art & Stained Glass Co., Inc. Heathcote, Laura 11 Glen Cameron Road Unit 12 Thornhill ON L3T 4N3 Canada laura@glowingpanes.net Heathcote, Robert 1430 North 17th Avenue Phoenix, AZ 85007 602.258.7908 602.258.6568 fax Heijman, Peter Loodstraat 26 2718 Zoetermeer (Z-H) RW Netherlands 79.361.8665 79.361.8493 fax p.heyman@glasatelier.nl Helf, Gary L. See Franklin Art Glass Studios, Inc. Helf, James 222 East Sycamore Street Columbus, OH 43206 614.221.2972 614.221.5223 fax Hembree, Mike 3235-B East Sunshine Springfield, MO 65804 417.882.7746 417.890.1285 fax Hendrix, Karen J. See Karen Hendrix Studio of Stained Glass and Sacred Arts, LLC Hershey Stained Glass Studio Kevin Hershey 20907 Acorn Avenue Milton, IA 52570 641.675.3740 641.675.3946 fax artglass@netins.net www.hersheystudio.com Hiemer, Gerhard 1047 Motorcoach Drive Polk City, FL 33868 Hippel, Bruce 218 West Pacific Avenue Villas, NJ 08251 609.886.2206 Hipple, Amy J. 4411 Alkire Road Columbus, OH 43228 614.878.4981 ghipple@columbus.rr.com Hobart, Jannice 409 S 200 Westsouth Brigham city, UT 84302-3213 435.237.3155 Hoefer, Scot 910 S. Main Street South Hutchinson, KS 67505 620.663.1778 620.663.8686 fax hoeferstainedglass@yahoo.com Hoffman, Daniel 142 Jordan Road Williamsville, NY 14221 716.632.0529 dhoffman@atpaulseggertsville.org Holden, Beverly 935 Market Street Truesdale, MO 63383 636.456.7017 636.456.2945 fax glass.garden1@gmail.com Hollman, Richard M. See City Glass Specialty, Inc. Haeger Stained Glass Pat Haeger 10741 Ridgeview Avenue San Jose, CA 95127 408.251.2019 408.923.5194 fax art-glas@pacbell.net www.haegerstainedglass.com Hall, Robert 12 US Hwy 51 South Clinton, KY 42031 270.653.2036 Hamilton, Linda 584 West Broad Street Columbus, OH 43215 614.461.6204 614.461.1737 fax jubileemuseum@sbcglobal.net Harmon, Dennis R. See Emmanuel Stained Glass Studios, Inc. Harrison, Sandee 2260 N. MacArthur Drive Tracy CA 94588 925.989.9901 925.245.0930 fax sandeeglass@att.net Hartman-Baker, Rebecca 218 East Market Street Kingsport, TN 37660 423.247.1788 Haug, Priscilla 8 Isaacs Drive Pennsville, NJ 08070-9650 856.935.5267 Hauser, Jim See Willet Hauser Architectural Glass, Inc. Karen Hendrix Studio of Stained Glass and Sacred Arts, LLC Karen J. Hendrix 907 NW 20th Street Oklahoma City, OK 73106 800.747.3656 405.524.2147 405.524.5337 fax khendrix2915@aol.com www.karenhendrix.com Hershey, Kevin See Hershey Stained Glass Studio Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member 111 "); array_files[168]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-110.pdf","2009-03-04","77K"," SB2k9 Interior ","","","Sourcebook 2009 Gay, Grant 12355 North Mesquite Crest Way Tucson, AZ 85755 520.219.4256 grantgay@q.com Gay, Patty 923 Tchoutitoulas Street New Orleans, LA 70130 540.581.7032 prc@prcn.org Glander, Anthony 14726 Myer Terrace Rockville, MD 20853 301.460.6404 phone & fax tony@fitzpatrickglass.com Green, Abbey 309 5th Street Calumet, MI 49913 906.337.5950 abbeyartglass@charter.net Grise, Martha 118 Buckwood Drive Richmond, KY 40475 Grover, Kristen 682 Southern Bay Road Penobscot, ME 04476 914.763.3106 207.326.9004 fax Gruenke, Bernard O., Sr. 2405 South 162nd Street New Berlin, WI 53151 800.969.3033 262.786.9036 fax studio@conradschmitt.com Gruenke, Gunar See Conrad Schmitt Studios, Inc. Grundon, Dale 305 Lancaster Avenue Mt. Gretna, PA 17064 717.964.2086 dale@dalegrundon.com Guarducci, David See Guarducci Stained Glass Studios Gaytee Stained Glass, Inc. John C. Salisbury 2744 Lyndale Avenue South Minneapolis, MN 55408 888.872.4550 612.872.4551 fax gayteeglass@qwest.net www.gayteestainedglass.com George, Merry S. See Advent Glass Works, Inc. George, Truett, Jr. PO Box 174 Fort White, FL 32038 386.497.2050 386.497.2941 fax tgatagw@alltel.net Gibbons, Patricia K. 1212 Cathedral of Learning Pittsburgh, PA 15260 412.624.4157 412.624.4155 fax pat.gibbons@ia.pitt.edu Gibson, Peter 4A Precentors Court York, England Y01 2EJ United Kingdom 44.1904.626.309 Gilbertson, Ed See Gilbertsons Stained Glass Studio Glass Heritage, LLC John P. Watts 234 West 3rd Street Davenport, IA 52801 877.324.4300 563.324.4300 563.324.4321 fax john@glassheritage.com www.glassheritage.com Glastar Corporation Lori Mitchell 20721 Marilla Street Chatsworth, CA 91311 800.423.5635 818.341.0301 818.998.2078 fax sgaa@glastar.com www.glastar.com Golden, Nancy A. 70 Putnam Street Needham Heights, MA 02494 781.444.4031 Goldstein, Yoine P O Box 630 Hinesburg, VT 05461 802.482.2844 phone & fax yoine-goldsein@mcmillan.ca Goncalves, Francisco Da Silva 2379 Coral Way Miami, FL 33145 305.856.0451 artglasflorida@hotmail.com Grabowski, Kevin 2405 S. 162nd Street New Berlin, WI 53151 800.969.3033 kevin@conradschmitt.com Gray, Gary 18016 N Andalucia Drive Edmond, OK 73012 405.305.1788 gary.gray@sbcglobal.net Guarducci Stained Glass Studios David Guarducci 64 Stoney Brook Road Great Barrington, MA 01230 413.528.6287 phone & fax guarduccistainedglassstudios@yahoo. com www.guarduccistudios.com Mark Eric Gulsrud 3309 Tahoma Place West Tacoma, WA 98466 253.566.1720 253.565.5981 fax markgulsrud@aol.com www.markericgulsrud.com Gilbertsons Stained Glass Studio Ed Gilbertson 705 Madison Street Lake Geneva, WI 53147-1409 262.248.8022 262.248.3044 fax gsgs@genevaonline.com www.stainedartglass.com 110 Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member "); array_files[169]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-109.pdf","2009-03-04","77K"," SB2k9 Interior ","","","The Stained Glass Association of America Elskus, Ann 401 State St. Unit M404 Portsmouth, NH 0301 207.677.2863 Fields, Nellie B. 1506 West College Avenue Midland, TX 79701 423.683.3296 oldwoody@cox.net Firpo, Susan 420 NE 56th Avenue Portland, OR 97213 503.758.6928 503.493.4234 fax firpo@spiritone.com Fjeld, David See Big Sky Stained Glass Art, Inc. Floyd, Nadine E. 2333 Stirling Road Fort Lauderdale, FL 33312 954.966.0260 954.963.2971 fax nadine@medialab.tv Foltz, James R. 12061 Dolphin ST. SW Beach City, OH 44608 800.756.2622 330.756.2626 fax radiantarts@neohio.twcbc.com Foote, David 128 Sixteenth Street Wilmette, IL 60091 Foster, Robert S. 2801 South College Bryan, TX 77801 800.532.6386 979.822.9186 fax glass@sfsgw.com Foster, Robert S. 2801 South College Bryan, TX 77801 800.532.6386 979.822.9186 fax info@fosterstainedglass.com Emmanuel Stained Glass Studios, Inc Dennis R. Harmon 410 Maple Avenue Nashville, TN 37210 800.326.2228 615.255.5446 615.255.5447 fax dennis@emmanuelstudio.com www.emmanuelstudio.com Engels, Dan 4800 Avenue L Place Kearney, NE 68847 Erickson, James V. 68-234 Au Street Waialua, HI 96791 808.637.8934 james@jericksonstudios.com Erwin, Violet 3710 Trailwood Baytown, TX 77521 281.420.2001 violeterwin@comcast.net Franciscan Glass Co., Inc. Roger H. Bibo 35255 Fircrest Street Newark, CA 94560 800.229.7728 800.229.7730 fax sale@franciscanglass.com www.franciscanglassco.com Franklin Art Glass Studios, Inc. Gary L. Helf 222 East Sycamore Street Columbus, OH 43206 800.848.7683 614.221.2972 614.221.5223 fax info@franklinartglass.com www.franklinartglass.com Freed, Marsha 4711 Haddington Lane Bloomfield Hills, MI 48304 248.214.7003 248.594.4892 fax marshadaileyfreed@mac.com Full Spectrum Stained Glass, Inc. Valerie McCartney 31323 Colon Road Colon, MI 49040 269.432.2610 269.432.9411 fax fssgi@aol.com www.churchwindows.net F Fay, Gerard 18 Tilton Road Congers, NY 10920 914.268.5749 Feldmeier, Mark See The Paul Wissmach Glass Co., Inc. Ferenc, Marko 1 Maja 30 51000 Rijeka Croatia Fiehler, Linda 6708 High Circle St. Louis, MO 63109-3317 G Gall, Stan, Jr. PO Box 190 Crowley, LA 70527 800.952.9461 337.788.1558 fax info@stainedglassforchurches.com Gallin, Saara 142 Sherman Avenue White Plains, NY 10607-2415 914.592.6930 saaragallin@optonline.net Gammon, Douglas L. See Midwestern Stained Glass Studios, Inc. Fox Studios, Inc. Ann Fox Vannice 5901 North College Avenue Indianapolis, IN 46220 317.253.0135 317.253.5647 fax cfox@foxglassstudio.com www.foxglassstudio.com Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member 109 "); array_files[170]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-108.pdf","2009-03-04","77K","Sourcebook-108.pdf ","","","Sourcebook 2009 Culveyhouse, Dr. James B. 1900 Pass Road Gulfport, MI 39501-5100 228.864.6159 228.864.3186 fax gdwrhands@aol.com Destoppeleire, Debra 1550 N. Lake Shore Drive, Apt. 20B Chicago, IL 60610 312.643.1638 debra_ann_balchen@hotmail.com Devereaux, Elizabeth 2468 Ivy Street Chico, CA 95928-7120 530.342.2074 530.342.2048 fax edevero@devglas.com Duval, Jean-Jacques 219 Farrell Road Willsboro, NY 12996-4006 518.963.700 518.963.7099 fax jean-jacques@duvalstudio.com Cumberland Stained Glass, Inc. Bryan Lerew 5232 East Trindle Road Mechanicsburg, PA 17050 717.691.8290 717.591.9807 fax info@cumberlandstainedglass.com www.cumberlandstainedglass.com E Eaton, Scott 16311 Prairie Lea Cypress, TN 77429 281.373.3423 281.256.2722 fax freebird001@sbcglobal.net Edmondson, Barbara 6725 West Denton Lane Glendale, AZ 85303 623.846.3642 phone & fax Edwards, Kay 5725 NE 77th Seattle, WA 98115 206.522.2240 206.522.3711 fax Eichhorn, Peter Klaus 812 East Broadway Louisville, KY 40204 502.584.2320 502.589.9622 fax estainedgl@aol.com Eissinger, Diane See Diane Eissinger Stained Glass D Dabeau, Linda P O Box 2679 Tijeras, NM 87059 505.286.4145 505.286.4145 fax ldabeau@swcp.com Dailey, Dennis See DHD Metals, Inc. Davidson, Bill 607 Flaten Court Eau Claire, WI 54703-5901 715.832.4110 pdgbill@sbcglobal.net Davidsson, Aaron 3412 Los Pinos Drive Santa Barbara, CA 93105 805.252.2500 484.727.6203 fax aaron@toaglass.com Day, Robert 3621 Grandview Drive Crawfordsville, IN 47933 765.866.0968 Deeg, Rhonda L. 1241 Michigan Road Madison, IN 47250 812.292.6334 preservationrj@yahoo.com DHD Metals, Inc. Dennis H. Dailey PO Box 165 1301 Olympic Court, Suite A Conyers, GA 30012 800.428.6693 770.760.9404 770.760.9032 fax info@dhdmetalslead.com www.dhdmetalslead.com Di Campli, Lisa Laan van Leeuwesteyn 37 Voorburg 2271 HJ Netherlands Durhan Studios, Inc. Paul Coulaz 330 Eagle Avenue West Hempstead, NY 11552 516.481.5656 516.481.7905 fax durhanstudios@verizon.net Durr, Jerome See Jerome R. Durr Studio Jerome R. Durr Studio Jerome Durr 206 Marcellus Street Syracuse, NY 13204 315.428.1322 315.478.1767 fax jrdurr0art@aol.com www.jeromedurr.com Dutch, Chris 713 White Oak Road Charleston, WV 25302 304.344.8847 cdutchstgl@verizon.net Diane Eissinger Stained Glass Diane Eissinger 44290 Willis Road Belleville, MI 48111-8942 734.699.9344 deissinger@comcast.net Richard Elliott See Kokomo Opalescent Glass Co., Inc. Ellison, Theodore 1248 International Blvd. Oakland, CA 94606 510.534.7632 info@theodoreellison.com 108 Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member "); array_files[171]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-107.pdf","2009-03-04","77K"," SB2k9 Interior ","","","The Stained Glass Association of America Casola Stained Glass Studio, Inc. Lawrence A. Casola 11000 Metro Parkway, Suite 11 Ft. Myers, FL 33966-1210 800.330.4527 239.939.0055 239.939.0068 fax casolasgs@aol.com www.churcharts.com Cavallini, Adrian J. See Cavallini Company, Inc. Cong, Bui Chi 84 Pham Ngoc Thach Street Ward 6, District 3 Ho Chi Minh City Vietnam 848.8200.260 848.8200.263 fax artglass@hcm.vnn.vn Connelly, Chris 7401 Oak Brook Drive Urbandale, IA 50322 515.557.0371 jcconn69@msn.com Conner, John S. 1120 Dials Plantation Drive Statham, GA 30666-3243 678.753.1986 Cosby, Christopher 745 Marshall Avenue Webster Groves, MO 63119 314.962.4817 31.962.5601 fax Coulaz, Paul See Durhan Studios, Inc. Courage, Cynthia 1005 Cenral Avenue Metarie, LA 70001 504.834.3967 504.834.9210 fax attenhofers@mac.com Cavallini Company, Inc. Adrian J. Cavallini 3410 Fredricksburg Road San Antonio, TX 78201-3847 800.723.8161 210.733.8161 210.737.1863 fax cavallinis@aol.com www.cavallinistudios.com Celinder, Mary Ann 21341 Fleet Lane Huntington Beach, CA 92646 714.962.8361 maryann@customleadedglass.com Christman, Jim 317 East Broad Stret West Hazleton, PA 18202-3860 570.233.2929 570.459.0972 fax jimroqads@aol.com Churchill, George T. 105 North Union Street Alexandria, VA 22314 703.684.3636 02xsgc@verizon.net Conrad Schmitt Studios, Inc. Gunar Gruenke 2405 South 162nd Street New Berlin, WI 53151 800.969.3033 262.786.3030 262.786.9036 fax studio@conradschmitt.com www.conradschmitt.com Roy Walter Coomber Coventry Glassworks David Mroz 514 West College Avenue Appleton, WI 54911 920.739.5762 920.739.5881 fax coventryglass@usa.net Creative Glassworks, Inc. Kirk Reber 1985 Mayport Road Atlantic Beach, FL 32233 888.606.0630 904.247.0064 904.246.7188 fax staff@creativeglassworks.com www.creativeglassworks.com Creative Stained Glass Studio Michael J. Shields 5318 Evergreen Heights Drive Evergreen, CO 80439 303.988.0444 myksds@aol.com www.csgstudio.com Crow, Carrie 1200 N. Perkins Road Apt. B9 Stillwater, OK 74075 800.762.6759 cfcrow@hotmail.com Cultraro, Doris 21 Winston Drive Rhinebeck, NY 12572 845.876.3200 845.876.3225 fax info@dcstudiosllc.com 39 Vicarage Road Bishopsworth Bristol BS13 8ER United Kingdom 44.117.9.640.643 44.117.9.633.312 fax rwcoomber@aol.com Cooper, Donald 4957 Walsh Street St Louis, MO 63109 314.832.6410 phone & fax artglas.creations@att.net Corral, Ana 126 Geter Oaks Street Elk Park, NC 28622 828.737.0670 828.898.6685 fax featherdance@skybest.com City Glass Specialty, Inc. Richard M. Hollman 2124 South Calhoun Street Ft. Wayne, IN 46802 260.744.3301 260.744.2522 fax cityglassspecialty@yahoo.com www.cityglassspecialty.com Clark, Kathie 3969 Bucklin Place Thousand Oak, CA 91360 Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member 107 "); array_files[172]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-106.pdf","2009-03-04","77K"," SB2k9 Interior ","","","Sourcebook 2009 The Boulder Stained Glass Studios Randall D. Leever 1920 Arapahoe Avenue Boulder, CO 80302 303.449.9030 phone & fax rdlbsg@comcast.net www.bldstglst.com Bovard, Ronald See Bovard Studio Inc. Buehrer, Reggie See Window Creations, LLC Buijs-Mancuso, Yvonne P O Box 3003 1296 Wold Road Friday Harbor, WA 98250 360.378.6725 woodenglass@hotmail.com Capra, Lynne 5016 Bloomington Avenue Minneapolis, MN 55417 612.823.4933 lynne@theglassdish.com Carire, Julie 2857 Airport Highway Suite K Toledo, OH 43609 419.385.4527 419.385.4533 fax trinityglassohio@aol.com Carlisle, Shaye 15920 Bataan Street NE Ham Lake, MN 55304 763.413.7086 763.783.4119 fax s-carlisle@comcast.net Carlson, Charley 635 East Terrace Fresno, CA 93704 559.224.4456 Carlson, Emily 7344 N. Ridge Blvd #8B Chicago, IL 60645 847.561.4048 Cartner, Frankye B. 1563 Highway 99 East Gridley, CA 95948 530.846.4375 530.846.4391 fax sgjunction@wcisp.com Bovard Studio Inc. Ronald Bovard 2281 Highway 34 East Fairfield, IA 52556-8560 800.452.7796 641.472.0974 fax info@bovardstudio.com www.bovardstudio.com Bowman, Carolyn M. 221 South 19th Avenue Yakima, WA 98902 509.248.6892 Bradford, Laura E. 3726 April Lane Columbus, OH 43227 614.237.8372 614.237.8386 fax laura@hopewellconstructors.com Brewer, Richard 2224 Park Avenue Richmond, VA 23220-2715 804.359.0897 reb006@aol.com Brocklehurst Mary E. 3226 Guion Road Indianapolis, IN 46222 317.923.4891 Bryan, Rosilyn L. 806 Joe Yeni Boulevard, #23 Kener, LA 70065 reisselveis@hotmail.com Buechner, Thomas 10503 North Road Corning, NY 14830 607.962.6626 607.962.1437 fax buechner@lightlink.com 106 Bullas Glass, Ltd. Joseph H. Bullas 15 Joseph Street Kitchener, ON N2G 1H9 Canada 519.658.0724 519.745.1124 fax joebullas@sympatico.ca Bullas, Joseph H. See Bullas Glass, Ltd. Burton, Don 1303 Church Street Port Huron, MI 48060 810.985.7575 phone & fax glassdb@sbcglobal.net Butler, Brad 10141 E. 63rd Street Indianapolis, IN 46236-8442 317.826.1355 phone & fax bbutler@butlerstainedglass.com C CAFF Company John Weaver 370 Vista Park Drive Pittsburgh, PA 15205 412.787.1761 412.788.2233 fax www.caffcompany.com Caillouet, Elizabeth Ellen 114 South Long Street Lafayette, LA 70506 337.237.5977 337.237.5714 fax absolutartglass@bellsoth.net Cascade Glass Art Center Richard Mesmer 9003 151st Street NE Redmond, WA 98052 425.861.8600 425.861.9300 fax richard@nwartglass.com www.cascadegac.com Casola, Lawrence A. See Casola Stained Glass Studio, Inc. Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member "); array_files[173]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-105.pdf","2009-03-04","78K"," SB2k9 Interior ","","","The Stained Glass Association of America Barnes, Trudy. 5618 Stevens Creek Blvd #343 Cupertino, CA 95014 408.884.3864 trudy_barnes@mac.com Barry, Troy. 2847 S. Cedar Hollow Drive Pearland, TX 77584-8157 Basham, Barbara. 7036 Reed Street Arvada, CO 80003 303.425.6571 Beall, Tod M. 12 Upper Hampden Road Monson, MA 01057-9737 413.967.7100 413.967.7009 fax Beckham-Davis, Lou Ellen 1014-5 Wade Hampton Boulevard Greenville, SC 29609 864.235.9545 864.235.9593 fax lebglass@bellsouth.net Beebe, Jackie A. One Quemazone Place Los Alamos, NM 87544 Behle, M. Downs 27 Grand Street Warwick, NY 10990 845.986.8913 845.986.8973 fax info@downsbehlestudio.com Bell, Susan H. 29 Carriage House Drive Jackson, TN 38305 731.668.4754 Belton, Ron 800 Eastchester Drive High Point, NC 27262 800.289.7397 336.885.4949 fax info@churchinteriors.com S.A. Bendheim Co., Inc. Robert Jayson 61 Willett Street Passaic, NJ 07055 800.221.7379 973.471.1640 fax info@bendheim.com www.bendheim.com Bergeron, Judy 618 Gardiner Court Steilacoom, WA 98388 253.581.9950 ajandcher2@aol.com Beyer, Joseph See Beyer Studio, Inc. Blount, Emma 14 Pullman Court Sreatham Hill London SW 24SR United Kingdom 44.77.90.273.519 Blumhagen, Dan 4448 State Route 259 Baker, WV 26801 304.897.8437 blumhagn@msn.com Bockius, Susan 501 West Mt. Pleasant Avenue Philadelphia, PA 19119 215.247.5721 215.247.2951 fax sbockius@earthlink.net Boertlein, Jed See Washington Art Glass Studio Bohannon, Robert 2487 S Gilbert Road, Suite 106-451 Gilbert, AZ 85295 888.03.1184 888.801.9551 fax info@restoreglass.com Bohm, Richard See Tulsa Stained Glass Co. Botti, Ettore Christopher See Botti Studio of Architectural Arts, Inc. Beyer Studio, Inc. Joseph Beyer 9511 Germantown Avenue Philadelphia, PA 19118 215.848.3502 215.848.3535 fax mail@beyerstudio.com www.beyerstudio.com Bibo, Roger H. See Franciscan Glass Co., Inc. Big Sky Stained Glass Art, Inc. David Fjeld 2421 West College Street Bozeman, MT 59718 406.586.6016 fdavid96@aol.com www.bigskystainedglass.com Billington, Peter See Whitney Stained Glass Studio, Inc. Blenko Glass Co., Inc. Don Lemley PO Box 67 Milton, WV 25541 304.743.9081 304.743.0547 fax baikman@blenkoglass.com www.blenkoglass.com Blenko, William H. PO Box 67 Milton, WV 25541 304.743.9081 Botti Studio of Architectural Arts, Inc. Ettore Christopher Botti 919 Grove Street Evanston, IL 60201-4315 800.524.7211 847.869.5933 847.869.5996 fax botti@bottistudio.com www.bottistudio.com Boughton, Amy 334 W Alder #3 Missoula, MT 59802 406.543.5389 amyb@bigsky.net Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member 105 "); array_files[174]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-104.pdf","2009-03-04","77K"," SB2k9 Interior ","","","Sourcebook 2009 All Members, Associates and Affiliates of the Stained Glass Association of America Alphabetical Listings A A & H Art & Stained Glass Co., Inc. Christopher Haynes PO Box 67 3374 Harmony Highway Harmony, NC 28634 800.948.1739 704.546.2085 fax ahstainglass@yadtel.net www.ahstainedglass.com Aaron, James P O Box 94 Short Hills, NJ 07078 973.376.8090 973.376.3169 fax Abdinoor, Robert J., Sr. 1460 Mobley Court Frederick, MD 21701 301.662.2417 301.662.2418 fax sagnr@comcast.net Achilles, Rolf 415 West Aldine, #9B Chicago, IL 60657 773.477.8138 phone & fax rachilles@artic.edu Adams, Susan 116 St. Botolph Street Boston, MA 02115 Aigner, Josef 2108 Dundas Street West Toronto ON M6R 1W9 Canada Akers, Kathleen R. 526 Echo Ridge Court Reno, NV 89511 775.851.4998 phone & fax krakers@charter.net Albig, Glen L. 290 Lake Street Hamburg, NY 14075 716.648.0333 phone & fax imagesinglassinc@yahoo.com Alevizos, Steven A. 3563A Maunalei Honolulu, HI 96816 808.739.5288 kanmakam@hawaiitel.net Allison, Stanley 9029 Autumn ine Loop SE Olympia, WA 98513-4799 360.456.3469 360.456.8321 fax da6996@comcast.net Ard, Mary Ann 200 South Wallace Avenue Bozeman, MT 59715 406.522.0326 phone & fax brglass@mcn.net Armagno, Louis 3045 Alanapuaa Place Apt. 516 Honolulu, HI 96818-2710 808.728.6949 808.449.4294 fax honolulou@gmail.com Artisan Glass Works, Inc. William O. Miles 1609 Union Avenue Baltimore, MD 21211 410.366.0300 410.366.5666 fax womiles@aol.com Artistic Designs Enterprises Sister Marie Anne Tatina, Oblate OSB 3873 El Paso Alto San Marcos, CA 92069 800.339.6259 760.599.1095 fax mtatina@ix.netcom.com www.artisticdesign.org Ayers Jr., Rex W. P O Box 2791 La Plata, MD 20646 301.392.1715 301.932.1716 fax the.hourglass@verison.net B Babin, Roch Edmund 8655 Datapoint Drive, #402 San Antonio, TX 78229 210.593.0556 Banbury, Jennifer See MAYCO Industries Barclay, Melissa P O Box 14218 Berkley, CA 94712 510.665.5572 phone & fax mbarclay0398@yahoo.com Barnes, Terry L. P O Box 1609 Orange Beach, AL 36561-1609 205.640.5493 205.640.5497 fax virginiabarnes@aol.com Advent Glass Works, Inc. Merry S. George PO Box 174 242 SW George Glen Ft. White, FL 32038 800.207.4875 (FL Only) 888.528.8803 (Outside FL) 386.497.2050 386.497.2941 fax tgatagw@alltel.net www.adventglassworks.com 104 Fully Accredited Studio Active Accredited Studio Accredited Craft Supply/Manufacturer Member Accredited Artist/Designer Member "); array_files[175]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-103.pdf","2009-03-04","48K"," SB2k9 Interior ","","","The Stained Glass Association of America Verdery-Devaney, Brenda 203 Jackson Avenue North Augusta, SC 29841 803.278.2818 savartglas@aol.com Canada Nason, Lori 110 Chain Lake Drive Vantage Point 3 E Halifax, NS B3S 1A9 Canada 902.876.5167 902.876.7132 fax lori@cranberrystainedglass.com OBrien, Darren 95 Akerley Blvd., #B Dartmouth, NS B3B 1R7 Canada 902.468.4100 902.468.7677 fax mdobrien@atlanticstainedglass.com Richard, Jean-Yves 1770 Chein Gomin Quebec, QC G1S 1P2 Canada 418.527.7444 418.527.2329 fax info@atelier-in-vitraux.com Texas Wilson, Steve 12307 Chimney Rock Houston, TX 77035 713.729.3699 713.721.0886 fax info@artglassbywells.com Wood, Christie A. 513 Bolivar Street Denton, TX 76201 940.591.3002 940.591.7853 fax info@artglassensembles.com Virginia Riner, Sue 508 Kendrick Lane, Suite G Front Royal, VA 22630 800.950.1415 540.636.2413 fax riner@earthlink.net Japan Nakamura, Gary 2651 Sawai Fujino Sagamihara City Kanagawa 229-0202 Japan 42.6685.882 phone & fax gary@std-santa.jp Washington Pressley-Rubel, Diana P O Box 1249 Gig Harbor WA 98335 253.851.1670 educationglass@hotmail.com Wisconsin Roslof, Laura West 5409 Kenosha Drive Elkhorn, WI 53121 262.742.4020 262.742.2050 fax roslof.design@gmail.com 103 "); array_files[176]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-102.pdf","2009-03-04","49K"," SB2k9 Interior ","","","Sourcebook 2009 Glander, Anthony 14726 Myer Terrace Rockville, MD 20853 301.460.6404 phone & fax tony@fitzpatrickglass.com New Mexico Serban, William 948 El Nido Court Grants, NM 87020 505.287.3920 bserban@nmsu.edu Foltz, James R. 12061 Dolphin St. SW Beach City, OH 44608 800.756.2622 330.756.2626 fax radiantarts@neohio.twcbc.com Hipple, Amy J. 4411 Alkire Road Columbus, OH 43228 614.878.4981 ghipple@columbus.rr.com Reiser, David 131 West State Street Athens, OH 45701 740.592.5615 reiser@rvcarchitects.com Massachusetts Shea, Frederick B. 15 Commercial Drive Hampden, MA 01036 800.883.5052 413.566.2935 fax fred@stainedglassresources.com Ureneck, Peter PO Box 870035 Milton, MA 02187 617.288.9861 New York Albig, Glen L. 290 Lake Street Hamburg, NY 14075 716.648.0333 phone & fax imagesinglassinc@yahoo.com Cultraro, Doris 21 Winston Drive Rhinebeck, NY 12572 845.876.3200 845.876.3225 fax info@dcstudiosllc.com Hyams, Harriet PO Box 178 Palisades, NY 10964 845.359 0061 845.359.0062 fax harriart@rockland.net Michigan Williams, Karen 22 North Washington (M-24) Oxford, MI 48371 248.628.1111 248.628.8398 fax williamsdesigns@aol.com Oregon Schlicker, David C. 4310 SE Division Portland, OR 97206 503.231.0086 503.230.1620 fax dssg@davidschlicker.com Minnesota Lauer, Michael 720 Osseo Avenue South St. Cloud, MN 56301 320.251.2330 micstgl@yahoo.com Stone, Martin J. 438 1st Street SE Avon, MN 56310 320.356.9211 phone & fax info@stonehousestainedglass.com Pennsylvania Kelly, John W. 28 Beckert Street Pittsburgh, PA 15209 412.821.4449 phone & fax kellyartglass@verizon.net Weaver, Kirk D. PO Box 13335 Pittsburgh, PA 15243 412.920.2800 412.920.2805 fax sgrpgh@aol.com North Carolina Marlowe, Edward 26 Covil Avenue Wilmington, NC 28403 910.762.3188 efm36@aol.com Wooten, Parks Avery. PO Box 292 Union Grove, NC 28689 704.539.4608 704.539.4629 fax avery2@yadtel.net New Jersey Aaron, James P O Box 94 Short Hills, NJ 07078 973.376.8090 973.376.3169 fax South Carolina Beckham-Davis, Lou Ellen 1014-5 Wade Hampton Boulevard Greenville, SC 29609 864.235.9545 864.235.9593 fax lebglass@bellsouth.net Ohio Carire, Julie 2857 Airport Highway, Ste. K Toledo, OH 43609 419.385.4527 419.385.4533 fax trinityglassohio@aol.com 102 "); array_files[177]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-101.pdf","2009-03-04","62K"," SB2k9 Interior ","","","The Stained Glass Association of America Directory of Associate Members Geographical Listings Alabama Barnes, Terry L. P O Box 1609 Orange Beach, AL 36561-1609 205.640.5493 205.640.5497 fax virginiabarnes@aol.com Levy, Mark PO Box 4722 Chatsworth, CA 91311 818.595.1195 818.595.1166 fax mlstudio@earthlink.net Santos, Enrique 3065 Beyer Boulevard, #B104 San Diego, CA 92154-3499 619.428.6919 619.428.0402 fax esantos@esglass.com Winterich, Daniel 29 Weller Court Pleasant Hill, CA 94523 925.943.5755 925.943.5455 fax Kentucky Eichhorn, Peter Klaus 812 East Broadway Louisville, KY 40204 502.584.2320 502.589.9622 fax estainedgl@aol.com Hall, Robert 12 US Hwy 51 South Clinton, KY 42031 270.653.2036 James, Maureen PO Box 69 Westport, KY 40077-0069 800.719.0769 502.222.4527 fax info@glasspatterns.com Arkansas Soos, David PO Box 13452 Maumelle, AR 72113-0452 800.791.7667 501.758.8655 fax info@soosstainedglass.com Wende, Raymond 1221 North 56th Terrace Ft. Smith, AR 72904 501.221.2737 Georgia Schweitzer, Robin L. 980 Broad Street Augusta, GA 30901 706.722.8959 706.722.7953 fax Louisiana Caillouet, Elizabeth Ellen 114 South Long Street Lafayette, LA 70506 337.237.5977 337.237.5714 fax absolutartglass@bellsouth.net Courage, Cynthia 1005 Central Avenue Metarie, LA 70001 504.834.3967 504.834.9210 fax attenhofers@mac.comt Gall, Stan, Jr. PO Box 190 Crowley, LA 70527 800.952.9461 337.788.1558 fax info@stainedglassforchurches.com Arizona Bohannon, Robert. 2487 S. Gilbert Rd., Suite 106-451 Gilbert, AZ 85295 888.503.1184 888.801.9551 fax info@restoreglass.com Heathcote, Robert 1430 North 17th Avenue Phoenix, AZ 85007 602.258.7908 602.258.6568 fax Hawaii Alevizos, Steven A. 3563A Maunalei Honolulu, HI 96816 808.739.5288 phone & fax kanmakam@hawaiitel.net Illinois Achilles, Rolf 415 West Aldine, #9B Chicago, IL 60657 773.477.8138 phone & fax rachilles@artic.edu Thiese, James 6030 North Northwest Highway Chicago, IL 60631 773.763.5511 773.763.5522 fax jthiese@sbcglobal.net California Joy, John 372 Lucinda Street Scotts Valley, CA 95066 831.335.5550 phone & fax johnjoystudio@msn.com Juskalian, Bob 2641 West Tenaya Fresno, CA 93711 559.960.5443 559.431.4149 fax popkinjuskalian@aol.com Maryland Abdinoor, Robert J., Sr. 1460 Mobley Court Frederick, MD 21701 301.662.2417 301.662.2418 fax sagnr@comcast.net 101 "); array_files[178]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-100.pdf","2009-03-04","62K"," SB2k9 Interior ","","","Sourcebook 2009 ACTIVE ACCREDITED MEMBER TELEPHONE WEBSITE E-MAIL Safety Glazing Safety Glazing Safety Glazing Safety Glazing Dalle de Verre Sandblasted Silkscreened OTHER TECHNIQUES Lighting, Lamps, Sconces Big Sky Stained Glass Art, Inc. M David Fjeld T 2421 West College Street Bozeman, MT 59718 Accredited Member Since 2006. 406.586.6016 Fabrication Replication Restoration Religious Secular Painted Design Repair Beveled ········ ··· Replication Restoration www.emglassart.com emga@earthlink.net ···· ·· ······ Accredited Member Since 2006. Sandblasted Silkscreened Fabrication Replication Restoration alssg@yadtel.net www.salemstainedglass.com ·········· ··· Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair N C Salem Stained Glass, Inc. Al Priest PO Box 612 East Bend, NC 27018 Accredited Member Since 2008. Dalle de Verre 336.699.3421 336.699.3437 fax Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair N Y Ellen Mandelbaum Glass Art Ellen Mandelbaum 39-49 46th Street Sunnyside, NY 11104-1407 Dalle de Verre Sandblasted Silkscreened Fabrication 718.361.8154 phone & fax Leaded Etched fdavid96@aol.com www.bigskystainedglass.com Copperfoil Residential, Fabrication of My Own Work as Complete Project · Roclair Production Co., Ltd. Keiko Miura J 21-12 Megamiyama-Cho Koyoen A Nishinomiya Hyogo 662-0011 P Japan A Accredited Member Since 2006. N roclair@muc.biglobe.ne.jp www.roclair.co.jp ····· 100 Sourcebook 2009 The Stained Glass Association of America Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 81.79.8730.878 81.79.8737.737 fax · "); array_files[179]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-099.pdf","2009-03-04","92K"," SB2k9 Interior ","","","The Stained Glass Association of America ACCREDITED CRAFT SUPPLY MEMBER TELEPHONE WEBSITE E-MAIL Glass, Antique Paints & Stains Tools & Equip. Lead Products Glass, Rolled Glass, Dalles Manufacturer OTHER TECHNIQUES Glass: Opalescent General Supplies Glass, Cathedral Copper Products The Paul Wissmach Glass Co., Inc. Mark Feldmeier PO Box 228 Paden City, WV 26159 Accredited Member Since 1969. Wholesale Distributor wissmach@rcvideo.com www.wissmachglass.com · ·· ·· Active Accredited Members Jancik Arts International, Inc. Angelique Jackson 984 Timber Bluff Drive Clayton, GA 30525 Accredited Member Since 2008. Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration mail@jancikarts.com www.jancikarts.com ···· · ·· ·· Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.254.1593 404.371.0610 404.371.9084 fax Machines 304.337.2253 304.337.8800 fax Retail Kilns W V Domes & Structural Dome Framing, Glass Sculptures, Ornamental Iron Work G A · Bill Klopsch Stained Glass Bill Klopsch 4656 West Church Street Skokie, IL 60076 Accredited Member Since 2006. Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration bill@billklopshstainedglass.com www.billklopshstainedglass.com ·········· ·· Diane Eissinger Stained Glass Diane Eissinger 44290 Willis Road Belleville, MI 48111-8942 Accredited Member Since 2008. Religious Beveled Secular Painted ····· · ··· Leaded Design Etched deissinger@comcast.net Safety Glazing Dalle de Verre Sandblasted Silkscreened 734.699.9344 Fabrication Replication Restoration Repair Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 847.329.9369 847.329.9350 fax Conser vation of Historic Glass; Photographic and Written Documentation; Consulting; Removal & Installation I L Stained Glass Lamps, Fusing & Slumping Copperfoil M I Reinarts Stained Glass Studios William Reinarts PO Box 872 73 Washington Street Winona, MN 55987 Accredited Member Since 2008. reinarts@hbci.com www.reinarts.com ········ · ·· This Sourcebook Directory is available online at www.stainedglass.org. Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.533.4444 507.452.4465 507.452.4649 fax Wood Frame Repair M N http://www.stainedglass.org Sourcebook 2009 99 "); array_files[180]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-098.pdf","2009-03-04","64K"," SB2k9 Interior ","","","Sourcebook 2009 ACCREDITED CRAFT SUPPLY MEMBER TELEPHONE WEBSITE E-MAIL Glass, Antique Paints & Stains Tools & Equip. Lead Products Glass, Rolled Glass, Dalles Manufacturer OTHER TECHNIQUES Glass: Opalescent General Supplies Glass, Cathedral Copper Products Wholesale Distributor info@dhdmetalslead.com www.dhdmetalslead.com ·· ·· Accredited Member Since 1992. I Ed Hoys International L Edward W. Hoy 27625 Diehl Road Warrenville, IL 60555-3838 Accredited Member Since 1981. Glass, Antique Paints & Stains Tools & Equip. Lead Products Glass, Rolled Glass, Dalles Manufacturer Wholesale Distributor info@edhoy.com www.edhoy.com ·· ······ ······ I Kokomo Opalescent Glass Co. N Richard Elliott PO Box 2265 1310 South Market Street Kokomo, IN 46904-2265 Accredited Member Since 1969. Glass, Antique Paints & Stains Tools & Equip. Lead Products Glass, Rolled Glass, Dalles Manufacturer Wholesale Distributor eliot@kog.com www.kog.com ·· · ··· N S.A. Bendheim Co., Inc. J Robert Jayson 61 Willett Street Passaic, NJ 07055 Accredited Member Since 1948. Glass, Antique Paints & Stains Tools & Equip. Lead Products Glass, Rolled Glass, Dalles Manufacturer Wholesale Distributor info@bendheim.com www.bendheim.com · ······ ······ N SCHOTT North America, Inc. Y Michele Koballa 555 Taxter Road Elmsford, NY 10523 Accredited Member Since 1991. Glass, Antique Paints & Stains Tools & Equip. Lead Products Glass, Rolled Glass, Dalles Manufacturer Wholesale Distributor michele.koballa@us.schott.com www.us.schott.com ·· · J. Sussman, Inc. David Sussman 109-10 180th Street Jamaica, NY 11433 Accredited Member Since 2002. Glass, Antique Paints & Stains Tools & Equip. Lead Products Glass, Rolled Glass, Dalles Manufacturer Wholesale Distributor sales@jsussmaninc.com www.jsussmaninc.com · P CAFF Company A John Weaver 370 Vista Park Drive Pittsburgh, PA 15205 Accredited Member Since 1990. Glass, Antique Paints & Stains Tools & Equip. Lead Products Glass, Rolled Glass, Dalles Manufacturer Wholesale Distributor www.caffcompany.com · W V Blenko Glass Co., Inc. Don Lemley PO Box 67 Fairgrounds Road Milton, WV 25541 Accredited Member Since 1969. Glass, Antique Paints & Stains Tools & Equip. Lead Products Glass, Rolled Glass, Dalles Manufacturer Wholesale Distributor dlemley@blenkoglass.com www.blenkoglass.com · · · 98 Sourcebook 2009 The Stained Glass Association of America Machines 304.743.9081 304.743.0547 fax Glass: Opalescent General Supplies Glass, Cathedral Copper Products Machines 412.787.1761 412.788.2233 fax Glass: Opalescent General Supplies Glass, Cathedral Copper Products Machines 718.297.0228 718.297.3090 fax Glass: Opalescent General Supplies Glass, Cathedral Copper Products Machines 914.831.2200 914.831.2346 fax Glass: Opalescent General Supplies Glass, Cathedral Copper Products Retail Kilns Machines 800.221.7379 973.471.1640 fax Glass: Opalescent General Supplies Glass, Cathedral Copper Products Machines 765.457.8136 765.459.5177 fax Glass: Opalescent General Supplies Glass, Cathedral Copper Products Machines 800.323.5668 630.836.1362 fax Glass: Opalescent General Supplies Glass, Cathedral Copper Products Machines Retail Kilns G A DHD Metals, Inc. Dennis H. Dailey PO Box 165 1301 Olympic Court, Ste. A Conyers, GA 30012 800.428.6693 770.760.9404 770.760.9032 fax Came Lead; Special Dies & Alloying; New Dies Made Upon Request; Solder ; Zinc, Brass and Galvanized Steel Rebar Retail Kilns Bevels; Adhesives; Mosaic Materials; Lamp Bases; Full Warm & Hot Glass Supplies and Equipment; Brushes; Classes Custom Castings; Rondels; Tile; Decorative and Functional Giftware Retail Kilns Restoration Glass® Kilns Retail Custom Aluminum Window Frames Designed for Stained and/or Protective Glass; Single, Double or Triple Glazed; Thermally Broken or Non-Thermal in Any Shape, Size or Quantity Retail Kilns Retail Kilns Custom Aluminum Frames Designed for Stained Glass, Protection & Double Glazing Frames, Rebar Epoxy Kilns Retail "); array_files[181]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-097.pdf","2009-03-04","63K"," SB2k9 Interior ","","","The Stained Glass Association of America ACCREDITED ARTIST/ DESIGNER MEMBER TELEPHONE WEBSITE E-MAIL Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil OTHER TECHNIQUES Religious Beveled Secular Painted markgulsrud@aol.com www.markericgulsrud.com ···· ··· Leaded Design Etched Repair Mark Eric Gulsrud 3309 Tahoma Place West Tacoma, WA 98466 253.566.1720 253.565.5981 fax W A · Accredited Member Since 1986. Roy Walter Coomber 39 Vicarage Road Bishopsworth Bristol BS13 8ER United Kingdom Accredited Member Since 1985. r wcoomber@aol.com · ·· · Accredited Craft Supply Members MAYCO Industries Jennifer Banbury 18 West Oxmoor Road Birmingham, AL 35209 Accredited Member Since 1995. Glass, Antique Paints & Stains Tools & Equip. Lead Products Glass, Rolled Glass, Dalles Manufacturer Wholesale Distributor sales@maycoindustries.com www.maycoindustries.com · · Glass: Opalescent General Supplies Glass, Cathedral Machines Retail Kilns 800.749.6061 205.942.4242 205.945.8704 fax Glass: Opalescent General Supplies Glass, Cathedral Copper Products Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 44.117.9.640.643 44.117.9.633.312 fax U K Lead Came; Solder; Lead-Free Solder A L Franciscan Glass Co., Inc. Roger H. Bibo 35255 Fircrest Street Newark, CA 94560 Accredited Member Since 1977. 800.229.7728 800.229.7730 fax 510.505.9775 510.505.9917 fax sale@franciscanglassco.com www.franciscanglassco.com Copper Products Glass, Antique Paints & Stains Tools & Equip. Lead Products Glass, Rolled Glass, Dalles Manufacturer Wholesale Distributor · ······ ······ Glastar Corporation Lori Mitchell 20721 Marilla Street Chatsworth, CA 91311 Accredited Member Since 2000. Glass, Antique Paints & Stains Tools & Equip. Lead Products Glass, Rolled Glass, Dalles Manufacturer Wholesale Distributor sgaa@glastar.com www.glastar.com ··· · · Reusche & Co. of TWS, Inc. Jon Rarick 1299 H Street Greeley, CO 80631 Accredited Member Since 1979. Glass, Antique Paints & Stains Tools & Equip. Lead Products Glass, Rolled Glass, Dalles Manufacturer Wholesale Distributor Machines 970.346.8577 970.346.8575 fax info@reuscheco.com www.reuscheco.com Glass: Opalescent General Supplies Glass, Cathedral Copper Products Machines Retail Kilns 800.423.5635 818.341.0301 818.998.2078 fax Glass: Opalescent General Supplies Glass, Cathedral Copper Products Machines C A Retail Kilns Stained glass grinders and tool, grinding and polishing machines, sandblasting and beveling equipment · ·· · C O Retail Kilns http://www.stainedglass.org Sourcebook 2009 97 "); array_files[182]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-096.pdf","2009-03-04","63K"," SB2k9 Interior ","","","Sourcebook 2009 ACCREDITED FULL-SERVICE STUDIO MEMBER TELEPHONE WEBSITE E-MAIL Safety Glazing Safety Glazing Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil OTHER TECHNIQUES Decorative Painting; Mosaics; Gilding; Murals; Tromplóeil; Liturgical Consulting; Restoration; Conser vation; Frame Restoration/Replacement/New Installation W Conrad Schmitt Studios, Inc. Gunar Gruenke I 2405 South 162nd Street New Berlin, WI 53151 Accredited Member Since 1931. Religious Beveled Secular Painted studio@conradschmitt.com www.conradschmitt.com ········· ······· Coventry Glassworks David Mroz 514 West College Avenue Appleton, WI 54911 Accredited Member Since 1987. coventr yglass@usa.net ········ ······ Gilbertsons Stained Glass Studio Ed Gilbertson 705 Madison Street Lake Geneva, WI 53147-1409 Accredited Member Since 1997. gsgs@genevaonline.com www.stainedartglass.com ········· ····· Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 262.248.8022 262.248.3044 fax Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 920.739.5762 920.739.5881 fax Leaded Design Etched Repair 800.969.3033 262.786.3030 262.786.9036 fax Mosaics; Flameworking; Fusing; Casting Fusing, Custom & Reproduction Lampshades, Gold Leaf Gilding, Domes and Skylights; Plating; Mosaics; Brazing; Custom Beveling · Oakbrook Esser Studios, Inc. Paul Phelps 129 East Wisconsin Avenue Oconomowoc, WI 530663033 Accredited Member Since 1992. info@oakbrookesser.com www.oakbrookesser.com ········· ····· C A Bullas Glass, Ltd. Joseph H. Bullas N 15 Joseph Street A Kitchener, ON N2G 1H9 D Canada A Accredited Member Since 1952. ··· ·· ······ Accredited Artist/Designer Members bmarkert@fenestraarts.com www.fenestraarts.com · ·· · · Accredited Member Since 2006. Sandblasted Silkscreened Fabrication Replication Restoration ingepapetrampler@hotmail. com www.ingepapetrampler.com · ·· · Accredited Member Since 1982. 96 Sourcebook 2009 The Stained Glass Association of America Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair N Y Safety Glazing Dalle de Verre Inge Pape Trampler 23 Del Rey Drive Mt. Vernon, NY 10552 914.699.8616 Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair K C. Robert Markert Y 9023 Black Powder Lane Louisville, KY 40228 502.231.5634 502.541.1107 cell Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 519.658.0724 519.745.1124 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.223.5193 262.567.9310 262.567.6487 fax · Appraisals; Consulting; Conservation; Replication; Protective Storm Replacement; Wood & Metal Frames; Frame Restoration; Retrofitting & Relocation; Licensed Frank Lloyd Wright Reproductions Custom French Chipped Glass Fiber Art, Clay Sculpture, Liturgical Renovation, Polychrome Wood Carving Glass Sculpture "); array_files[183]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-095.pdf","2009-03-04","63K"," SB2k9 Interior ","","","The Stained Glass Association of America ACCREDITED FULL-SERVICE STUDIO MEMBER TELEPHONE WEBSITE E-MAIL Safety Glazing Dalle de Verre Sandblasted Silkscreened OTHER TECHNIQUES Wood Frames, Blacksmithing, Mouthblown Glass, Fusing Stanton Glass Studio, LLC. Bryant Stanton 318 Rogers Hill Road Waco, TX 76705 Accredited Member Since 2007. Fabrication Replication Restoration info@stantonglass.com www.stantonglass.com ········· ····· Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.619.4882 254.829.1151 254.829.2521 fax T X · Whitworth Stained Glass Jack Whitworth, III 104 Melody Lane New Braunfels, TX 78130 Accredited Member Since 1988. jack@whitworthstainedglass.com www.whitworthstainedglass.com ········ ······· Powell Brothers & Sons Glass Art Jenkyn A. Powell 4050 S. Howick St., Ste. 10E Salt Lake City, UT 84107 Accredited Member Since 1997. Safety Glazing jenkyn@xmission.com www.powellbrosglassart.com ········ · ···· Lynchburg Stained Glass Co. Robert C. Speake PO Box 4453 Lynchburg, VA 24502 Accredited Member Since 1987. info@lynchburgstainedglass.com www.lynchburgstainedglass.com ········· ······· Raynal Studios John M. Raynal PO Box 405 Natural Bridge Station, VA 24579 Accredited Member Since 2000. raynal@rockbridge.net www.raynalstudios.com ········· ····· Cascade Glass Art Center Richard Mesmer 9003 151st Street NE Redmond, WA 98052 Accredited Member Since 1977. Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted richard@nwartglass.com www.cascadegac.com ········ ···· Leaded Design Etched Repair 425.861.8600 425.861.9300 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.305.0959 540.291.1198 877.717.2398 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.237.6161 434.525.6168 phone & fax Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 888.484.5184 801.262.4002 phone & fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.318.0122 830.620.5399 fax Glass Casting, Fusing, Glass Bending, Glass Sculpture, Hot Glass U T Custom Fabrication of New Aluminum and Millwork Frames, Wood Frame Repair and Restoration V A · Wood Frames: New & Restoration; Cut Stone Frame and Masonry Restoration; New Wood and Metal Frames; Consulting and Specifications Fusing W A ·· Perry Stained Glass Studio Elizabeth E. Perry 470 Front Street North Issaquah, WA 98027 Accredited Member Since 1975. psgstudio@aol.com www.perr ystainedglass.com ········ · ·· Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 425.392.1600 425.391.7734 fax Shobes Stained Glass Art Studio Dennis F. Shobe PO Box 1692 Huntington, WV 25717-1692 Accredited Member Since 1978. d.shobe3@verizon.net ········ ······· Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 304.522.0308 phone & fax Wood Frame Repair and Restoration, Custom Framing W V http://www.stainedglass.org Sourcebook 2009 95 "); array_files[184]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-094.pdf","2009-03-04","63K"," SB2k9 Interior ","","","Sourcebook 2009 ACCREDITED FULL-SERVICE STUDIO MEMBER TELEPHONE WEBSITE E-MAIL Safety Glazing Safety Glazing Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication OTHER TECHNIQUES P Renaissance Glassworks, Inc. A H. B. Mertz 3311 Washington Road McMurray, PA 15317 Accredited Member Since 1994. Restoration hbmertz@verizon.net ········· ······· Willet Hauser Architectural Glass, Inc. Jim Hauser 10 East Moreland Avenue Philadelphia, PA 19118 Accredited Member Since 1929. info@willethauser.com www.willethauser.com ········· ······· Williams Stained Glass Studio Linda Williams 1115 Castle Shannon Blvd. Pittsburgh, PA 15234 Accredited Member Since 1998. wsg@williamsstainedglass.com www.williamsstainedglass.com ········ ····· Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 412.344.0220 412.344.0219 fax Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.533.3960 507.457.0554 fax Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 724.969.9009 724.969.4177 fax Sculptured Gold Leaded & Faceted, Mosaic, Frame Repair & Installation Hot Glass, Slumping of Glass, Bent Panels for Antique and New Lamps, Fusing, Wood Frame Repair and Replacement · T Emmanuel Stained Glass N Studios, Inc. Dennis R. Harmon 410 Maple Avenue Nashville, TN 37210 Accredited Member Since 1978. dennis@emmanuelstudio.com www.emmanuelstudio.com ··· ···· ·· · ·· State of the Art, Inc. Ben Parham 8705 Unicorn Drive, #B310 Knoxville, TN 37923 Accredited Member Since 1999. sotaglass@aol.com www.sotaglass.com ········· ······· T The Cavallini Co., Inc. Stained X Glass Studio Adrian J. Cavallini 3410 Fredricksburg Road San Antonio, TX 78201-3847 Accredited Member Since 1992. cavallinis@aol.com www.cavallinistudios.com ········ ······· IHS Studios David S. Roberts 1400 FM 2093 Fredericksburg, TX 78624 Accredited Member Since 2005. sales@ihsstudios.com www.ihsstudios.com ········· ···· ·· Kebrle Stained Glass Studio, Inc. 214.357.5922 phone Irmgard Kebrle & fax 2829 Bachman Drive kebrlestainedglass@yahoo.com Dallas, TX 75220 www.kebrlestainedglass.com ········ Fabrication Replication Restoration Religious Secular Design Repair · · · Accredited Member Since 1964. 94 Sourcebook 2009 The Stained Glass Association of America Safety Glazing Dalle de Verre Sandblasted Silkscreened Copperfoil Beveled Painted Leaded Etched Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.259.1842 830.997.1842 800.296.4314 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.723.8161 210.733.8161 210.737.1863 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 888.539.0415 865.539.0416 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.326.2228 615.255.5446 615.255.5447 fax Frames: Aluminum and Wood Custom Wood Working, Custom Metal Frames, Complete Mill Shop Mosaics, Liturgical Consulting for Stained Glass, Wood Frame Repair Limestone Bas-Reliefs, Metal Art "); array_files[185]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-093.pdf","2009-03-04","63K"," SB2k9 Interior ","","","The Stained Glass Association of America ACCREDITED FULL-SERVICE STUDIO MEMBER TELEPHONE WEBSITE E-MAIL Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil OTHER TECHNIQUES Glass Blowing, Slumping of Glass Loman Studio, Inc. Roy Loman 9133 East 46th Street Tulsa, OK 74145-4823 Accredited Member Since 2006. Religious Beveled Secular Painted rl@lomanstudios.com www.lomanstudios.com ········· ······ Tulsa Stained Glass Co. Richard Bohm 7976 East 41st Street Tulsa, OK 74145 Accredited Member Since 1978. richard@tulsastainedglass.com www.tulsastainedglass.com ········ ····· Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 918.664.8604 918.665.3300 fax Leaded Design Etched Repair 918.627.6973 918.627.7274 fax O K Laser Etching Beyer Studio, Inc. Joseph Beyer 9511 Germantown Avenue Philadelphia, PA 19118 Accredited Member Since 1992. mail@beyerstudio.com www.beyerstudio.com ········· ·· ·· Cumberland Stained Glass, Inc. Bryan Lerew 5232 East Trindle Road Mechanicsburg, PA 17050 Accredited Member Since 2000. info@cumberlandstained glass.com www.cumberlandstained glass.com ········ ···· Hunt Stained Glass Studios, Inc. Nicholas Parrendo 1756 West Carson Street Pittsburgh, PA 15219-1036 Accredited Member Since 1979. huntsg@msn.com www.huntstainedglass.com ········· ······· Mezalick Design Studio, LLC Nidia M. Mezalick 4526 Griscom Street Philadelphia, PA 19124-3640 Accredited Member Since 2005. nidia@mezalick.com www.mezalick.com ········· ······· Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 215.744.5490 215.744.3253 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 412.391.1796 412.391.1560 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 717.691.8290 717.591.9807 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 215.848.3502 215.848.3535 fax Adaptive Reuse of Historic Windows; Mosaics; Metal Frame Restoration; Framing Systems; Appraisals; Photo Documentation P A · Wood & Steel Frame Repairs & Restoration; New Aluminum Double Glazed Frames Installation · Relief Sculpture with Glass; Clear Resin Cast Glass; Sculpture; Murals; Design Furnishings; Spring Classes Moasics; Gold-Leaf Gilding; Wood Frame Repair, Restoration & Installation http://www.stainedglass.org Sourcebook 2009 93 "); array_files[186]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-092.pdf","2009-03-04","63K"," SB2k9 Interior ","","","Sourcebook 2009 ACCREDITED FULL-SERVICE STUDIO MEMBER TELEPHONE WEBSITE E-MAIL Safety Glazing Safety Glazing Safety Glazing Safety Glazing Safety Glazing Safety Glazing Safety Glazing Dalle de Verre Sandblasted Silkscreened OTHER TECHNIQUES N Stained Glass Associates, Inc. C Michael J. Marsh PO Box 296 Knightdale, NC 27545 Accredited Member Since 1972. Fabrication Replication Restoration www.stainedglassassoc.com ········ ······· Statesville Stained Glass, Inc. Dennis L. Lackey 136 Christopher Lane Statesville, NC 28625 Accredited Member Since 1976. dl@statesvillestainedglass.com www.statesvillestainedglass. com ········ ···· Sandblasted Silkscreened Fabrication Replication Restoration info@franklinartglass.com www.franklinartglass.com ········ ······· Accredited Member Since 1909. Phillips Stained Glass Studio, Inc. Mona Phillips 2310 Superior Avenue Cleveland, OH 44114-4225 Accredited Member Since 1960. mospanphil@yahoo.com ········· ······· Poremba Stained Glass Studio, Inc. Fred M. Poremba 20806 Aurora Road Cleveland, OH 44146 Accredited Member Since 1951. fporemba@alltel.net www.porembastudio.com ········· ······ Whitney Stained Glass Studio, Inc. Peter Billington 2530 Superior Ave. East #500 Cleveland, OH 44114 Accredited Member Since 1992. info@whitneystainedglass.com www.whitneystainedglass.com · · ·· · · ·· · ·· · · · ·· Window Creations, LLC Reggie Buehrer PO Box 485 Ottoville, OH 45876 Accredited Member Since 2005. bstudios@bright.net www.bstudios.net ········· ···· Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.633.4571 419.453.2004 419.453.2006 fax Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 888.974.9747 216.348.1616 216.348.1116 fax Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 216.662.8360 216.662.8361 fax Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 216.696.0008 216.696.1596 fax Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair O H Franklin Art Glass Studios, Inc. Gary L. Helf 222 East Sycamore Street Columbus, OH 43206 Dalle de Verre 800.848.7683 614.221.2972 614.221.5223 fax Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 704.872.5147 704.872.7813 fax Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 919.266.2493 919.266.6228 fax Custom Ventilators ·· Distributor of Glass and Supplies for the Professional Design, Fabricate and Install Mosaics Conser vation; Specifications & Recommenations; Edge Gluing; Protective Glazing Systems; Wood Frame Repair and Restoration Glass Fusing; Wood Frame Repair & Painting · 92 Sourcebook 2009 The Stained Glass Association of America "); array_files[187]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-091.pdf","2009-03-04","92K"," SB2k9 Interior ","","","The Stained Glass Association of America ACCREDITED FULL-SERVICE STUDIO MEMBER TELEPHONE WEBSITE E-MAIL Safety Glazing Dalle de Verre Sandblasted Silkscreened OTHER TECHNIQUES The J. & R. Lamb Studios, Inc. Donald Samick 436 West Main Street Wyckoff, NJ 07481 Accredited Member Since 2000. Fabrication Replication Restoration info@lambstudios.com www.lambstudios.com ········· · Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 877.700.LAMB 201.891.8585 201.891.8855 fax N J ·· Rambusch Decorating Company Martin Rambusch 160 Cornelison Avenue Jersey City, NJ 07304 Accredited Member Since 1931. martinr@rambusch.com www.rambusch.com ········· · ··· Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 201.333.2525 201.860.9999 fax Casting, Fusing, Slumping Durhan Studios, Inc. Paul Coulaz 330 Eagle Avenue West Hempstead, NY 11552 Accredited Member Since 1963. durhanstudios@verizon.net ········· ·· · ·· Jerome R. Durr Studio Jerome Durr 206 Marcellus Street Syracuse, NY 13204 Accredited Member Since 2000. jrdurr0art@aol.com www.jeromedurr.com ········ · · Rohlfs Stained & Leaded Glass Studio, Inc. Peter Hans Rohlf 783 South Third Avenue Mt. Vernon, NY 10550 Accredited Member Since 1979. rohlf1@aol.com www.rohlfstudio.com ········· ···· ·· A & H Art & Stained Glass Co., Inc. Christopher Haynes PO Box 67 Harmony, NC 28634 Accredited Member Since 1987. Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration ahstainglass@yadtel.net www.ahstainedglass.com ········ ···· Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.948.1739 704.546.2085 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.969.4106 914.699.4848 914.699.7091 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 315.428.1322 315.478.1767 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 516.481.5656 516.481.7905 fax Wood Frame: Repair & Fabrication; Aluminum Frame Installation N Y Fusing · Aluminum Framing; Wood Frame Replication; Steel Frame Retrofitting & Fabrication; Insulated Lead Tape; Mosaic Aluminum Thermal-Break Framing, Steel Frame Repair and Restoration N C ·· Laws Stained Glass Studios, Inc. Michael A. Laws 145 Ebenezer Lane Statesville, NC 28625 Accredited Member Since 1968. info@lawsstainedglass.com www.lawsstainedglass.com ··· ····· · ·· This Sourcebook Directory is available online at www.stainedglass.org. http://www.stainedglass.org Sourcebook 2009 91 Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.820.1292 704.876.3463 704.876.4238 fax "); array_files[188]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-090.pdf","2009-03-04","63K"," SB2k9 Interior ","","","Sourcebook 2009 ACCREDITED FULL-SERVICE STUDIO MEMBER TELEPHONE WEBSITE E-MAIL Safety Glazing Safety Glazing Safety Glazing Dalle de Verre OTHER TECHNIQUES M Washington Art Glass Studio D Jed Boertlein 6618 Walker Mill Road Capitol Heights, MD 20743 Accredited Member Since 1998. Sandblasted Silkscreened Fabrication Replication Restoration washartglass@comcast.net www.washingtonartglass.com ··· ····· ···· Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 301.735.6292 phone & fax ·· Guarducci Stained Glass M Studios A David Guarducci 64 Stoney Brook Road Great Barrington, MA 01230 Accredited Member Since 1998. guarduccistainedglassstudios@yahoo.com www.guarduccistudios.com ········· ·· ···· Stained Glass Resources, Inc. Sue Shea 15 Commercial Drive Hampden, MA 01036 Accredited Member Since 1990. mail@stainedglassresources.com www.stainedglassresources.com ···· ··· · Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.883.5052 413.566.5053 413.566.2935 fax Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 413.528.6287 phone & fax Mosaics, Enameling, Wood Frame Repair, Consultation, Historic Preservation Ornamental and Monumental Mahogany Frames and Millwork · Full Spectrum Stained Glass, Inc. M Valerie McCartney I 31323 Colon Road Colon, MI 49040 Accredited Member Since 1999. fssgi@aol.com www.churchwindows.net ········· ····· Gaytee Stained Glass, Inc. John C. Salisbury M 2744 Lyndale Avenue South N Minneapolis, MN 55408 Accredited Member Since 1971. gayteeglass@qwest.net www.gayteestainedglass.com ········· ······· Midwestern Stained Glass M Studios, Inc. O Douglas L. Gammon 214 South Cedar Nevada, MO 64772 Accredited Member Since 1991. ··· ···· · ·· Pearl River Glass Studio, Inc. M Andrew Cary Young S 142 Millsaps Avenue Jackson, MS 39202 Accredited Member Since 1998. info@pearlriverglass.com www.pearlriverglass.com ········ ···· 90 Sourcebook 2009 The Stained Glass Association of America Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.771.3639 601.353.2497 601.969.9315 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.525.8442 417.667.8185 phone & fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 888.872.4550 612.872.4551 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 269.432.2610 269.432.9411 fax · Removal, Installation, Maintenance, Restoration and Repair of All Types of Window Surrounds; Replication; Relocate Windows Aluminum Fromes, Wood Frames, Wood Repair, Laminated Glass Cut to Specific Shapes Gold Leaf Gilding, Mosaic, Fused "); array_files[189]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-089.pdf","2009-03-04","63K"," SB2k9 Interior ","","","The Stained Glass Association of America ACCREDITED FULL-SERVICE STUDIO MEMBER TELEPHONE WEBSITE E-MAIL Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil OTHER TECHNIQUES Restoration Consulting, Custom Wood and Aluminum Frames Mominee Studios, Inc. Jules T. Mominee 5001 Lincoln Avenue Evansville, IN 47715-4113 Accredited Member Since 1989. Religious Beveled Secular Painted mominee@momineestudios.com www.momineestudios.com ········· ···· Leaded Design Etched Repair 800.473.1691 812.473.1691 812.473.0676 fax I N · Moss Stained Glass, LLC Tim Smith 2501 East Eighth Street Anderson, IN 46012 Accredited Member Since 1989. tsmith@mossglass.com www.mossglass.com ········· ······· Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 888.833.6677 765.643.0439 fax Gold Leafing, Storm Glazing Bovard Studio, Inc. Ronald Bovard 2281 Highway 34 East Fair field, IA 52556-8560 Accredited Member Since 1991. info@bovardstudio.com www.bovardstudio.com ········· ······· Glass Heritage, LLC John P. Watts 234 West Third Street Davenport, IA 52801 Accredited Member Since 2008. john@glassheritage.com www.glassheritage.com ········· · · ·· · Hershey Stained Glass Studio Kevin Hershey 20907 Acorn Avenue Milton, IA 52570 Accredited Member Since 2000. artglass@netins.net www.hersheystudio.com ··· ····· ·· · ·· Artisan Glass Works, Inc. William O. Miles 1609 Union Avenue Baltimore, MD 21211 Accredited Member Since 1987. womiles@aol.com www.agwglass.com ········· ·· ···· Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 410.366.0300 410.366.5666 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 641.675.3740 641.675.3946 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 877.324.4300 563.324.4300 563.324.4321 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.452.7796 641.472.2824 641.472.0974 fax Stained Glass Windows that Meet Hurricane and Earthquake Codes; Protective Covering Systems; Wood Frame Repair and Restoration; New Vented Frames Designed for the Conservation of Stained Glass Windows in Wood, Aluminum and Steel; New Custom Wood Doors; Mosaics; In House Wood Shop, Metal Shop and Engineering Staff Mosaics, Glassblowing Facility, Certified by the Campbell Center for Historic Preservation for Preservation and Restoration of Stained Glass I A Restoration and Conservation of Historic Glass; Design and Manufacture of Art Glass; Stained and Painted Kiln-Fired Glass; New Custom Hand-Painted Stained Glass We produce AGW Old-Style Window Glass M D http://www.stainedglass.org Sourcebook 2009 89 "); array_files[190]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-088.pdf","2009-03-04","63K"," SB2k9 Interior ","","","Sourcebook 2009 ACCREDITED FULL-SERVICE STUDIO MEMBER TELEPHONE WEBSITE E-MAIL Safety Glazing Safety Glazing Safety Glazing Safety Glazing Safety Glazing Safety Glazing Safety Glazing Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil OTHER TECHNIQUES Gold Gilding on Glass F Creative Glassworks, Inc. Kirk Reber L 1985 Mayport Road Atlantic Beach, FL 32233 Accredited Member Since 1999. Religious Beveled Secular Painted staff@creativeglassworks.com www.creativeglassworks.com ········· ··· Leaded Design Etched Repair 888.606.0630 904.247.0064 904.246.7188 fax ·· Conrad Pickel Studio, Inc. Paul Pickel 7777 20th Street Vero Beach, FL 32966 Accredited Member Since 1946. info@pickelstudio.com www.pickelstudio.com ········ · J. Piercey Studios, Inc. James T. Piercey 1714 Acme Street Orlando, FL 32805 Accredited Member Since 1992. jpstudios@aol.com www.jpiercey.com ···· · ·· · sales@jennifersglassworks.com www.jennifersglassworks.com ······ · ·· Accredited Member Since 1978. I Botti Studio of Architectural Arts, Inc. L Ettore Christopher Botti 919 Grove Street Evanston, IL 60201-4315 Accredited Member Since 1977. botti@bottistudio.com www.bottistudio.com ········· ······· Morava Studios Peter Morava 11 Harrison Street Oak Park, IL 60304 Accredited Member Since 2001. moravastudios@sbcglobal.net www.moravastudios.com ········· ······· I City Glass Specialty, Inc. N Richard M. Hollman 2124 South Calhoun Street Ft. Wayne, IN 46802 Accredited Member Since 1950. cityglassspecialty@yahoo.com www.cityglassspecialty.com ·· ·· · ···· ·· ·· ·· · Fox Studios, Inc. Ann Fox Vannice 5901 North College Avenue Indianapolis, IN 46220 Accredited Member Since 1978. cfox@foxglassstudio.com www.foxglassstudio.com ········· ······· 88 Sourcebook 2007 The Stained Glass Association of America Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 317.253.0135 317.253.5647 fax Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 260.744.3301 260.744.2522 fax Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 708.383.9333 708.383.9314 fax Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.524.7211 847.869.5933 847.869.5996 fax Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair G A Jennifers Glassworks, LLC David A. Simmons 4875 South Atlanta Road Smyrna, GA 30080 800.241.3388 404.355.3080 404.355.6566 fax Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.368.9226 407.841.7594 407.841.6444 fax Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 772.567.1710 772.569.1485 fax Mosaic, Sculpture in Wood and Bronze · Mosaic, Altar Furniture · Custom Designs, Custom Millwork Conser vation; Discovery Specifications; Project Management; Frame Installation; Restoration of Metal, Wood and Stone; Frames; Mosaics; Sculpture; Gold Leaf Gilding; Marble; All Mediums Painting and Decoration Gold Leaf Gilding, Mosaic, Wood Frame Repair "); array_files[191]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-087.pdf","2009-03-04","63K"," SB2k9 Interior ","","","The Stained Glass Association of America ACCREDITED FULL-SERVICE STUDIO MEMBER TELEPHONE WEBSITE E-MAIL Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil OTHER TECHNIQUES Wood Frame Repair, Airbrush Artistic Designs Enterprises 800.339.6259 Sister Marie Tatina, Oblate OS 760.599.1095 fax 3873 El Paso Alto mtatina@ix.netcom.com San Marcos, CA 92069 www.artisticdesign.org Accredited Member Since 1996. C A Religious Beveled Secular Painted ········· ······· Haeger Stained Glass Pat Haeger 10741 Ridgeview Avenue San Jose, CA 95127 Accredited Member Since 2001. art-glas@pacbell.net www.haegerstainedglass.com ··· ···· ······· The Judson Studios David Judson 200 South Avenue 66 Los Angeles, CA 90042 Accredited Member Since 1933. info@judsonstudios.com www.judsonstudios.com ········· ·· ···· Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 800.445.8376 323.255.0131 323.255.8529 fax Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 408.251.2019 408.923.5194 fax Leaded Design Etched Repair Staining of Glass & Matting Mosaics, Wood Carvings, other religious decorative elements The Boulder Stained Glass Studios Randall D. Leever 1920 Arapahoe Avenue Boulder, CO 80302 Accredited Member Since 1979. rdlbsg@comcast.net www.bldstglst.com ········ ···· Creative Stained Glass Studio Michael J. Shields 5318 Evergreen Heights Drive Evergreen, CO 80439 Accredited Member Since 1978. Religious Beveled Secular Painted ···· ··· ······· Leaded Design Etched Repair myksds@aol.com www.csgstudio.com Safety Glazing Dalle de Verre Sandblasted Silkscreened 303.988.0444 Fabrication Replication Restoration Safety Glazing Dalle de Verre Sandblasted Silkscreened Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair 303.449.9030 phone & fax Car ving, Framing, Table Tops, Slumping C O Copperfoil Fusing, Gold Leaf, Glass/Wood/Metal Sculpture Advent Glass Works, Inc. Merry S. George PO Box 174 242 SW George Glen Ft. White, FL 32038 Accredited Member Since 1981. Religious Beveled Secular Painted 386.497.2050 386.497.2941 fax tgatagw@alltel.net www.adventglassworks.com ········· ······· Casola Stained Glass Studio, Inc. 800.330.4527 Lawrence A. Casola 239.939.0055 11000 Metro Parkway, Ste. 11 239.939.0068 fax Ft. Myers, FL 33966-1210 casolasgs@aol.com www.churcharts.com Accredited Member Since 1978. Leaded Design Etched 888.528.8803 (outside FL) Safety Glazing Dalle de Verre Sandblasted Silkscreened 800.207.4875 (FL only) Fabrication Replication Restoration Repair Copperfoil Wood Frame Restoration, Repair and Replication F L ········· ······· Safety Glazing Dalle de Verre Sandblasted Silkscreened Mosaics, Stained Glass Sculpture, Consultation Fabrication Replication Restoration Copperfoil Religious Beveled Secular Painted Leaded Design Etched Repair http://www.stainedglass.org Sourcebook 2009 87 "); array_files[192]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-086.pdf","2009-03-04","54K"," SB2k9 Interior ","","","Sourcebook 2009 The Accr edited Membership of the Stained Glass Association of America The objectives of the Association shall be: To function as the recognized organization of distinction and to conduct its affairs in a manner that will reflect credit upon its image and craft; To maintain the highest possible standards for excellence in craftsmanship, integrity and business practices; To provide facilities offering active membership participation, extensive craft training, organizational and craft-related information, and trade-related consulting and documentary services; To research and develop new products, processes and techniques for the advancement of innovative craft expression; To act as the authoritative historian and archivist for its craft in America; To defend and protect its craft against unwarranted regulation restricting its freedom of use as an architectural art form. From the forming of the first craft guilds in the middle ages, those who practice in a given field have banded together, both for the good of their profession and for the good of their patrons. Today, such groups continue to exist and function. These groups strive to uphold their profession, to regulate it and insure that it is practiced in such a way as to reflect honor upon the profession. This is done with the understanding that such practices will help guarantee the patrons of the craft that the product and services they purchase are of the highest standard and thereby both advance the reputation of the profession and insure that it can continue to be practiced with dignity and pride. The Stained Glass Association of America is such an organization. We encourage not only our members but all involved in the profession of stained glass to maintain the highest possible standard of quality and craftsmanship. The pinnacle of membership in our organization is the Accredited Studio level. These members meet and exceed the rigorous requirements and expectations of the SGAA. The Seal of the Stained Glass Association of America is our symbol of pride in craftsmanship and dedication to quality. Only the Accredited Members of the Stained Glass Association of America may display the Association Seal. Before choosing a stained glass studio, make certain that it is an Accredited Member of the Stained Glass Association of America. The studios accreditation is proof that it has met the SGAAs high standards and is your best guarantee that the studio is dedicated to quality and workmanship. 86 Sourcebook 2009 The Stained Glass Association of America "); array_files[193]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-085.pdf","2009-03-04","64K"," SB2k9 Interior ","","","The Stained Glass Association of America Notes with God. We pray as we live, because we live as we pray. If we do not want to act habitually according to the Spirit of Christ, neither can we pray habitually in his name. The `spiritual battle of the Christians new life is inseparable from the battle of prayer.30 If a stained glass window can become a tool for Gods constant call to conversion, then it is a good and valuable servant of the Church. Conversion is an ongoing process in which one experiences Gods love and mercy and by that experience is called to even deeper conversion. (cf. Dives in Misericordia, Article 13) This call to conversion is properly answered by Gods faithful by a growth in holiness; it is an ongoing process that ends only at the end of ones life, and then judgement. If the goal of the Church is the sanctification of souls,31 then any element that can serve to advance that goal has a proper place in the Church. The sacred arts in general and stained glass specifically, by virtue of their ability to play a part among Gods faithful people in the call to conversion and holiness, have an important part to play in the job of sanctification of souls. This role can only be fully realized if those artists and craftsmen who design stained glass windows for the Church fully appreciate the theological importance that their artwork has in the greater goal of the Church. I would like to gratefully acknowledge the Institute for Pastoral Theology of Ave Maria University, Naples, Florida, without which this article would not exist. I would especially like to thank IPT Director Professor Douglas Bushman, whose instruction, guidance and feedback is greatly appriciated. 1. Lumen Gentium, Chapter V, Article 42 2. Lumen Gentium, Chapter V, Article 39 3. Matthew 22: 36-40 4. Lumen Gentium, Chapter V, Article 40 5. Those are poverty, chastity and obedience. 6. Jordan Aumann, Spiritual Theology, online edition 7. Gaudium et Spes, Article 62 8. United States Conference of Catholic Bishops, Committee on the Liturgy, Built of Living Stones: Art, Architecture and Worship, Articles 146-149 9. United States Conference of Catholic Bishops, Committee on the Liturgy, Built of Living Stones: Art, Architecture and Worship, Article 142. 10. Summa Theologica, Second Part of the Second Part, Question 30: Of Mercy, Article One 11. Ibid, Article Three 19. When one considers that kindness motivates meekness and humility, while meekness and humility, in their turn, advance kindness, it is particularly striking how kindness is so universally embraced by modern society, and yet many people will outright reject humility and meekness as something for which to strive. The easy conclusion is that everyone wants to receive kindness, but few are willing to give it. However, the truth is always much more complex than the easy conclusion. There are many who long to give kindness, but do not know how. A person will recognize kindness when he sees it, and he will offer it when he is able but because so many lack a basic understanding of the root of kindness, it frequently becomes difficult for one individual to offer kindness to another. 20. St. Thomas Aquinas, Summa Theologica, Second Part of the Second Part, Question 161: of Humility, Article Five 21. Ibid, Article One 22. Summa Theologica, Second Part of the Second Part, Question 136: of Patience, Article One 23. Ibid. 24. Ibid, Article Three 12. Ibid, Article Four. Saint Thomas Aquinas allows, however, that among all virtues, charity considered as a divine attribute unites man to God and excels mercy. 13. The Spiritual Acts of Mercy are to instruct the ignorant; to counsel the doubtful; to admonish sinners; to bear wrongs patiently; to forgive offenses willingly; to comfort the afflicted; to pray for the living and the dead. 14. The corporeal Acts of Mercy are to feed the hungry, to give drink to the thirsty, to clothe the naked, to house the homeless, to visit the sick, to ransom the captive, and to bury the dead. 15. The sad origin of the distaste for these themes stems largely from a misunderstanding of what they truly mean and from the all-too-common misunderstanding of happiness often encountered in the modern world. If happiness is defined in terms of freedom from ­ as in, freedom from all repression and moderation, freedom from repercussion as a result of speech, or freedom from the consequences of ones actions ­ instead of in terms of freedom for ­ as in, freedom for growth in holiness, freedom for study and an increase in understanding, or freedom for the expression of charity ­ then freedom becomes nothing more then license. Certainly, the clever linguist can change freedom from all repression and moderation to freedom for excess and vice, but the simple fact remains that a Christian definition of happiness finds its origin not in describing the absolute limits before one faces prosecution in a court of law, but in delineating the expected modes of thought and behavior for responsible growth in holiness as a human person. 16. Matthew 22: 36-40 17. Ecclesiam Suam, Article 79. 18. Of course, all aspects and elements of the growth in holiness are in some way related. It is in the nature of that which is good to support that which is good. 25. The artist needs to have a theological understanding of what he portrays if that portrayal is to be a fully successful and original work of art. Otherwise, the window is merely a reproduction the same images drawn from a somewhat worn catalog of religious concepts and cannot rightly be considered art in its truest sense. 26. Article 42 27. Generally, it is interesting to note, this depiction is of a serene Jesus praying peacefully in the moonlight. Typically, one does not see the Jesus of the Gospels, who was described in Matthew 26 as possessing a soul sorrowful unto death or who in Luke 22 is reported to have been in such agony and prayed so fervently that his sweat became as drops of blood falling to the ground. Though the Garden of Gethsemane windows certainly do illustrate Jesus in prayer, they, through the serenity they offer, often fail to illustrate the depth and profundity of the obedience that Christ is offering to God when He asks that this cup pass from him, but not my will but Yours be done. 28. Catechism of the Catholic Church, 2559 29. Of course, the prayer must be properly made, which means it must be made from the heart properly conformed to Gods will. 30. Catechism of the Catholic Church, 2725 31. Jordan Aumann, Spiritual Theology; Part 1, Chapter 2: The Goal of Our Striving, Online edition End http://www.stainedglass.org Sourcebook 2009 85 "); array_files[194]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-084.pdf","2009-03-04","60K"," SB2k9 Interior ","","","Sourcebook 2009 as the chastity proper to the ordained priest is found in celibacy. It may be surprising to some in the stained glass field that a Sacrament of Marriage window could, indeed would, include as key to its faithful depiction of the sacrament the concept of chastity; nevertheless, such a concept is well within the teachings of the Church and should be included in any such window. We can consider also the spirit of poverty and obedience, for it is the spirit that is key and not the logical extreme. The bishops of the Second Vatican Council wrote in Lumen Gentium that There are some who, in their freedom as sons of God, renounce their own wills and take upon themselves the state of poverty. Still further, some become subject of their own accord to another man, in the matter of perfection for love of God. This is beyond the measure of the commandments, but is done in order to become more fully like the obedient Christ.26 This desire to become more fully like the obedient Christ is the central element to growth in holiness, and it is to this end that the spirit of the evangelical counsels motivates the individual. In practice among the laity, poverty need not be embraced in a vow; the spirit of poverty is one that refuses to make an idol of money. The same is true of obedience; to follow the spirit of obedience, one need not take the monks vow. It is sufficient to refuse to make an idol of self-reliance. For the stained glass artist charged with depicting the evangelical counsels, one need not be overwhelmed by the idea of offering in glass these abstract concepts if one realizes that each of these concepts has its finest example in Christ and its most perfect motivation in the individuals love for God and the recognition of the created as being dependent on the Creator. Finally, if the virtues and the evangelical counsels seem abstract and difficult concepts to visualize in stained 84 Sourcebook 2009 glass, then prayer ­ which can be expressed as an action ­ must certainly be easy to express in glass. One must wonder, in the more than 1000-year history of stained glass, how many committees have asked for a prayer window and been shown designs for Jesus praying in a Garden of Gethsemane window.27 humble and contrite heart? He who humbles himself will be exalted; humility is the foundation of prayer. Only when we humbly acknowledge that `we do not know how to pray as we ought, are we ready to receive freely the gift of prayer. `Man is a beggar before God.28 If humility is the foundation for prayer, and humility, the twofold virtue, works in part to strengthen the mind against despair (as described above), then it is not unreasonable to conclude that a significant part of prayer must be to reinforce and advance mans recognition of his dependence on God as being the source of all good things. The man of humble heart will not despair of Gods mercy in answering the prayer of petition.29 For those at an early stage in their journey to holiness, prayers of petition are the most common. As one advances in holiness, one begins to express ones love for God through prayers of adoration. Those even more advanced will make frequent prayers of intercession. Each advancing stage of prayer shows a growing in humility and a deepening of love. Thus, each stage, being more refined than the stage that preceded it, is a successively harder concept to present in stained glass. Nevertheless, the stages can be addressed in terms of the virtues necessary for proper prayer: humility, of course, and also patience, mercy, kindness and meekness, but especially in terms of grace, which comes not from the individual but from God alone. Because Prayer is both a gift of grace and a determined response on our part. It always presupposes effort. The great figures of prayer of the Old Covenant before Christ, as well as the Mother of God, the saints, and He Himself, all teach us this: prayer is a battle. Against whom? Against ourselves and against the wiles of the tempter who does all he can to turn man away from prayer, away from union If a stained glass window can become a tool for Gods constant call to conversion, then it is a good and valuable servant of the Church. Conversion is an ongoing process in which one experiences Gods love and mercy and by that experience is called to even deeper conversion. However, prayer is more than posture and words; prayer is a concept that goes to the very heart of the mystery of man, God and redemption in Christ. This mystery represents a depth that is surpassingly difficult to communicate in art. Prayer is the `raising of ones mind and heart to God or the requesting of good things from God. But when we pray, do we speak from the height of our pride and will, or `out of the depths of a The Stained Glass Association of America "); array_files[195]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-083.pdf","2009-03-04","140K"," SB2k9 Interior ","","","The Stained Glass Association of America by those in a religious order, nevertheless, the Church Fathers at the Second Vatican Council stressed that all of Gods faithful ones are called to these counsels, each in a degree proper to his own life. They wrote, in Lumen Gentium, Chapter Five, Article 39, in a very special way this (holiness) appears in the practice of the counsels, customarily called `evangelical. This practice of the counsels, under the impulsion of the Holy Spirit, undertaken by many Christians, either privately or in a Church-approved condition or state of life, gives or must give in the world an outstanding witness and example of this same holiness. Father Jordan Aumann also stresses the importance of the evangelical counsels in his book Spiritual Theology when he states, The soul that wishes to attain perfect abandonment to the will of God must be disposed to practice the evangelical counsels. Religious make a vow to practice certain counsels in their daily life; lay persons are not called upon to do this, but they should observe the spirit of the counsels and carry them out in practice when the duties of their state in life permit. However, it would be an error for the laity gratuitously, to assume a manner of life proper to religious; the first duty of the laity, whether married or living singly in the world, is to fulfill the duties imposed by their particular vocation. (Emphasis added) That all are called to observe to the spirit of the evangelical counsels is not difficult to understand in terms of the spiritual life; however, illustrating the evangelical counsels in stained glass relies on an understanding25 of what they entail. Chastity, for example, need not be understood as synonymous with celibacy; instead, it repres e n t s the control of ones sexual appetites. Therefore, the chastity that is proper to the married laity is found in faithfulness to ones spouse where- These windows represent two completely different approaches to a Creation theme. The window on the left is a more playful and yet spiritual approach to the topic than is seen in the more direct faceted window on the right. While it is not the goal of this article to suggest that one approach is better than the other, it is important to realize that both approaches meet a given set of criteria and do so in a way that allows the window to also act as a servant of the Church in its work for the sanctification of souls. The role of stained glass as a Church art can only be fully realized if those artists who design stained glass windows for the Church fully appreciate the theological importance of their artwork in the greater goal of the Church. http://www.stainedglass.org Sourcebook 2009 83 "); array_files[196]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-082.pdf","2009-03-04","60K"," SB2k9 Interior ","","","Sourcebook 2009 distaste by many in the modern world,15 kindness is always in season. Kindness is that aspect of charity put into action to which Christ speaks in the second part of the Greatest Commandment: The second is like it, you shall love your neighbor as yourself.16 Kindness as an act of love demonstrated by concrete actions that are manifestations of spiritual beliefs represents the rejection of bigotry and prejudice; of hostility; and of empty, boastful speech.17 The stained glass artist has ample opportunity to illustrate kindness in the many actions of Christ, in whose actions we see the premier examples of kindness. Christ showed great kindness in healing the lame, giving sight to the blind and speech to the mute. Christ provides many other concrete example of kindness by His constant example, in which He put the spiritual and corporeal acts of mercy into practice. Humility and meekness are both signs of a greatly advanced spiritual life; further, these elements of growth in holiness both are motivated by kindness.18 If we consider the examples of what kindness is not that is presented in Ecclesiam Suam, quoted above, then one can see that the rejection of bigotry and prejudice is motivated to a great degree by humility; that the rejection of hostility and empty, boastful speech finds great motivation in meekness.19 Meekness suppresses the movement of anger,20 and humility serves as a brake on impulse and gives the individual human person the ability to practice moderation in the face of moral temptation. Aquinas considers humility to be a twofold virtue that serves one, to temper and restrain the mind, lest it tend to high things immoderately; and this belongs to the virtue of humility: and another to strengthen the mind against despair, and urge it on to the pursuit of great things according to right reason; and this is magnanimity.21 82 Sourcebook 2009 Christ calls his followers to meekness and humility. Matthew 11: 29 tells that Christ bade His followers to hold to His example, for He is meek and humble of heart, seeking only the glory of God. For the stained glass artist seeking to illustrate meekness and humility, the examples of Christ remain the greatest patience is a virtue.22 Aquinas saw patience as that virtue that safeguards human reason against sorrow, lest reason give way to despair.23 This means that patience is that virtue that allows a person to persevere in his growth in spirituality and holiness in the face of opposition to that growth. Patience allows the individual to show mercy in the face of cruelty, to practice kindness in the face of wickedness, to be humble in the face of haughtiness, and to remain meek in the face of arrogance. Patience comes by grace and is born of charity, which loves God above all things.24 Patience is a concept that can, at first, seem difficult to communicate with a stained glass window. This is because patience is generally made manifest across the passing of time; thus, it seems, at least initially, to be something almost impossible to portray in a single presentation that is, at its core, pictorial. Of course, we are all familiar with the popular Christ Knocking at the Door windows, which do, indeed, illustrate patience in terms of the patient call of Christ. However, a stained glass window that can successfully communicate perseverance in any other virtue in the face of opposition will successfully illustrate the virtue of patience as well. While it will not necessarily be immediately obvious to the viewer of the window that patience is a theme addressed, nevertheless it is always true that not all are at the same stage in their spiritual journey. The stained glass artist need only provide the seed from which understanding can grow; from this, it is well within the power of the Holy Spirit to bring forth that growth in the individual. The evangelical counsels of poverty, chastity and obedience also play a part in the individuals growth in holiness. Though these are frequently considered only in terms of the vows taken The role of stained glass as a Church art can only be fully realized if those artists who design stained glass windows for the Church fully appreciate the theological importance of their artwork in the greater goal of the Church. source. Also, many fine examples can be found in the lives of the saints who do not admonish people to simply behave as they themselves behave, but encourage us to instead turn to Gods mercy as they turned to Gods mercy, so that we might learn what the saints learned and so become like them. The often-quoted phrase that patience is a virtue is often offered to people as an explanation why something cannot be done right now. However, this is an unsatisfactory and incomplete understanding of what patience truly is. Saint Thomas Aquinas would agree that The Stained Glass Association of America "); array_files[197]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-081.pdf","2009-03-04","107K"," SB2k9 Interior ","","","The Stained Glass Association of America and every visible and tactile detail of architecture possess the potential to express the wholeness, harmony, and radiance of profound beauty.8 For a stained glass installation to fulfill its proper role, it must be no mere bauble but a good and faithful servant of the Church by acting as a lens through which the faithful can more fully understand and come to live the vital elements for growth in holiness as they develop a sound spirituality that will allow them to become as saints, recognizing their individual dependence on Gods mercies and allowing them to forgive ­ and seek forgiveness ­ as becomes a true disciple of Christ. To understand how this is possible, it is necessary to first understand the individual elements of growth in holiness involved and then to understand how stained glass can, indeed, act as an element that God can use in His call to conversion. The understanding that it is God who makes this call to conversion and that He can do so through myriad means is vitally important. It should in no way be interpreted that somehow it becomes the responsibility of the stained glass artist to design a universal call to conversion into his windows. The designer is not being charged with any superhuman task; instead, the task that has always been present to him in designing for church installations is simply being restated: to design a worthy window that performs a mediating role, analogous, we might say, to the role of the priest, or, perhaps better, that of Jacobs Ladder, descending and ascending. Art is meant to bring the divine to the human world, to the level of the senses, then, from the spiritual insight gained through the senses and the stirring of emotions, to raise the human world to God, to His inexpressible kingdom of mystery, beauty and life.9 We know that the individual can The theme of the Sacrament of Marriage is boldly addressed in this composition in terms not just of the indissoluble and eternal union of Holy Trinity, a union that has perfect love as its foundation, but also in terms of its relationship to other Sacraments, especially Baptism, and its similarity to the Covenants between the people of Israel and God. trust in salvation because he can trust in Gods mercy. The individual can also come to a better understanding of what it means to be merciful himself by examining what is involved in Gods mercy. Once the statement be holy because God is holy (cf. 1 Peter 1:16) is accepted as true and mercy is understood as an element of holiness, it is a simple exercise in logic to see that the statement be merciful because God is merciful is also true. Dominum et Vivificantem, Part Two, Article Four, states that The Holy Spirit, who in the words of Jesus `convinces concerning sin, is the love of the Father and the Son, and as such is the Trinitarian gift, and at the same time the eternal source of every divine giving of gifts to creatures. Precisely in him we can picture as personified and actualized in a transcendent way that mercy which the patristic and theological tradition, following the line of the Old and New Testaments, attributes to God. In man, mercy includes sorrow and compassion for the misfortunes of ones neighbor. Saint Thomas Aquinas similarly defines mercy in man as a heartfelt sympathy for another distress, impelling us to succor him if we can.10 In subsequent Articles, Aquinas defines mercy not only as a virtue,11 but is the greatest virtue among those that relate man to his neighbor.12 The stained glass artist who presents mercy as his theme has at his disposal a vast catalog of possibilities to make this complex idea present to viewers. From great, abstract presentations of the Holy Spirit capable of embracing the viewer in light and warmth to more concrete, realistic presentation of the spiritual13 and corporeal14 acts of mercy, the possibilities are limited only by the experience, imagination and inspiration of the capable designer. Kindness is a happy theme for the stained glass artist. Unlike the evangelical counsels of poverty, chastity and obedience, or the themes of meekness and humility, which are looked at with Sourcebook 2009 81 http://www.stainedglass.org "); array_files[198]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-080.pdf","2009-03-04","83K"," SB2k9 Interior ","","","Sourcebook 2009 symbols of the supernatural world and expressions of the divine presence. While personal tastes will differ, parish committees should utilize the criteria of quality and appropriateness in evaluating art for worship. Quality is perceived only by contemplation, by standing back from things and really trying to see them, trying to let them speak to the beholder. Quality is evident in the honesty and genuineness of the materials that are used, the nobility of the form embodied in them, the love and care that goes into the creation of a work of art, and the personal stamp of the artist, whose special gift produces a harmonious whole, a well-crafted work. This Lamb of God window can be seen at St. Georges Church, Cologne, Germany. It presents a very mature and developed interpretation of the Lamb of God theme that is full of imagery and invites the viewer to a deeper consideration of the spiritual implications of this theme. (Photo courtesy of the SGAA Slide Library.) Quality art draws the beholder to the Creator, who stands behind the artist sharing his own creative power, for the divine Artist passes on to the human artist a spark of his own surpassing wisdom. This is true of music, architecture, sculpture, painting, pottery making, textiles, and furniture making, as well as other art forms that serve the liturgical environment. The integrity and energy of a piece of art, produced individually by the labor of an artist, is always to be preferred above objects that are mass-produced. Similarly, in the construction of new church buildings, there is no standard pattern for church art, nor should art and architectural styles from any particular time or culture be imposed arbitrarily upon another community. Nonetheless, the patrimony of sacred art and architecture provides a standard by which a parish can judge the worthiness of contemporary forms and styles. can be fairly said that any good object capable of helping each individual human person better understand and develop his spiritual life has a proper place in the Church. This point was emphasized by the United States Conference of Catholic Bishops in their document Built of Living Stones: Art, Architecture and Worship, which provides an excellent definition of a good object in the section entitled Components of True and Worthy Art, where it states: Authentic art is integral to the Church at prayer because these objects and actions are signs and 80 Sourcebook 2009 Appropriateness for liturgical action is the other criterion for choosing a work of art for church. The quality of appropriateness is demonstrated by the works ability to bear the weight of mystery, awe, reverence, and wonder that the liturgical action expresses and by the way it serves and does not interrupt the ritual actions which have their own structure, rhythm and movement. Since art is revelatory, a gift from God, a truly beautiful object stretches beyond what the senses perceive and, reaching beneath realitys surface, strives to interpret its hidden mystery. Nonetheless, there is always the chasm between the work of [the artists] hands and the dazzling perfection glimpsed in Gods creative moment. Art that is used in worship must therefore evoke wonder at its beauty but lead beyond itself to the invisible God. Beautiful, compelling artworks draw the People of God into a deeper awareness of their lives and of their common goals as a Christian community as well as of their roles and responsibilities in the wider world. Art that fulfills these qualities is art worthy of the Christian assembly. Worthy art is an essential, integral element in the sacred beauty of a church building. Through skilled use of proportion, shape, color, and design, art unifies and helps to integrate the place of worship with the actions of worship. Artistic creations in the place of worship inspire contemplation and devotion. Sculpture, furnishings, art glass, vesture, paintings, bells, organs, and other musical instruments as well as windows, doors, The Stained Glass Association of America "); array_files[199]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-079.pdf","2009-03-04","118K"," SB2k9 Interior ","","","The Stained Glass Association of America ment, also gave a powerful guide for the individuals growth in holiness. He said, You shall love the Lord, your God, with all your heart, with all your soul, and with all your mind. This is the greatest and the first commandment. The second is like it: You shall love your neighbor as yourself. The whole law and the prophets depend on these two commandments.3 Also, it is important to realize for a healthy and mature spiritual understanding of the concepts of growth in holiness that this growth originates and is perfected not in the individuals will alone, but by genuine cooperation with the grace given by God and by the working of the Holy Spirit, Who guides the individual human person toward a love that has as its most perfect example the love of Christ; the combination of the individuals intellect and will, the grace of God and the power of the Holy Spirit combine to create a force that compels the individual to an ever-expanding love of God and of neighbor. They are justified in the Lord Jesus, the Council Fathers wrote, because in the baptism of faith they truly become sons of God and sharers in the divine nature. In this way they are really made holy. Then, too, by Gods gift, they must hold on to and contemplate in their lives the holiness they have received. They are warned by the Apostle to live `as becomes saints and to put on `as Gods chosen ones, holy and beloved a heart of mercy, kindness, humility, meekness, patience, and to possess the fruit of the Spirit in holiness. Since truly we offend in many things we all need Gods mercies continually and we all must daily pray: `Forgive us our debts.4 To these cornerstone virtues for growth in holiness ­ namely, mercy, kindness, humility, meekness, and patience ­ we can add the evangelical counsels5, of which the Church Fathers also spoke in In these dalle de verre windows installed at Our Lady of Lourdes Catholic Church, Raytown, Missouri, the designer has combined two different but anagogically related topics -- Psalm 23 and the Nativity -- into a series of panels that reads as one composition. Some who view this window see it as simply a Nativity window, but as one grows in understanding of Christian teaching, it becomes clear that there is much more going on in this composition. The theme of God as Good Shepherd is present in both the Old and New Testaments; the combined presentation of those themes in this composition serves not only as a translation from the presentation of windows designed around Old Testament themes to the left of this window to those that come after this window and depict New Testament topics but also as a visual link between the proleptic imagery of Psalm 23 and the Nativity. Lumen Gentium. So, too, can we add prayer, for which the Church Fathers call. These elements are counted among those central to the faithful Christians spiritual life and are some of the elements that Holy Mother Church works to instill and develop among those faithful. A wellordered spiritual life is vital to an individuals growth as a Christian because spirituality refers to any religious or ethical value that is concretized as an attitude or spirit from which ones actions flow.6 The connection of these virtues and actions to spiritual growth was recognized by the Council Fathers. Writing in the Pastoral Constitution on the Church in the Modern World: Gaudium et Spes, the Council noted that the arts are also, in their own way, of great importance to the life of the Church. They strive to make known the proper nature of man, his problems and his experiences in trying to know and perfect both himself and the world.7 Thus, in this striving to know and perfect both himself and the world, it Sourcebook 2009 79 http://www.stainedglass.org "); array_files[200]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-078.pdf","2009-03-04","164K"," SB2k9 Interior ","","","Sourcebook 2009 Stained Glass as a Vehicle for Spiritual Growth Among the Faithful in the Post-Second Vatican Council Catholic Church by Richard Gross This thirteenth-century Last Judgement window (left) from the Cathedral of St. Etinne, Bourges, and this much- more modern series of windows at St. Bridget Catholic Church, while extremely different from a craft standpoint, are quite similar from a function standpoint. That is, both of them function as a servant of the Church, and both of them engage in the holy task of calling Gods faithful people to conversion. (Last Judgement photo courtesy of the SGAA Slide Library; St. Bridget nave photo by Chris Eden/Eden Arts.) Many people, not the least of whom is Charles Connick writing in Adventures in Light and Color, believe that stained glass reached the height of its achievement in the great Gothic cathedrals of Europe in the twelfth and thirteenth centuries. To appreciate fully the depth and truth of this view, it is necessary to examine stained glass not in terms of subject matter or craft techniques, but in terms of purpose, specifically service to the Church. The view that medieval stained glass achieved what it did because it was able to serve as a sort of picture Bible for the illiterate masses is widely held but is largely inaccurate. The people of medieval Europe were mostly illiterate and uneducated, 78 Sourcebook 2009 yes, but they were far from stupid. The great windows of Chartres spoke to them not as picture paintings of faraway Bible stories but on a much more immediate and, importantly, personal level. In this regard, medieval stained glass achieved something that is entirely possible with modern stained glass in our highly educated and widely literate Western world: it served then as it can serve now as a vehicle for Gods call to conversion and as a lens through which this call can be more fully understood... and answered. The Church Fathers at the Second Vatican Council, writing in Lumen Gentium, considered at length the universal call of Gods faithful people to strive toward holiness and sanctification. They stated, significantly, that all the faithful of Christ are invited to strive for the holiness and perfection of their own proper state. Indeed they have an obligation to so strive. Let all then have care that they guide aright their own deepest sentiments of soul.1 This holiness to which all are obligated to strive was described by the Council as being capable of being expressed in many ways by the individuals of the Church and that all of the various ways in which it can be expressed would manifest in the individual in the tendency toward the perfection of charity.2 Of course, Christ is the perfect model of the holiness that should be the goal of the individual. Jesus, when asked to give the greatest command- The Stained Glass Association of America "); array_files[201]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-077.pdf","2009-03-04","92K"," SB2k9 Interior ","","","The Stained Glass Association of America machine, that are pressed or poured into a multitude of shapes, sizes and colors. The prismatic effects of jewels on light add sparkle to both transmitted and reflected light. Jewels sometimes feature a design and are usually flat on the bottom surface. (However, doublets -- jewels faceted and shaped on both sides -- were widely used during the Victorian and Edwardian Eras and are available in a limited supply today.) Globs: Globs are lumps of glass that vary in size, shape and color. Also called nuggets, globs are made by heating small pieces of glass in a kiln until they melt into round forms. They are simple to make, and most glass artists with access to a kiln make their own. Iridescent Glass: After glass has been flattened, it can be given a surface treatment that creates iridescent glass. This process involves placing the glass in a gas-fired chamber on a shelf dusted with a separator to prevent the glass from sticking. In the iridizing chamber, a solution of stannous chloride is sprayed onto the surface of the glass at a temperature of more than 1400 degrees Fahrenheit. Timing, temperature and the proper application of the iridizing solution are critical to achieve the proper metallic coloration of the sheet. The glass emerging from the firing chamber can be stretched to break the shiny surface iridescence and create a matte finish. Mirrored Glass: Mirror glass has a wide range of uses for the stained glass artist. It is commonly available in bronze and solar gray. However, silvered machine antique has entered the market as have various silvered cathedral glasses. Float Window Glass: The most common type of window glass is 1/16 (single-strength) or 1/8 (double-strength). It can also be found in a much thinner variety called picture frame glass. Window glass is also commonly used as the base for Glue Chip glass. The Glue Chip treatment is a two-step process. First, the glass surface must be sand blasted. Second, a layer of animal glue is poured on the surface, and the glass sheets are placed in drying ovens. As the glue dries, it shrinks. This causes it to chip off, thus producing a delicate, fern-like pattern on the glass. oxides. They are applied using a method called Vapor Deposition. The deposition occurs in a high-vacuum chamber where the glass is suspended in the top of the chamber and rotated. The coating materials are placed in crucibles at the bottom of the chamber and bombarded with an electron beam that is focused and swept over the materials with electromagnetic fields. The heat generated by the bombardment vaporizes the materials, and the vapor condenses on the glass suspended above. Dichroic coatings create some of the purest and most brilliant colors ever seen in glass. They are fragile and must be protected from abrasion unless they are reheated to close to the softening point. Once heated in this way, the coating becomes very durable. Plate Glass: This glass is a smooth glass of uniform thickness used primarily for large areas of glass in home and commercial installations. It is essentially free of distortion. It ranges from 3/16 to more than 1 thick. This glass is valuable to the glass artist in producing beveled glass. It is also used as the glass easel for displaying a window prior to glazing, as a base for epoxied stained glass compositions and can be the base for Glue Chip glass. Dichroic Glass: This glass is made by applying a surface coating of one or more layers of transparent materials designed to create reflections of a specific wavelength in order to modify an optical effect. The coating itself is completely transparent; all available light is either reflected or transmitted. Dichroic glass will provide very crisp and vibrant colors. The most commonly used coating materials are titanium oxides, zirconium oxides, silicon oxides and aluminum Conclusion There are thousands of choices of materials to the stained glass artist and craftsperson. By being familiar with the choices available, creative in the making of those choices and skillful in design and composition, the stained glass artist can create a work of art that is complementary to the architecture of a building. While the selection of glass for a stained glass window is only one element of the successful creation of the window, it is certainly a vital element. The Accredited members of the Stained Glass Association of America are dedicated to the skillful and artistic creation of architectural stained glass. End http://www.stainedglass.org Sourcebook 2009 77 "); array_files[202]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-076.pdf","2009-03-04","146K"," SB2k9 Interior ","","","Sourcebook 2009 backgrounds; the fractures suggest multitudinous leaves or flowers in the distance, while the streamers suggest twigs or stems. For this reason, fracture colors are usually selected to correspond to the colors used in leaf or flower foregrounds. Hand-Rolled Drapery Glass: This glass ignites immediate interest in everyone who has ever cut glass. It is a heavily manipulated, folded and rippled glass. In some examples, the drapes can reach more than an inch in thickness. These thick folds were another Tiffany Studios invention. Tiffanys glaziers used them to suggest folded fabric (hence the term drapery) or flower blossoms such as in the famed Magnolia Window. English Muffle Glass: This glass, created using a particle roller, has a distinctive, star-shaped pattern. At one time, this glass was used extensively in Victorian panels. Ripple Glass: Overspinning the roller imparts a rippled surface to the hot glass. By moving the roller from side to side as it is being spun, a feathered or herringbone texture is given to the rippled sheet. rate phases of sheet glass production (raw material introduction, melting, sheet forming and annealing) and combined them into one continuous operation, making possible the production of large quantities of glass with very uniform and stable properties. Continuous rolled glass is made in electric ovens where the mix placed into the oven balances the glass taken from it. A continuous stream flows from the ovens into a series of rollers. After the rolling process, the glass hardens in 250 foot or longer annealing lehrs. The glass is cut into usable sections as it emerges from the lehr. This glass is usually very consistent in thickness, color and texture, and comes in a wide variety of both Cathedral and opalescent types. There are several rolled glasses that deserve special mention. These include: Ring Mottled Opalescent Glass: Ring Mottled Opalescent was first introduced to the stained glass industry by the 76 Sourcebook 2009 Tiffany Studios of New York. This type of glass has a locally varying opacity; the rings are more opaque than the surrounding matrix. Ring mottled glass is used to provide color and image gradation that is nonstreaky, or non-linear. The naturally rounded shape of each ring breaks up the more typical streakiness of stained glass. The artist, using ring mottles, can create shading and imagery unavailable from other glass types. Fracture and Streamer Glass: The fractures are created by the addition of thin blown flakes of intensely colored glass, while the streamers are pulled or drawn strings of intense colors. Both fractures and streamers are quick-fused to the bottom of sheets during the rolling process. Fractures can be used either alone or in conjunction with streamers. Fracture and streamer glass is used primarily for Slab or Dalle Glass Slab or Dalle glass varies from 5/8 to 1 or more in thickness. Each piece (Dalle) of the slab glass is approximately 8 by 12. The glass is made by ladling directly into a mold. A Dalle de Verre or slab glass window is created today by cutting or breaking the slabs and joining them with a matrix of epoxy adhesive. Miscellaneous Other Glasses There is a wide range of glasses that are difficult to categorize into one of the above areas but that are still vitally important to the stained glass craftsperson. These include: Jewels: These are small decorative forms, generally faceted by hand or The Stained Glass Association of America "); array_files[203]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-075.pdf","2009-03-04","102K"," SB2k9 Interior ","","","The Stained Glass Association of America different surface patterns. Opalescent glass is a semi-opaque glass of milky or marbleized appearance and usually consists of one or more colors of glass mixed with the milk-white glass. Cathedral Glass: To create rolled cathedral glass, the molten glass is taken (ladled) from the furnace and placed on a flat table or roll area. If machine rolled, the glass is ladled directly into the rolling machine. The annealing process is essentially the same for this glass as for antique glass. The rolling process may involve single or double rolls. Rolled glass is usually a domestic glass of uniform thickness in a wide variety of colors and patterns. Rolled cathedral glass is smooth on one side and usually textured with one of a variety of patterns and texture characteristics. Metal rollers on the glass impress these patterns while it is hot. The names of these patterns generally describe the pattern. Hammered has a pebbly pattern; granite has dense texture; seedy incorporates air bubbles, and double rolled has two smooth sides. Ripple, moss, Florentine and Flemish are some of the more familiar long-time traditions in rolled patterned glass. These are, however, just a few of the wide selection available on todays market. Opalescent Glass: Opalescent glass is made in a number of ways, including as a single color; with the pigments that give the glass a streaky, mottled, or cloudy appearance; and with or without a surface texture. It can be both a most beautiful and challenging glass with which to work. This is because the pigments are mixed into opalescent glass by hand during manufacture, with the result that the color patterns and tones in the glass are never exactly the same in any two sheets. Opalescent glass has one characteristic that transparent glass does not: namely, that it can be seen in both transmitted and reflected light. Opalescent glass has color impregnated into it to the extent that the pigmentation is visible by light rays reflecting off it. It can be seen as well as seen through. Glass Casting: One method of casting a streaky sheet consists of scooping a partial ladle of molten glass from one furnace, filling the ladle with glass from a second (and sometimes a third) furnace and depositing the molten glass onto the casting table. Once deposited, it may be further mixed by hand with a stainless steel rod. This casting method requires only one caster. There are a number of other ways to mix hot glass: · Ladling first out of one tank, the caster can carefully deposit a small scoop of glass onto the surface of molten glass in the second tank. He then removes this floating glass island and enough surrounding glass to fill his ladle and carries the mixture to the casting table. · Two casters can remove partial ladles of glass from separate tanks simultaneously with one caster depositing his scoop into his partners ladle before the mixture is cast onto the rolling table. · Two casters scoop glass simultaneously from separate tanks. The first caster drops his glass onto the table while the second caster pours his scoop over the first scoop. Whichever the method of mixing, the glass is ultimately rolled into sheet form. Hand Rolled Glass: This glass is made by flattening the glass and rolling it out manually on a flat surface. With this process, it is possible to create special effects (heavy ripples, fracture and streamer glass, etc.) that are not obtainable in machine rolled glass. Machine Rolled Glass: The process for machine rolling of the glass is similar to hand rolling. The molten glass is ladled from the furnace and placed in the rolling machine, which then rolls the glass. Continuous Rolled Glass: During the 1920s, one of the most important technological advances in the history of sheet glass took place: the development of a production process called the continuous ribbon. This new system took four sepa- http://www.stainedglass.org Sourcebook 2009 75 "); array_files[204]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-074.pdf","2009-03-04","127K"," SB2k9 Interior ","","","Sourcebook 2009 An irregular banding and striping of the glass yields the variations of texture. These bands are of different thickness and produce a strong degree of tonal contrast. The stained glass masters used this glass early in the century to let a great deal of light into churches. Streaky: This glass has a light colored, clear white base layer of glass covered with one or more flashes of contrasting colors. The flashes are randomly spread in varying thickness, resulting in a free-flowing swirl of mixed coloration that creates some beautiful effects. Striated: Striations are made by the glass blower who, when the bubble is the size of a large ball, twists and turns it in an iron bowl lined with small spikes. This has the effect of streaking the glass with a fine, semi-regular network of striations that glitter in the sun. Pot Metal: All hand-blown glass is pot metal glass colored in the pot while molten. However, current usage of the term indicates glass of a single color throughout. Blank: This is a clear antique that has only the normal surface variations incumbent to blown glass with no added surface texturing. Crown Glass: Crown (or spun) glass is also a type of blown glass. It is rare today, but was widely used in early windows. The round, twirling bubble of blown glass is formed at the nub of an iron rod. Once the glass is blown, the blowpipe is removed. This leaves a hole in the glass bubble, to which an iron rod is attached. The rod is spun rapidly, and the hole is widened with a stick. The glass flares out to form a disc with a central knob, or bulls eye. This method is most seen today in the form of roundels and bullions. Bullions are originally the center of a sheet of spun crown glass. When glass is gathered during manufacture on the end of a glassblowers pipe and spun around on its own axis, then the centrifugal force of the movement pulls out the blob till it forms a spinning disc. This bullion is today specially cut out of the circular sheet of glass and sold. Roundels are in effect bullions that are produced in a finished, circular shape. The characteristic of the roundel is the knobby mark in its center where the rod has been cracked off. Machine-pressed roundels are identified by their centers, which are not as pointed as those of the hand-blown roundels. Roundels come in various colors and sizes and can be cut. Norman Slabs or Squares: Norman slab, or bottle glass, is a nineteenth-century invention. It is made by blowing a long bubble of glass into a rectangular mold. A hollow box shape is left when the mold is removed. The blowpipe end is cracked off, and the box is divided into five pieces. The glass is of uneven thickness, but has a brilliant effect. Drawn or Sheet Antique Glass This glass type is often called New Antique or Sheet Antique. It is a machine-made copy of the hand-blown antique. It is made by the vertical-draw, or Fourcault, method. The glass is pulled vertically through a one-piece refractory block in the draw chamber. An annealing lehr is mounted vertically over the refractory block. The cooled sheet of glass is cut into pieces of the desired size as it exits the lehr. In the case of German machine-made antique, a slight pattern, similar to the crystalline surface of the antique glass, is put on it as the glass goes through the first roller. Because of this method of manufacture, this glass has the desirable properties of extremely even thickness, excellent color control and high brilliance. In the French version, similar impressions are made by hand, and are more random in appearance. Rolled Glass There are three variations of rolled glass: hand rolled, machine rolled and continuous rolled. Glass rolled by the hand or machine is called either Cathedral (transparent) or Opalescent (semi-opaque). Generally speaking, Cathedral glass is of one color and is available with a large number of 74 Sourcebook 2009 The Stained Glass Association of America "); array_files[205]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-073.pdf","2009-03-04","110K"," SB2k9 Interior ","","","The Stained Glass Association of America is used, the glass acquires prominent chill marks that consist of a varied, random dimpling or rippling. Due to the manufacturing process, antique glass usually has more intense colors, more interesting textures and considerable variations in thickness and density of color from other types of glass. Antique glass, which can be either a domestic or an imported glass, is noted for its beautiful imperfections, called reams, bubbles or striations. Its method of manufacture limits the size of a sheet to less than half the size of a rolled sheet. Although most hand-blown glass comes from England, France and Germany, several companies in the United States produce distinctive and beautiful hand-blown glass. Semi-antique glass, another variation of antique glass, is blown with the help of a compressor into extremely long, large bubbles approximately 14 inches in diameter and 5 feet long. In the blowing process, the cylinder is rotated up and down in a cylindrical trough to give an even shape to the bubble. This also helps to create part of the beautiful crystalline surface texture of this glass. Because of the large size of the cylinders blown, this glass has a very consistent thickness and even color, and also has excellent cutting properties. Antique glass includes the following varieties: Seedy (sometimes referred to as bubbles): Bubbles in the glass are obtained by blowing the molten glass before the mixture of silica sand, borax, and coloring matter has boiled itself free of sulphurous gases formed in the heat of its creation. Placing a block of wood soaked in water onto a stir-rod and gently stirring the molten glass is another method used to obtain seeds. Gently stirring the molten glass, top to bottom, causes oxidation of the molten glass by entrapping the air. Normally, a 100-pound batch of glass can be seeded only twice -- once when the pot is full and again when the pot has been a little more than half worked. The most heavily seeded sheets will come or be cast from the first half or so of the pot. Seed intensity diminishes in casting the last of the molten mass. Crackle: After the cylinder is blown, it is immersed for an instant in water. This cools the outside surface but not the central core. The resulting surface of the glass is similar to an alligator skin; it has a very interesting and random look. Flashed: Flashed antique glass is a double layer of hand-blown glass consisting of a thicker base that is usually clear or lightly colored and a thinner veneer of a brighter color. In production, a base color or clear glass is dipped into another super-heated glass and coated like a candy apple. Light passing through the double layer mixes the two colors visual- ly. The color in flashed glass often varies considerably. This is caused by an uneven distribution of the coated inner layer. The varying values evident in flashed glass are often sought after for shading and artistic dimension. The flashed layer can also be etched, engraved or even sandblasted to produce interesting designs, or to incise a legend or dedication, a name or date. Opal or Opaline: Opaline glass is flashed with white glass. This is not the same as opalescent glass, although both use fluorides or phosphates to achieve a light-diffusing translucent effect. Opak: Similar to Opal, but with a thicker flash. This makes it less translucent. Goethe: Similar to glass made during the Colonial Period of America, this glass includes slight distortions, pits, imperfections and a non-striated surface. Reamy: This glass displays a high degree of wavy, fluid motion that gives it a very old or primitive, handmade look. Sourcebook 2009 73 http://www.stainedglass.org "); array_files[206]=new Array(0,4,"http://www.sgaaonline.com/SB-PDF/Sourcebook-072.pdf","2009-03-04","59K"," SB2k9 Interior ","","","Glass for Stained Glass I t is paradoxical that textural imperfections in glass, either on its surface or internally, tend to make the glass more attractive. These imperfections are, in fact, far from being the eyesores that one might suppose; quite the opposite, variations in a section of glass improve the overall effect of the glass. The reason for this is that any irregularities inside the glass will break light rays into myriad light particles that then refract in a multitude of directions. The effect can be visually explosive. Any piece of glass can be interesting and both a legitimate and highly desirable component of any work. Expertise in glass selection can only come with an intimate knowledge of what is available to the stained glass craftsperson. Knowledge of the different glasses available, both in sheets and as specialty glass, will enable the artisan to choose glass best suited for a particular project. The diverse glasses available are of several distinct types, each sharing common elements such as color, texture and translucency. Color is achieved in glass through the use of chemicals, normally metal oxides and sulfides that act as pigments in glass. For example, manganese oxide produces a purple colored glass; cobalt, a blue; cadmium sulfide, a canary yellow; and selenium, a red. Chemicals can also be used in specific combinations in glass to form either distinct colors or multicolored patterns. An understanding of color and color patterns available in glass will allow the craftsperson to utilize color to its greatest benefit. Translucency is a second aspect of glass of which the craftsperson is aware. Decorative glass ranges in density of color from almost transparent to semiopaque. (When the term opaque or opalescent is used in leaded glasswork, it is understood to describe glass in which the transmission of light is considerably reduced but not totally eliminated.) 72 Sourcebook 2009 Whether to choose glass that transmits a little or a great deal of light depends on client preference and on the end purpose of the project undertaken. There are no hard and fast rules governing the selection of a given translucency in glass. The third characteristic of glass that can be utilized creatively is its surface and internal texture. A great deal of the colored glass that a leaded glass practitioner uses is fairly uniform in thickness, with smooth top and bottom surfaces. Nevertheless, some glasses do have surface textural qualities. The stained glass craftsperson knows when these glasses can be best incorporated into a design to add sophistication, variety and sparkle. Some machine-rolled glass is patterned on one side in various configurations, such as a granular or rippled. One side of a sheet of glass must always be made relatively smooth during manufacture so that it can be scored with a glasscutter. Textures not only give glass a tactile quality, but modify the transmission of light in its own unique fashion so that the light rays, on striking the uneven surface of the glass, are refracted through it at different angles. The result can greatly enhance the overall effect of the glass, giving it a dazzling aliveness. Internal texture patterns are also present in some glasses and can be used with remarkable results. Tiffany used to make a spectacular fractured glass consisting of splinters or flakes of differently colored glass superimposed on top of each other and pressed into a single sheet. Today, several manufacturers have succeeded in successfully reproducing glass similar to what Tiffany made many years ago. Another internal pattern, called seedy, contains both large and small air bubbles inside the glass itself. These internal texture variations also serve to modify the way light is transmitted through glass. The types of glass available to the stained glass craftsperson may seem confusing and perhaps endless. However, there are four basic manufacturing methods used in making glass: blown glass, drawn glass, rolled glass and poured glass. These four basic types of glass, plus some miscellaneous glasses that are difficult to categorize, encompass virtually every glass used by the stained glass craftsperson. The unique characteristic of glass is, of course, that glass allows light to pass through it. Glass has a different index of refraction than air; thus light rays passing through any glass will be altered. Imperfections in the glass itself, including variations in the thickness of the glass or flaws in the glass, create a changing shimmer or iridescence. For these reasons, glass used in the stained glass craft is produced in a manner to encourage these imperfections. Following are descriptions of these basic types of glass. Blown Glass A glassblower using a blowpipe and molten glass creates blown glass. Blown glass includes antique, crown and Norman Slab. Antique: The term antique refers not to the age of the glass, but rather to the centuries-old method of blowing a cylinder and subsequently flattening that cylinder into a sheet of glass. It is made in what is believed to be the same method used to produce glass for medieval stained glass windows. The glass created by this method is extremely beautiful and translucent. It has vibrant color and is characterized by bubbles, striations and imperfections that catch and reflect light. Some antique glass is mold blown. The partially blown glass is placed into a hinged cylindrical mold and blown to fill the mold. If the mold is wood, the glass has almost no